谁能给我一篇关于 上帝也疯狂 的电影观后感啊
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Looked after the movie, I thought the movie must demonstrate is civilized VS is barbaric, lets the human carefully examine the modern civilization development again until now to human own influence. We saw in the movie what “the civilization” brings is the authority battle, is the war, is between the human and the human hostile ......Should we reconsider how regarding “the modern civilization”? The flat and thin piece begins the somewhat dim colored picture.The 80's flat and thin pieces look like the popular science film which we usually looked.Burning hot happy African scenery.The animals nearby the sunlight, the hay, the rivers run, caper.Then the leisurely and carefree world, the harmony is ubiquitous.Then the lens change to the busy modern civilization.The city very fast runs, people each other bustles about.Underwent Soviet's travel to let two kind of civilizations have the point of intersection, two each other separated parallel lines, connected mutually, hit in my heart the intense restlessness and ashamed.Compares with these chaste tribe leaders, our civilization obtained the electricity, the automobile, snatches, but has also lost nicely, sincere, unity.We are selfish, violence, narrow. In the heart the most gentle place is undergone thoroughly Soviet sincere and nicely is being moved.We have the most beautiful chaste mind originally, was we lost it.We have chosen our comfortable life, as far as possible seizes us to need, therefore gave up pure and happy.We chose have sieged oneself in the lock with the wall in, was defending our property, the thin number, has while convenient locked our heart.Therefore we gave up free and the natural air.We chose the style of speaking to be graceful, have an easy-going manner.But simultaneously we gave oneself have taken to bring with the serious social shackles.These days high ground are extravagant, enjoyed sunlight and the sentimental day recklessly is discarded crazily by us. In the primitive clan and tribe the human is simple, is good, between human and human harmony happiness, this is one kind of near ideal paradise countryside madrigal -like life.Because but we also watch in the movie triumphant to be unable with the outside person to communicate, has brought many “the trouble”.Inside this has a question to have to ponder similarly, how “they” should both maintain own fine tradition in the modern society, and can integrate to in the world which changes with each new day? At the same time, undeniable, the civilized step needs to continue to make great strides forward forward; On the other hand, the modern civilization cannot become buries human own sharp weapon, therefore while humanity more and more civilise, must maintain humanity's natural disposition.
看完影片后，我个人觉得影片要展示的是文明VS野蛮,让人重新去审视现代文明发展至今对人类自身的影响。
在影片中我们看到“文明”所带来的是权力的争斗，是战争，是人与人之间的敌对……对于“现代文明”我们该如何反思？
片子开头上有些黯淡的彩色画面。80年代的片子像一部我们平常看的科教片。炎热美好的非洲风景。动物们在阳光、干草、河流边奔跑，跳跃。那么悠闲的世界，和谐无处不在。然后镜头转到繁忙的现代文明。城市飞快地奔跑，人们彼此忙碌。历苏的旅行让两种文明有了交点，两条彼此分开的平行线，相互交汇，撞得我心中强烈的不安和羞耻。和那些纯洁的部落首领相比，我们的文明得到了电，汽车，抢，但也失去了善良，真诚，团结。我们自私，暴力，狭隘。
心里最柔和的地方彻底被历苏的真诚和善良感动着。我们本来就拥有最美丽纯洁的心灵，是我们丢失了它。我们选择了我们的舒适生活，尽可能的攫取我们需要的，所以放弃了纯真的和美好的。我们选择了把自己围困在锁和墙内，守着我们的财产，细数，顺便锁上了我们的心。所以我们放弃了自由和自然的空气。我们选择了谈吐优雅，举止大方。但是同时我们给自己带上了沉重的社会枷锁。那些天高地阔，肆意享受阳光和感情的日子被我们疯狂地丢弃了。
原始部族中人的纯朴、善良，人与人之间其乐融融，这是一种近乎理想的世外桃源的田园牧歌式的生活。但我们也看到影片中凯因与外界的人无法沟通，带来了诸多的“麻烦”。这里面有个问题同样要思考，在现代社会中“他们”该如何既保持自身的优良传统，又能融入到日新月异的世界中？一方面，不可否认，文明的步伐需要继续向前迈进；另一方面，现代文明不能成为埋葬人类自身的锐利武器，所以在人类越来越文明化的同时，更要保持人类的本性。
看完影片后，我个人觉得影片要展示的是文明VS野蛮,让人重新去审视现代文明发展至今对人类自身的影响。
在影片中我们看到“文明”所带来的是权力的争斗，是战争，是人与人之间的敌对……对于“现代文明”我们该如何反思？
片子开头上有些黯淡的彩色画面。80年代的片子像一部我们平常看的科教片。炎热美好的非洲风景。动物们在阳光、干草、河流边奔跑，跳跃。那么悠闲的世界，和谐无处不在。然后镜头转到繁忙的现代文明。城市飞快地奔跑，人们彼此忙碌。历苏的旅行让两种文明有了交点，两条彼此分开的平行线，相互交汇，撞得我心中强烈的不安和羞耻。和那些纯洁的部落首领相比，我们的文明得到了电，汽车，抢，但也失去了善良，真诚，团结。我们自私，暴力，狭隘。
心里最柔和的地方彻底被历苏的真诚和善良感动着。我们本来就拥有最美丽纯洁的心灵，是我们丢失了它。我们选择了我们的舒适生活，尽可能的攫取我们需要的，所以放弃了纯真的和美好的。我们选择了把自己围困在锁和墙内，守着我们的财产，细数，顺便锁上了我们的心。所以我们放弃了自由和自然的空气。我们选择了谈吐优雅，举止大方。但是同时我们给自己带上了沉重的社会枷锁。那些天高地阔，肆意享受阳光和感情的日子被我们疯狂地丢弃了。
原始部族中人的纯朴、善良，人与人之间其乐融融，这是一种近乎理想的世外桃源的田园牧歌式的生活。但我们也看到影片中凯因与外界的人无法沟通，带来了诸多的“麻烦”。这里面有个问题同样要思考，在现代社会中“他们”该如何既保持自身的优良传统，又能融入到日新月异的世界中？一方面，不可否认，文明的步伐需要继续向前迈进；另一方面，现代文明不能成为埋葬人类自身的锐利武器，所以在人类越来越文明化的同时，更要保持人类的本性。
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This is not a great movie but it uses the differences between the civilized white man against the uncivilized Bushman and with that simple tool it becomes hilarious. Civilized in the white man's eyes, I must add to that. This is one of those movies where every gag works, no matter how simple and silly it is. Most of the time the movie is slapstick comedy the way we see it in Chaplin- or Laurel & Hardy-shorts. We even have the fast forward sequence where people are running away from something.
The movie opens with a look on the Bushmen and a narrator (Paddy O'Byrne) tells us what kind of people they are; friendly and without any knowledge about the world not that far from their Kalahari desert. When they see a plane they think it is a strange bird or even a god. One day a pilot throws a glass bottle out of his airplane and the thing is found by the Bushmen. They have never seen anything that is a smooth and hard as this object and they find it very useful. They think it is a gift from the gods. The problem is that the gods have given only one object and for the first time they have to share something that is very hard to share. For the first time they feel emotions such as anger and jealousy. It is decided that the thing is an Evil Thing and must be thrown of the earth and Xixo (N!xau, a real Bushman) is the one to do that. These early scenes give a very funny view on how the civilized white man has become what he is today.
In the meanwhile we have met Andrew Steyn (Marius Weyers) who does field research not far from the Bushman and Kate Thompson (Sandra Prinsloo) who was tired of her job and now wants to do something with children in Botswana. Steyn must pick up Kate and bring her to the village and this is where the slapstick begins. Steyn is a man who gets very nervous when is around women and with Kate he must be the most clumsy guy there is. We have also met Sam Boga (Louw Verwey) who wants to do a coup but fails and he is now running for the police. We know how all these stories will come together but that is not a bad thing. It only uses the story to show us differences between people, to show that the white man is not necessarily the civilized man and it does this with great comedy.
‘The Gods Must Be Crazy' with its simple humor works a lot better then most of the modern comedies. The way the Bushmen talk is funny enough to like this movie. Fortunately there is so much more including a little message.
South African director Jamie Uys caught lightning in a bottle with The Gods Must Be Crazy--a Coke bottle, to be specific. This slaphappy collection of goofy pratfalls and culture-clash gags became an enormous international smash, and made a sort of star out of the Bushman selected to play the central role, the completely ingratiating N!Xau. He plays a man, unaware of white culture, who finds a Coca-Cola bottle in the Kalahari (dropped by a passing pilot) and promptly has his life turned around by this mystical object. The movie looks slipshod and even amateurish at times, yet its attitude is so bubbly it's hard to resist. Proving that physical comedy remains a true international language, millions of moviegoers around the world drank it up.
简单的翻译 ：
这不是一个伟大的电影，但它的用途之间的分歧文明白人男子对不文明bushman结合起来，同简单的工具，它变成搞笑。文明在白人男子的眼睛，我要补充。这是其中的那些影片，每一个的gag作品，不管多么简单和愚蠢的答案是肯定的。大部分的时间，这部电影是喜剧片，喜剧的方式，我们看到它在卓别林或劳雷尔＆哈-短裤。我们甚至有快速前进序列，人们都离家出走了。
电影打开一看就布和叙述者（水田o'byrne ）告诉我们，什么样的人，他们是;友善，没有任何深入了解世界，不是远离自己的喀拉哈里沙漠。当他们看到飞机，他们觉得这是个奇怪的鸟，甚至是上帝。一天一个试点抛出一个玻璃瓶出他的飞机并在事发现由布。他们从来没有见过这是一个平稳和努力，因为这个对象，他们觉得非常有用。他们认为这是一个礼物，从神。问题是，神给了只有一个对象，并首次时间，他们要分享的东西，这是非常难的份额。为他们第一次感到情绪，例如愤怒和嫉妒。这是决定这件事是一种邪恶的事情，必须抛出的地球和xixo （ ！ xau ，一个真实的bushman ）是一个这样做的。这些早期的场景，让一个很有趣的观点就如何文明白人男子，已成为他的今天。
在此期间我们曾会见郑家富steyn （ marius weyers ）谁做田野调查，不远处从bushman和凯特汤普森（桑德拉prinsloo ）谁是厌倦了她的工作，现在想做点事，与孩子们一起在博茨瓦纳。 steyn必须拿起凯特，并把她向村和这里是喜剧片，开始了。 steyn ，是一个人取得非常紧张的时候，是周围的妇女和凯特，他必须是最拙劣的家伙存在。我们也碰到了萨姆博加（ louw verwey ）谁想做的事政变，但没有和他现在是运行为警察。我们知道如何所有这些故事将走到一起，但这并不是一件坏事。它只是利用这个故事来说明我们之间的分歧的人，这表明了白人男子，不一定是文明的人与它是否与这个伟大的喜剧。
'神要疯了'其简单幽默的作品好多了，然后大部分的现代喜剧。方式布谈话是搞笑不够喜欢这部电影。幸好现在有那么多的更包括一个小的讯息。
南非主任杰米uys陷入闪电在瓶与神要疯了-可乐瓶，要具体。这slaphappy收集goofy pratfalls和文化冲突糖胺聚糖成为一个巨大的国际粉碎，并作出了某种明星出的bushman挑选发挥核心作用，完全取悦n ！ xau 。他饰演一位男子，不知道有白人文化，谁找的可口可乐瓶在卡拉哈里（下跌及格试点） ，并及时，有他的生活扭转这个神秘物体。影片看似粗疏，甚至外行的时候，但其态度是如此奔放，它的难以抗拒。证明身体喜剧仍然是一个真正的国际语言，数以百万计的电影观众在世界各地喝了
The movie opens with a look on the Bushmen and a narrator (Paddy O'Byrne) tells us what kind of people they are; friendly and without any knowledge about the world not that far from their Kalahari desert. When they see a plane they think it is a strange bird or even a god. One day a pilot throws a glass bottle out of his airplane and the thing is found by the Bushmen. They have never seen anything that is a smooth and hard as this object and they find it very useful. They think it is a gift from the gods. The problem is that the gods have given only one object and for the first time they have to share something that is very hard to share. For the first time they feel emotions such as anger and jealousy. It is decided that the thing is an Evil Thing and must be thrown of the earth and Xixo (N!xau, a real Bushman) is the one to do that. These early scenes give a very funny view on how the civilized white man has become what he is today.
In the meanwhile we have met Andrew Steyn (Marius Weyers) who does field research not far from the Bushman and Kate Thompson (Sandra Prinsloo) who was tired of her job and now wants to do something with children in Botswana. Steyn must pick up Kate and bring her to the village and this is where the slapstick begins. Steyn is a man who gets very nervous when is around women and with Kate he must be the most clumsy guy there is. We have also met Sam Boga (Louw Verwey) who wants to do a coup but fails and he is now running for the police. We know how all these stories will come together but that is not a bad thing. It only uses the story to show us differences between people, to show that the white man is not necessarily the civilized man and it does this with great comedy.
‘The Gods Must Be Crazy' with its simple humor works a lot better then most of the modern comedies. The way the Bushmen talk is funny enough to like this movie. Fortunately there is so much more including a little message.
South African director Jamie Uys caught lightning in a bottle with The Gods Must Be Crazy--a Coke bottle, to be specific. This slaphappy collection of goofy pratfalls and culture-clash gags became an enormous international smash, and made a sort of star out of the Bushman selected to play the central role, the completely ingratiating N!Xau. He plays a man, unaware of white culture, who finds a Coca-Cola bottle in the Kalahari (dropped by a passing pilot) and promptly has his life turned around by this mystical object. The movie looks slipshod and even amateurish at times, yet its attitude is so bubbly it's hard to resist. Proving that physical comedy remains a true international language, millions of moviegoers around the world drank it up.
简单的翻译 ：
这不是一个伟大的电影，但它的用途之间的分歧文明白人男子对不文明bushman结合起来，同简单的工具，它变成搞笑。文明在白人男子的眼睛，我要补充。这是其中的那些影片，每一个的gag作品，不管多么简单和愚蠢的答案是肯定的。大部分的时间，这部电影是喜剧片，喜剧的方式，我们看到它在卓别林或劳雷尔＆哈-短裤。我们甚至有快速前进序列，人们都离家出走了。
电影打开一看就布和叙述者（水田o'byrne ）告诉我们，什么样的人，他们是;友善，没有任何深入了解世界，不是远离自己的喀拉哈里沙漠。当他们看到飞机，他们觉得这是个奇怪的鸟，甚至是上帝。一天一个试点抛出一个玻璃瓶出他的飞机并在事发现由布。他们从来没有见过这是一个平稳和努力，因为这个对象，他们觉得非常有用。他们认为这是一个礼物，从神。问题是，神给了只有一个对象，并首次时间，他们要分享的东西，这是非常难的份额。为他们第一次感到情绪，例如愤怒和嫉妒。这是决定这件事是一种邪恶的事情，必须抛出的地球和xixo （ ！ xau ，一个真实的bushman ）是一个这样做的。这些早期的场景，让一个很有趣的观点就如何文明白人男子，已成为他的今天。
在此期间我们曾会见郑家富steyn （ marius weyers ）谁做田野调查，不远处从bushman和凯特汤普森（桑德拉prinsloo ）谁是厌倦了她的工作，现在想做点事，与孩子们一起在博茨瓦纳。 steyn必须拿起凯特，并把她向村和这里是喜剧片，开始了。 steyn ，是一个人取得非常紧张的时候，是周围的妇女和凯特，他必须是最拙劣的家伙存在。我们也碰到了萨姆博加（ louw verwey ）谁想做的事政变，但没有和他现在是运行为警察。我们知道如何所有这些故事将走到一起，但这并不是一件坏事。它只是利用这个故事来说明我们之间的分歧的人，这表明了白人男子，不一定是文明的人与它是否与这个伟大的喜剧。
'神要疯了'其简单幽默的作品好多了，然后大部分的现代喜剧。方式布谈话是搞笑不够喜欢这部电影。幸好现在有那么多的更包括一个小的讯息。
南非主任杰米uys陷入闪电在瓶与神要疯了-可乐瓶，要具体。这slaphappy收集goofy pratfalls和文化冲突糖胺聚糖成为一个巨大的国际粉碎，并作出了某种明星出的bushman挑选发挥核心作用，完全取悦n ！ xau 。他饰演一位男子，不知道有白人文化，谁找的可口可乐瓶在卡拉哈里（下跌及格试点） ，并及时，有他的生活扭转这个神秘物体。影片看似粗疏，甚至外行的时候，但其态度是如此奔放，它的难以抗拒。证明身体喜剧仍然是一个真正的国际语言，数以百万计的电影观众在世界各地喝了
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