Question

英文翻译 请不要使用网络上的翻译软件，谢谢

I grew up in the 60’s and 70’s and was obsessed with pop music, pop culture and clothes. I spent my first pocket money on records. I always loved comic books, cartoons and anything that was of the moment.
I worked for a commodities company after leaving school at 18. My father got me the job there and I started as a messenger/ tea boy. I worked there for 12 years and I did many different jobs. I often used to go home after work and sleep so that I could go out later and check out music in clubs or concerts and DJ. It is hard to believe but Hip Hop was really underground at the time and there were only about 3 people in all of London who had two decks and a mixer to DJ with, it just wasn’t done. There weren’t that many DJs at the time in London, hardly any at all and I used to play at WAG Club in Soho (now closed), it had two floors, one played house music and we used to play upstairs in what they then called the “Rare Groove” floor. We used to play with the guys from Soul 2 Soul and that was the summer of love in England, people started taking ecstasy and craziness like that.
Sartorial correctness was vital and I was always keen to have the best stuff I could lay my hands on. This could be anything from street stuff to high fashion Japanese stuff to second hand. My parents were living in NYC during this time and I went over a lot. I had a great friend from London – James Lebon who was working there as a hairdresser. We hung out and I met a lot of great people like Jules Gayton, Paul Mittleman, Tim Easton, Albert Ragusa and Lysa Cooper, for example. I got to learn a lot about NYC by being there through the 80’s. James Lebon used to be on the door of the first Hip Hop club in London, the Language Lab – he was the 1st rapping hairdresser (Sexify You). I was always into music. We got into the culture through music. New York was a really exciting place to be in the early 80s.
I used to get boxes of clothes from Stüssy at work, and people, especially those I was working with, just didn’t understand it all. In London to wear Stüssy was a very big deal, wearing American streetwear back then was completely new and different, something, in a way, we could make our own. Stüssy was right in the middle of that. I had a leather track suit from Run DMC that I bought in Fulton St. Market which Tim Simmon borrowed and wore in his Bomb the Bass video. My friend James had custom made MCM track suits, custom made shoes, which, at the time, was crazy, but that was what it was all about. I just really wanted to be involved in the culture.
I thought about what I wanted to do when I was made redundant, and I went over to California to see Shawn and talk to him about what he was doing. I thought that I could probably really make the business work for him here in London.
还有一段
As his business wasn't working in the UK I wanted to work for him. I had some severance money and I started my own t-shirt / distribution company called Gimme5. I represented Stüssy, Hysteric Glamour and Judy Blame. I also brought in Levis jeans and Jackets (the Vintage Japanese collections) over to the UK. There was no going back to wearing a suit every day!

谢谢大家的帮助了

Answer 1

成长于60年代和70年代，并且醉心于流行音乐，流行文化和衣服。我花了我的第一个记录的零用钱。我总是喜欢漫画，漫画，以及任何的时刻。
我曾经为商品的公司在18后离开学校。我父亲让我的工作有，我作为一个信使/茶男孩开始。我曾经有12年，我做了很多不同的工作。我经常下班后回家睡觉，这样我可以出去后，检查出在俱乐部或音乐会和DJ音乐。很难相信，但嘻哈的确在地下的时间只有大约3伦敦所有谁有两个甲板和一个DJ调音台与人，只是没有这样做。有没有那么多的DJ在伦敦的时候，几乎没有在所有和我曾在苏豪区发挥水气交替注入俱乐部（现已关闭），它有两个楼层，1起的房子，我们用音乐和发挥他们在楼上当时称为“罕见的Groove”地板。我们用来播放从魂2灵魂的球员，这是在英国爱夏天，人们开始服用摇头丸之类的疯狂。
裁缝的正确性至关重要，我总是渴望得到最好的东西我能有我的手对。这可能是任何东西，从街道到时装的日本的东西在二手。我的父母住在纽约市在此期间，我去了很多。我有一个来自伦敦的伟大的朋友-詹姆斯勒邦谁正在作为一个理发师那里。我们挂了，我遇到了像朱盖顿，保罗Mittleman，添伊斯顿，阿尔贝拉古萨和利萨库珀，例如很多伟大的人民。我到那里学习的是通过了很多关于纽约80年代。詹姆斯勒邦原本位于第一嘻哈在伦敦俱乐部的大门，语言实验室-他是第一说唱理发师（Sexify你）。我总是为音乐。我们钻进了通过音乐文化。纽约是一个真正令人兴奋的地方是在80年代初。
我常常会从Stüssy工作服装盒，和人民，特别是那些与我的工作，只是不明白这一切。在伦敦穿Stüssy是一个非常大问题，美国的街头服饰穿着当时是全新的，不同的，这在某种程度上，我们可以做出自己。 Stüssy是正确的，中等。我有一个从运行契，我买了富尔顿街市场的蒂姆西蒙和他借炸弹巴斯视频穿皮田径服。我的朋友詹姆斯已亿立方米运动服定制，定制鞋，这在当时是疯了，但这这是什么一回事。我真的很想在文化活动。
我想我对我自己想做的事时，我被裁员，我去了加州看到肖恩，谈论他在做什么给他。我想我也许可以真正使在伦敦为他的业务在这里工作。

补充的：
由于他已经不在英国工作了我还想为他而工作.我还有一些离职金我就自己开了一家叫GAMME5的体恤衫公司，我是STUSSY，北村信彦，朱迪·不莱梅的代表，我也买里维斯的牛仔裤和夹克衫，这并不是一个只穿英国的西装的时代了！

Answer 2

我生长在60年代和70年代，是流行音乐，流行文化和衣服痴迷。我花了我的第一个记录的零用钱。我总是喜欢漫画，漫画，以及任何的时刻。我的商品公司工作的18后离开学校。我父亲让我的工作有，我作为一个信使/茶男孩开始。我曾经有12年，我做了很多不同的工作。我经常下班后回家睡觉，这样我可以出去后，检查出在俱乐部或音乐会和DJ音乐。很难相信，但嘻哈的确在地下的时间只有大约3伦敦所有谁有两个甲板和一个DJ调音台与人，只是没有这样做。有没有那么多的DJ在伦敦的时候，几乎没有在所有和我曾在苏豪区发挥水气交替注入俱乐部（现已关闭），它有两个楼层，1起的房子，我们用音乐和发挥他们在楼上当时称为“罕见的Groove”地板。我们用来播放从魂2灵魂的球员，这是在英国爱夏天，人们开始服用摇头丸之类的疯狂。
裁缝的正确性至关重要，我总是渴望得到最好的东西我能有我的手对。这可能是任何东西，从街道到时装的日本的东西在二手。我的父母住在纽约市在此期间，我去了很多。我有一个来自伦敦的伟大的朋友-詹姆斯勒邦谁正在作为一个理发师那里。我们挂了，我遇到了像朱盖顿，保罗Mittleman，添伊斯顿，阿尔贝拉古萨和利萨库珀，例如很多伟大的人民。我到那里学习的是通过了很多关于纽约80年代。詹姆斯勒邦原本位于第一嘻哈在伦敦俱乐部的大门，语言实验室-他是第一说唱理发师（Sexify你）。我总是为音乐。我们钻进了通过音乐文化。纽约是一个真正令人兴奋的地方是在80年代初。
我常常会从Stüssy工作服装盒，和人民，特别是那些与我的工作，只是不明白这一切。在伦敦穿Stüssy是一个非常大问题，美国的街头服饰穿着当时是全新的，不同的，这在某种程度上，我们可以做出自己。 Stüssy是正确的，中等。我有一个从运行契，我买了富尔顿街市场的蒂姆西蒙和他借炸弹巴斯视频穿皮田径服。我的朋友詹姆斯已亿立方米运动服定制，定制鞋，这在当时是疯了，但这这是什么一回事。我真的很想在文化活动。
我想我对我自己想做的事时，我被裁员，我去了加州看到肖恩，谈论他在做什么给他。我想我也许可以真正使在伦敦为他的业务在这里工作。
由于他的生意并没有在英国工作我想为他工作。我有一些遣散费钱，我开始自己的T恤/分销公司名为Gimme5。我代表Stüssy，歇斯底里魅力和朱迪责任。我还带来了莱维斯牛仔裤和夹克（在老式）日本集合了英国。没有回到穿着西装每一天！

Answer 3

巳看过全文,不难,多加点分,我跟你完成它.