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Plot.
The story took place long ago in ancient China, but also from one likes to roll, roll to roll to start with the pandas on ... ...
That panda is a noodle shop as an apprentice, although clumsy-handed, can barely find an occupation, but I do not like
Think, every day he no restrictions of any kind to daydreaming, his dream of one day big figures in the world of kung fu star and was a
A peak of the war. Don't look at Po 's " peaceful Valley " thriving serene scene, is in fact a crouching. Tiger, hidden.dragon Feng Shui treasure,
Do not say first five kung fu master is based on this, a Masters level master in seclusion here, but in a special tournament
- winning people to represent the " peaceful Valley " will the evil dragon permanently away, what would not A Bo but after a series of Yin
Poor Yang wrong after screen finch choose, let all surprised.
" Five Kung Fu Master peaceful Valley" a variety of attitudes of the dramatic results: upright, brave and fearless master tiger
Be worthy of the name of A Bo as a joke; friendly, naughty but very kind-hearted monkey master is one sees gamesome interesting expression;
The crane is the master of the five most " Motherhood" that one, he was very sympathetic awa; own master of the snakes while giving people the feeling slightly frivolous,
But the attitude on this matter if there is she changeable character, is less clear; Mantis master is one of the most intelligent of several master, he o
The wave is a helpless situation, always secretly help ... ... Finally, to awa-jiaocheng " Kung Fu Master " Maestro " master " gorgeous
Lili in the game, but a good effort does not mean that is perfect, " master " because of an error committed in the past, to the present
In all entangled in no way shiran. At present, his task, is the weakness that, in addition to doing what noodles are not the Awa training as a
Martial arts have the sufficient skills, can defeat a powerful enemy of the top fighters. As for that let everyone be on one's guard for the dragon, is a
Only very narcissism of the snow leopard, waiting for his revenge on this day, has been waiting for 20 years, but he had never dreamed of, oneself to
Is actually a giant panda.
Behind the scenes:
[ Panda " roll " into the Hollywood ]
Whether the green monster to retrieve my own entitlement -- " Shrek ", or a misfortune transferred out of the zoo,
Animal people trying to find your way home, " Madagascar ", DreamWorks Animation Department has been committed to the production of this kind of all ages
The audience loved the " idiot become a hero " animation story, because everyone has had a similar experience, or similar dreams, and
This type of entertainment based animation blockbuster, just to let them have some empathy, at least can cause you the moral level
Resonance.
So, when you hear a panda dreams of one day can be a kung fu master, this story will bring you a
What kind of feeling? Yes, that is a round, lassitude, torpor, attractive black and white bear, was his life
Should be holding a bamboo leisurely, but his heart was with a dream of the infinite, and that is a quick
Speed, spiritual level of deterrence and expert rapid reflexes light fighting art ... ... This is an awesome to
Method, maybe some people would call this " be more brave than wise ", but the so-called heroism, not all started in such a demand? Director John
Stephenson said: " I and another director Mark Osborn have been a father, I have two daughters, Osborn and have children of my own.
So our intention is very simple, is to make a can let the children enjoy the happiness at the same time and works of education, center
That is the spirit of ' and be your own hero ', reason very simple, you can be interpreted as ' never '. Do the same
, don't take the hope in others, as long as the real hard, you can get everything you want, try to put their best
That part of the show. " Then Osborn said: " from the beginning, this film has a special significance for me and Stephenson,
" Kung Fu Panda " to create a story theme, convey a very positive, positive and we are willing to believe that the information, and then
Think of ways to use the interesting experience and funny, spectacular anomaly action scenes will be the theme to enrich. "
For John Stephenson and Mark Osborn, have a good story ideas have ready plans to meet a situation, the following things will be easier
More, Stephenson said: " basically, we have made clear to extension direction, a more but also have to face the
An important problem, is to use what kind of method can reach our desired good end? We really want for this film gives a permanent
The constant theme, so will the story background in ancient China, but the content is not that the era of particular products, because
Great story is not subject to time limits -- we know clearly what they want should possess such qualities, a
The classic heroes of the growth story. Of course, as a film, " Kung Fu Panda " must be that both entertainment and
Humor funny movie, but also very cool action duel scene, however, our aim is not only to make a summer
The kind of cheerful, file usually appear bright film, Po the panda and his experiences, and the other is interspersed with
Interesting characters and creative visual effects ... ... In fact, we have been trying to move beyond that established film types. "
[ ] with the myth of life
Process of providing entertainment atmosphere and motivational information in decisions about a panda dream story whether can, two directors John
Stephenson and Mark Osborne's plan is to create a myth, especially the film relates to or " Panda" this creature, listen
It is like a story that happened in ancient china. Stephenson had previously as a TV serial story artist and illustrator has
Working for Jim Hansen, then in 1999 joined DreamWorks Animation Department, he said: " I have been at DreamWorks, and from there to
The director of an animated TV series " father of the pride ", I was the end of that season, do the preparatory work, when DreamWorks
Asked me if I wanted to make a film called " Kung Fu Panda " feature film ... ... When I was still in the growth of the last century 70's, kung fu films
Is I most loves, of course including David Carradine's TV series " Kung Fu ", I think this should be a very interesting
The challenge, so I answered without thinking: I would like to. "
John Stephenson said he has been in recent years from more conventional " talking animal " looking for a movie
New in order to be different, and around " Kung Fu Panda " concept of harmonious elements are derived in, also has affected his mood, because
For this he recalled from almost 10 years ago, in the depths of his heart agitated feelings, when he was part of the DreamWorks Animation
Product is busy, very few people pay attention to in the beginning, but later because the film 's creativity and recognized the film industry --
The rewrite the history of animated film " Shrek ".
Before " Shrek " has not officially opened, a man named Mark Osborne film on the film festival stop moving
Painting film " more " ( More ) created a very sensitive topic, " more " won the Oscar for Best Animated
Short film nomination at the same time, also created more chances, for this talented film director Osborn said: " one of those opportunities
From DreamWorks, I came here as a director, to find a suitable for their own movies, and worked on it for many years, do
Are generally chores, sometimes for a film written statement, sometimes when people don't determine what should be done, I help them.
Extension of the story. Later, I heard that the " Kung Fu Panda " news, I really think this story is a good idea, I wrote a for this film
Multiple annotations, soon after, when DreamWorks decided to take it on the big screen, let me also joined in. The time for this film
Tablets, we already have some distinctive character, and the site of the main story line, but they are still not sure to what
The development direction of it. I did have a " Kung Fu Panda " as a springboard, it not only helped me into the mainstream film industry, also will be the first time
Let me insight into the development of CGI technology. "
" The immortal myth story about Kung Fu Panda " in nature, is a panda as the central role of expansion, therefore,
DreamWorks spent a few years time, he wanted to film to find a reference point, but all the proposals have no way to let everyone involved.
Satisfied. Fortunately, the team with the help of ebullience, movie people finally mining to hide the very rich in the resources under the table.
Context, in fact, have to be inexhaustible point. With this wealth of material as the foundation stone, almost to the need to use the story
Show some characteristics of the.
Subsequently, two responsible for the exploration depth of content writers to join in, they are telling stories very talented Jonathan
Abel ( Jonathan Aibel ) and Glen Berger ( Glenn Berger ), Abel said: " I want to say is, we refine it in
Before, they do have a very great theme, Berger and I took a week, only to do their
Consultant, help them all with refinement: here are the need for what kind of scene? The role of the right place? How to make some
The details become the focus of attention for all? So, our job is to advise ... ... Then, a week of work a month,
And then extended to three months, finally turned into 19 months, we are totally immersed in it, identity from the consultant turned writer. "
Another writer Berger attention where you and Abel are not the same, he said: " the story itself can make use of the resources is too high
Rich, even a bit over the top, let people see things in a blur of fight scenes, many wonderful comic moment - we like cutting
At the leaves are too many forests, to find the core goals they have been targeted, in such a beautiful world, plus many
Interesting role, we come very naturally on the initiation of creation desire. "
Because of " Kung Fu Panda " revolves around the protagonist Po expansion, so the film people are gathered together several times, only to discuss
The story should be the direction of development: who is he? What does he want? How was he going to get what you want? What happened? How to end?
All of these are not only by a special scene, a joke or a fragment can be solved, they must maintain living about it
In the process of smooth things, once reached consensus, the thing is much more simple, Glen Berger said: " in the film
Each stage has problems may arise, so whether any time, as long as people put forward different views on some aspects, we are
Will carefully thinking, and then find a solution. " Jonathan Abel continued: " we most often discussed in general are: whether can
To make it more fun? More dramatic? Or the action scenes more exciting point? For an animated film, is interesting
Taste is a very practical significance. "
The story took place long ago in ancient China, but also from one likes to roll, roll to roll to start with the pandas on ... ...
That panda is a noodle shop as an apprentice, although clumsy-handed, can barely find an occupation, but I do not like
Think, every day he no restrictions of any kind to daydreaming, his dream of one day big figures in the world of kung fu star and was a
A peak of the war. Don't look at Po 's " peaceful Valley " thriving serene scene, is in fact a crouching. Tiger, hidden.dragon Feng Shui treasure,
Do not say first five kung fu master is based on this, a Masters level master in seclusion here, but in a special tournament
- winning people to represent the " peaceful Valley " will the evil dragon permanently away, what would not A Bo but after a series of Yin
Poor Yang wrong after screen finch choose, let all surprised.
" Five Kung Fu Master peaceful Valley" a variety of attitudes of the dramatic results: upright, brave and fearless master tiger
Be worthy of the name of A Bo as a joke; friendly, naughty but very kind-hearted monkey master is one sees gamesome interesting expression;
The crane is the master of the five most " Motherhood" that one, he was very sympathetic awa; own master of the snakes while giving people the feeling slightly frivolous,
But the attitude on this matter if there is she changeable character, is less clear; Mantis master is one of the most intelligent of several master, he o
The wave is a helpless situation, always secretly help ... ... Finally, to awa-jiaocheng " Kung Fu Master " Maestro " master " gorgeous
Lili in the game, but a good effort does not mean that is perfect, " master " because of an error committed in the past, to the present
In all entangled in no way shiran. At present, his task, is the weakness that, in addition to doing what noodles are not the Awa training as a
Martial arts have the sufficient skills, can defeat a powerful enemy of the top fighters. As for that let everyone be on one's guard for the dragon, is a
Only very narcissism of the snow leopard, waiting for his revenge on this day, has been waiting for 20 years, but he had never dreamed of, oneself to
Is actually a giant panda.
Behind the scenes:
[ Panda " roll " into the Hollywood ]
Whether the green monster to retrieve my own entitlement -- " Shrek ", or a misfortune transferred out of the zoo,
Animal people trying to find your way home, " Madagascar ", DreamWorks Animation Department has been committed to the production of this kind of all ages
The audience loved the " idiot become a hero " animation story, because everyone has had a similar experience, or similar dreams, and
This type of entertainment based animation blockbuster, just to let them have some empathy, at least can cause you the moral level
Resonance.
So, when you hear a panda dreams of one day can be a kung fu master, this story will bring you a
What kind of feeling? Yes, that is a round, lassitude, torpor, attractive black and white bear, was his life
Should be holding a bamboo leisurely, but his heart was with a dream of the infinite, and that is a quick
Speed, spiritual level of deterrence and expert rapid reflexes light fighting art ... ... This is an awesome to
Method, maybe some people would call this " be more brave than wise ", but the so-called heroism, not all started in such a demand? Director John
Stephenson said: " I and another director Mark Osborn have been a father, I have two daughters, Osborn and have children of my own.
So our intention is very simple, is to make a can let the children enjoy the happiness at the same time and works of education, center
That is the spirit of ' and be your own hero ', reason very simple, you can be interpreted as ' never '. Do the same
, don't take the hope in others, as long as the real hard, you can get everything you want, try to put their best
That part of the show. " Then Osborn said: " from the beginning, this film has a special significance for me and Stephenson,
" Kung Fu Panda " to create a story theme, convey a very positive, positive and we are willing to believe that the information, and then
Think of ways to use the interesting experience and funny, spectacular anomaly action scenes will be the theme to enrich. "
For John Stephenson and Mark Osborn, have a good story ideas have ready plans to meet a situation, the following things will be easier
More, Stephenson said: " basically, we have made clear to extension direction, a more but also have to face the
An important problem, is to use what kind of method can reach our desired good end? We really want for this film gives a permanent
The constant theme, so will the story background in ancient China, but the content is not that the era of particular products, because
Great story is not subject to time limits -- we know clearly what they want should possess such qualities, a
The classic heroes of the growth story. Of course, as a film, " Kung Fu Panda " must be that both entertainment and
Humor funny movie, but also very cool action duel scene, however, our aim is not only to make a summer
The kind of cheerful, file usually appear bright film, Po the panda and his experiences, and the other is interspersed with
Interesting characters and creative visual effects ... ... In fact, we have been trying to move beyond that established film types. "
[ ] with the myth of life
Process of providing entertainment atmosphere and motivational information in decisions about a panda dream story whether can, two directors John
Stephenson and Mark Osborne's plan is to create a myth, especially the film relates to or " Panda" this creature, listen
It is like a story that happened in ancient china. Stephenson had previously as a TV serial story artist and illustrator has
Working for Jim Hansen, then in 1999 joined DreamWorks Animation Department, he said: " I have been at DreamWorks, and from there to
The director of an animated TV series " father of the pride ", I was the end of that season, do the preparatory work, when DreamWorks
Asked me if I wanted to make a film called " Kung Fu Panda " feature film ... ... When I was still in the growth of the last century 70's, kung fu films
Is I most loves, of course including David Carradine's TV series " Kung Fu ", I think this should be a very interesting
The challenge, so I answered without thinking: I would like to. "
John Stephenson said he has been in recent years from more conventional " talking animal " looking for a movie
New in order to be different, and around " Kung Fu Panda " concept of harmonious elements are derived in, also has affected his mood, because
For this he recalled from almost 10 years ago, in the depths of his heart agitated feelings, when he was part of the DreamWorks Animation
Product is busy, very few people pay attention to in the beginning, but later because the film 's creativity and recognized the film industry --
The rewrite the history of animated film " Shrek ".
Before " Shrek " has not officially opened, a man named Mark Osborne film on the film festival stop moving
Painting film " more " ( More ) created a very sensitive topic, " more " won the Oscar for Best Animated
Short film nomination at the same time, also created more chances, for this talented film director Osborn said: " one of those opportunities
From DreamWorks, I came here as a director, to find a suitable for their own movies, and worked on it for many years, do
Are generally chores, sometimes for a film written statement, sometimes when people don't determine what should be done, I help them.
Extension of the story. Later, I heard that the " Kung Fu Panda " news, I really think this story is a good idea, I wrote a for this film
Multiple annotations, soon after, when DreamWorks decided to take it on the big screen, let me also joined in. The time for this film
Tablets, we already have some distinctive character, and the site of the main story line, but they are still not sure to what
The development direction of it. I did have a " Kung Fu Panda " as a springboard, it not only helped me into the mainstream film industry, also will be the first time
Let me insight into the development of CGI technology. "
" The immortal myth story about Kung Fu Panda " in nature, is a panda as the central role of expansion, therefore,
DreamWorks spent a few years time, he wanted to film to find a reference point, but all the proposals have no way to let everyone involved.
Satisfied. Fortunately, the team with the help of ebullience, movie people finally mining to hide the very rich in the resources under the table.
Context, in fact, have to be inexhaustible point. With this wealth of material as the foundation stone, almost to the need to use the story
Show some characteristics of the.
Subsequently, two responsible for the exploration depth of content writers to join in, they are telling stories very talented Jonathan
Abel ( Jonathan Aibel ) and Glen Berger ( Glenn Berger ), Abel said: " I want to say is, we refine it in
Before, they do have a very great theme, Berger and I took a week, only to do their
Consultant, help them all with refinement: here are the need for what kind of scene? The role of the right place? How to make some
The details become the focus of attention for all? So, our job is to advise ... ... Then, a week of work a month,
And then extended to three months, finally turned into 19 months, we are totally immersed in it, identity from the consultant turned writer. "
Another writer Berger attention where you and Abel are not the same, he said: " the story itself can make use of the resources is too high
Rich, even a bit over the top, let people see things in a blur of fight scenes, many wonderful comic moment - we like cutting
At the leaves are too many forests, to find the core goals they have been targeted, in such a beautiful world, plus many
Interesting role, we come very naturally on the initiation of creation desire. "
Because of " Kung Fu Panda " revolves around the protagonist Po expansion, so the film people are gathered together several times, only to discuss
The story should be the direction of development: who is he? What does he want? How was he going to get what you want? What happened? How to end?
All of these are not only by a special scene, a joke or a fragment can be solved, they must maintain living about it
In the process of smooth things, once reached consensus, the thing is much more simple, Glen Berger said: " in the film
Each stage has problems may arise, so whether any time, as long as people put forward different views on some aspects, we are
Will carefully thinking, and then find a solution. " Jonathan Abel continued: " we most often discussed in general are: whether can
To make it more fun? More dramatic? Or the action scenes more exciting point? For an animated film, is interesting
Taste is a very practical significance. "
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剧情：
故事发生在很久以前的古代中国，而且要从一只喜欢滚来滚去、滚来滚去的大熊猫身上说起……
话说熊猫阿波是一家面条店的学徒，虽然笨手笨脚，也勉强算是谋到了一份职业，可是阿波不做如是
想，他天天百无禁忌地做着白日梦，梦想着自己有一天能够在功夫的世界里与明星级的大人物进行一
场巅峰之战。别看阿波所在的“和平谷”一派欣欣向荣的安详景象，其实是一个卧虎藏龙的风水宝地，
先不说五大功夫高手皆坐镇于此，更有一大师级别的宗师在这里隐居，可是在一场特殊的比武大会上
---胜出的人要代表“和平谷”将邪恶的大龙永久地驱除出去，啥啥不会的阿波却在经历了一系列阴
差阳错之后屏雀中选，让所有人都大跌眼镜。
“和平谷”的五位功夫大师对种戏剧性的结果持各种不同的态度：一身正气、勇敢无畏老虎大师
将阿波看成了一个名副其实的笑话；友好、顽皮却很热心肠的猴子大师则是一副看好戏的有趣神情；
仙鹤大师是五人中最具“母性”的那一位，他很同情阿波；自负的毒蛇大师虽然给人的感觉稍显轻浮，
但对这件事的态度就有如她善变的性格，不太明朗；螳螂大师算是几位高手中最聪明的一个，他对阿
波的现状很是无奈，总是暗中帮忙……最后，要将阿波调教成“功夫高手”的一代宗师“师父”华丽
丽地出场了，然而有着一身好功夫并不意味着就是完美的，“师父”因为过去犯下的一个错误，到现
在都纠结着没办法释然。目前他的任务，就是将那个软弱、除了做面条什么都不会的阿波训练成一个
拥有着足够的武术技巧、可以打败强大敌人的顶级战士。至于那个让人人都如临大敌的大龙，则是一
只非常自恋的雪豹，他等待复仇的这一天，已经整整等了20年了，可是他做梦也没想到，自己等来的
竟然是一只大熊猫。
幕后：
【熊猫“滚”进了好莱坞】
不管是想找回自己做人应得的权利的绿色怪物--《怪物史莱克》，还是一群被不幸转移出动物园、
努力想寻找回家的路的动物们--《马达加斯加》，梦工厂的动画部门一直致力于制作这种各个年龄段
的观众们都喜欢的“笨蛋变英雄”的动画故事，因为每一个人都有过相似的经历、或相似的梦想，而
这类以娱乐为主的动画大片，正好可以让他们产生某种移情作用，至少可以在道德的层面上引起你的
共鸣。
那么，当你听说一只熊猫梦想着有一天自己能够成为一名功夫大师，这样的故事又会带给你一种
什么样的感觉呢？没错，就是一只圆滚滚、倦怠、迟钝、惹人喜爱的黑色相间的大熊，本来他的生活
应该是抱着竹子悠闲着过的，可是他的内心却有着一个一直未竟的梦想，那就是成为一个有着敏捷的
速度、精神层面的威慑力以及轻盈迅猛的反射神经的格斗艺术领域的专家……这是一个令人敬畏的想
法，也许有人会将此称为“有勇无谋”，但所谓的英雄主义，不都是开始于这样的诉求吗？导演约翰
·史蒂芬森说：“我和另一位导演马克·奥斯本都已为人父，我有两个女儿，奥斯本自己也有孩子。
所以我们的本意很简单，就是要制作一部能够让我们的孩子享受到快乐的同时又受教育的作品，中心
精神就是‘成为你自己的英雄’，道理挺简单的，你可以将其理解为‘人不可貌相’。做好自己的同
时，不要把希望寄托在别人身上，只要真正用心过，就可以得到你所期盼的一切，要努力把自己最好
的那个部分呈现出来。”奥斯本接着说：“从一开始，这部影片对我和史蒂芬森就有着非凡的意义，
《功夫熊猫》营造出的故事主题，传达的是一个非常正面、积极向上且我们都愿意相信的信息，然后
再想办法用有趣的经历和搞笑、壮观异常的动作场面将这个主题充实起来。”
对于约翰·史蒂芬森和马克·奥斯本来说，有了一个好的故事点子成竹在胸，下面的事情就好办
多了，史蒂芬森说：“基本上而言，我们已经明确了想要延续的方向，不过同时也得面对的一个更加
重要的难题，就是运用什么样的方法才能抵达我们预想好的终点？我们真的想为这部影片赋予一个永
恒的主题，所以才将故事的背景地选在了古代中国，不过内容方面并不是那个时代特定的产物，因为
伟大的故事是不会受到时间的局限的--我们清楚地知道自己想要的东西就应该具备这样的品质，一个
经典的有关英雄成长的故事。当然，作为一部动画作品，《功夫熊猫》必须得是那种兼具了娱乐性与
幽默的搞笑电影，而且还得有非常酷的动作决斗场面，不过，我们的目的不仅仅只是想制作一部暑期
档通常会出现的那种欢快、明亮的影片，熊猫阿波和他所经历的事情，再加上中间穿插出现的其他有
趣角色和有创造力的视觉特效……其实我们一直努力着想要超越那种既定的电影类型。”
【用神话铸就生活】
在决定关于一只熊猫追求梦想的故事是否可以提供娱乐氛围和励志信息的过程中，两位导演约翰
·史蒂芬森和马克·奥斯本的打算是创造一个神话，尤其是影片涉及的还是“熊猫”这种生物，一听
就很像那种发生在古代中国的传奇故事。史蒂芬森之前曾作为电视剧的串连故事画家和插图画家一直
为吉姆·汉森工作，后来在1999年加入了梦工厂的动画部门，他说：“我一直在梦工厂，给由那里发
行的一部动画电视系列剧《自豪的爸爸》做导演，我正为那一季的终结做着准备工作，这时候梦工厂
问我是否愿意制作一部名叫《功夫熊猫》的电影长片……在我还在成长的上世纪70年代，功夫电影可
是我的最爱，当然也包括大卫·卡拉丁的系列电视剧《功夫》，我觉得这应该是一个非常有趣味性的
挑战，所以我不假思索地回答：我愿意。”
约翰·史蒂芬森表示自己一直在从近几年比较约定俗成的“会说话的动物”电影当中寻找着一种
标新立异，而围绕着《功夫熊猫》所衍生出来的概念中的一些和谐元素，也一直影响着他的情绪，因
为这使他回忆起了差不多从10年前就在他内心深处躁动的情感，那时候的他正为梦工厂的一部动画作
品紧张地忙碌着，最开始很少有人给予关注，后来却因为影片的创造力而得到了电影工业的认可--就
是那部改写了动画电影史的《怪物史莱克》。
在《怪物史莱克》还未正式公映之前，一个名叫马克·奥斯本的电影人在各大电影节上用定格动
画短片《冬日的葬礼》(More)制造了一个非常敏感的话题，《冬日的葬礼》在获得了奥斯卡最佳动画
短片的提名的同时，也为这位极具天赋的电影导演创造了更多的机会，奥斯本说：“其中的一个机会
就来自于梦工厂，我以导演的身份来到这里，寻找一部适合自己的电影，而且为此工作了许多年，做
的一般都是杂活，有的时候是为影片写声明，有的时候是在别人不确定应该做什么时，我帮助他们延
伸故事。后来，我听说了《功夫熊猫》的消息，我真的觉得这个故事点子不错，我为这部影片写了许
多注解，不久之后，当梦工厂确定要把它带上大银幕时，就让我也加入进来了。那个时候对于这部影
片，我们已经有了角色、一些有特色的场地以及主要故事线索，但是他们仍然不确定应该往什么样的
方向发展它。我确实把《功夫熊猫》当成了一个跳板，它不但帮助我走进主流电影业，还将第一时间
让我见识到CGI技术的发展速度。”
《功夫熊猫》中所讲述的那个不朽的神话故事，自然是以一只熊猫作为中心角色展开的，为此，
梦工厂花了几年的时间，就想给影片找一个基准点，可是所有的提议都没办法让参与其中的每一个人
满意……好在在制作小组热情洋溢的帮助下，电影人们终于挖掘到了隐藏在表相之下非常丰富的资源
脉络，事实上，已经到了用之不竭的地步了。有了如此丰富的素材做基石，差不多就到了需要用故事
显示出一些特性的时候了。
随后，两个专门负责探索内容深度的编剧加入进来，他们就是在讲故事方面非常有天分的乔纳森·
阿贝尔(Jonathan Aibel)和格伦·伯杰(Glenn Berger)，阿贝尔表示：“我想说的是，在我们提炼故
事之前，他们手上就已经掌握了一个非常伟大的题材，我和伯杰用了一周的时间，也只是在给他们做
顾问而已，帮助他们将一切具细化：这里都需要什么样的场景？角色的位置摆放正确吗？如何让某些
细节成为所有人关注的焦点？所以，我们的工作就是提建议……可后来，一周的工作变成了一个月，
然后又延伸至三个月，最后变成了19个月，我们真的完全沉浸在里面了，身份也从顾问变成了编剧。”
另一位编剧伯杰所关注的地方就和阿贝尔不太一样了，他说：“故事本身可以利用的资源实在是太丰
富了，甚至有点过了头，大量让人眼花缭乱的对打场面，许多精彩的喜剧时刻--我们就好像在修剪一
处枝叶过于繁多的森林，寻找到他们一直瞄准的核心目标，在这样一个美丽的世界里，再加上许多有
趣的角色，我们自然而然就萌生了创作欲望。”
由于《功夫熊猫》是围绕着主角阿波展开的，所以电影人们被召集在一起好几次，单就为了讨论
故事应该发展的方向：阿波是谁？他想要什么？他要怎么得到自己想要的？发生了什么？如何结束？
所有这些都不是单靠一个特殊的场景、一个笑话或一个片断就能解决的，他们必须得保持住在讲述故
事过程中的流畅性，一旦达成了统一意见，后面的事情就简单多了，格伦·伯杰说：“在制作影片的
每一个阶段都有可能出现问题，所以无论是任何时候，只要有人就某个方面提出不同的意见，我们都
会悉心思考，然后找到解决的办法。”乔纳森·阿贝尔继续说：“我们最常讨论的一般都是：是否能
让它更有意思一点？更具戏剧性一些？或者动作场面更精彩一点？对于一部动画电影来说，是否有趣
味性就成了一个非常实际的意义。”
故事发生在很久以前的古代中国，而且要从一只喜欢滚来滚去、滚来滚去的大熊猫身上说起……
话说熊猫阿波是一家面条店的学徒，虽然笨手笨脚，也勉强算是谋到了一份职业，可是阿波不做如是
想，他天天百无禁忌地做着白日梦，梦想着自己有一天能够在功夫的世界里与明星级的大人物进行一
场巅峰之战。别看阿波所在的“和平谷”一派欣欣向荣的安详景象，其实是一个卧虎藏龙的风水宝地，
先不说五大功夫高手皆坐镇于此，更有一大师级别的宗师在这里隐居，可是在一场特殊的比武大会上
---胜出的人要代表“和平谷”将邪恶的大龙永久地驱除出去，啥啥不会的阿波却在经历了一系列阴
差阳错之后屏雀中选，让所有人都大跌眼镜。
“和平谷”的五位功夫大师对种戏剧性的结果持各种不同的态度：一身正气、勇敢无畏老虎大师
将阿波看成了一个名副其实的笑话；友好、顽皮却很热心肠的猴子大师则是一副看好戏的有趣神情；
仙鹤大师是五人中最具“母性”的那一位，他很同情阿波；自负的毒蛇大师虽然给人的感觉稍显轻浮，
但对这件事的态度就有如她善变的性格，不太明朗；螳螂大师算是几位高手中最聪明的一个，他对阿
波的现状很是无奈，总是暗中帮忙……最后，要将阿波调教成“功夫高手”的一代宗师“师父”华丽
丽地出场了，然而有着一身好功夫并不意味着就是完美的，“师父”因为过去犯下的一个错误，到现
在都纠结着没办法释然。目前他的任务，就是将那个软弱、除了做面条什么都不会的阿波训练成一个
拥有着足够的武术技巧、可以打败强大敌人的顶级战士。至于那个让人人都如临大敌的大龙，则是一
只非常自恋的雪豹，他等待复仇的这一天，已经整整等了20年了，可是他做梦也没想到，自己等来的
竟然是一只大熊猫。
幕后：
【熊猫“滚”进了好莱坞】
不管是想找回自己做人应得的权利的绿色怪物--《怪物史莱克》，还是一群被不幸转移出动物园、
努力想寻找回家的路的动物们--《马达加斯加》，梦工厂的动画部门一直致力于制作这种各个年龄段
的观众们都喜欢的“笨蛋变英雄”的动画故事，因为每一个人都有过相似的经历、或相似的梦想，而
这类以娱乐为主的动画大片，正好可以让他们产生某种移情作用，至少可以在道德的层面上引起你的
共鸣。
那么，当你听说一只熊猫梦想着有一天自己能够成为一名功夫大师，这样的故事又会带给你一种
什么样的感觉呢？没错，就是一只圆滚滚、倦怠、迟钝、惹人喜爱的黑色相间的大熊，本来他的生活
应该是抱着竹子悠闲着过的，可是他的内心却有着一个一直未竟的梦想，那就是成为一个有着敏捷的
速度、精神层面的威慑力以及轻盈迅猛的反射神经的格斗艺术领域的专家……这是一个令人敬畏的想
法，也许有人会将此称为“有勇无谋”，但所谓的英雄主义，不都是开始于这样的诉求吗？导演约翰
·史蒂芬森说：“我和另一位导演马克·奥斯本都已为人父，我有两个女儿，奥斯本自己也有孩子。
所以我们的本意很简单，就是要制作一部能够让我们的孩子享受到快乐的同时又受教育的作品，中心
精神就是‘成为你自己的英雄’，道理挺简单的，你可以将其理解为‘人不可貌相’。做好自己的同
时，不要把希望寄托在别人身上，只要真正用心过，就可以得到你所期盼的一切，要努力把自己最好
的那个部分呈现出来。”奥斯本接着说：“从一开始，这部影片对我和史蒂芬森就有着非凡的意义，
《功夫熊猫》营造出的故事主题，传达的是一个非常正面、积极向上且我们都愿意相信的信息，然后
再想办法用有趣的经历和搞笑、壮观异常的动作场面将这个主题充实起来。”
对于约翰·史蒂芬森和马克·奥斯本来说，有了一个好的故事点子成竹在胸，下面的事情就好办
多了，史蒂芬森说：“基本上而言，我们已经明确了想要延续的方向，不过同时也得面对的一个更加
重要的难题，就是运用什么样的方法才能抵达我们预想好的终点？我们真的想为这部影片赋予一个永
恒的主题，所以才将故事的背景地选在了古代中国，不过内容方面并不是那个时代特定的产物，因为
伟大的故事是不会受到时间的局限的--我们清楚地知道自己想要的东西就应该具备这样的品质，一个
经典的有关英雄成长的故事。当然，作为一部动画作品，《功夫熊猫》必须得是那种兼具了娱乐性与
幽默的搞笑电影，而且还得有非常酷的动作决斗场面，不过，我们的目的不仅仅只是想制作一部暑期
档通常会出现的那种欢快、明亮的影片，熊猫阿波和他所经历的事情，再加上中间穿插出现的其他有
趣角色和有创造力的视觉特效……其实我们一直努力着想要超越那种既定的电影类型。”
【用神话铸就生活】
在决定关于一只熊猫追求梦想的故事是否可以提供娱乐氛围和励志信息的过程中，两位导演约翰
·史蒂芬森和马克·奥斯本的打算是创造一个神话，尤其是影片涉及的还是“熊猫”这种生物，一听
就很像那种发生在古代中国的传奇故事。史蒂芬森之前曾作为电视剧的串连故事画家和插图画家一直
为吉姆·汉森工作，后来在1999年加入了梦工厂的动画部门，他说：“我一直在梦工厂，给由那里发
行的一部动画电视系列剧《自豪的爸爸》做导演，我正为那一季的终结做着准备工作，这时候梦工厂
问我是否愿意制作一部名叫《功夫熊猫》的电影长片……在我还在成长的上世纪70年代，功夫电影可
是我的最爱，当然也包括大卫·卡拉丁的系列电视剧《功夫》，我觉得这应该是一个非常有趣味性的
挑战，所以我不假思索地回答：我愿意。”
约翰·史蒂芬森表示自己一直在从近几年比较约定俗成的“会说话的动物”电影当中寻找着一种
标新立异，而围绕着《功夫熊猫》所衍生出来的概念中的一些和谐元素，也一直影响着他的情绪，因
为这使他回忆起了差不多从10年前就在他内心深处躁动的情感，那时候的他正为梦工厂的一部动画作
品紧张地忙碌着，最开始很少有人给予关注，后来却因为影片的创造力而得到了电影工业的认可--就
是那部改写了动画电影史的《怪物史莱克》。
在《怪物史莱克》还未正式公映之前，一个名叫马克·奥斯本的电影人在各大电影节上用定格动
画短片《冬日的葬礼》(More)制造了一个非常敏感的话题，《冬日的葬礼》在获得了奥斯卡最佳动画
短片的提名的同时，也为这位极具天赋的电影导演创造了更多的机会，奥斯本说：“其中的一个机会
就来自于梦工厂，我以导演的身份来到这里，寻找一部适合自己的电影，而且为此工作了许多年，做
的一般都是杂活，有的时候是为影片写声明，有的时候是在别人不确定应该做什么时，我帮助他们延
伸故事。后来，我听说了《功夫熊猫》的消息，我真的觉得这个故事点子不错，我为这部影片写了许
多注解，不久之后，当梦工厂确定要把它带上大银幕时，就让我也加入进来了。那个时候对于这部影
片，我们已经有了角色、一些有特色的场地以及主要故事线索，但是他们仍然不确定应该往什么样的
方向发展它。我确实把《功夫熊猫》当成了一个跳板，它不但帮助我走进主流电影业，还将第一时间
让我见识到CGI技术的发展速度。”
《功夫熊猫》中所讲述的那个不朽的神话故事，自然是以一只熊猫作为中心角色展开的，为此，
梦工厂花了几年的时间，就想给影片找一个基准点，可是所有的提议都没办法让参与其中的每一个人
满意……好在在制作小组热情洋溢的帮助下，电影人们终于挖掘到了隐藏在表相之下非常丰富的资源
脉络，事实上，已经到了用之不竭的地步了。有了如此丰富的素材做基石，差不多就到了需要用故事
显示出一些特性的时候了。
随后，两个专门负责探索内容深度的编剧加入进来，他们就是在讲故事方面非常有天分的乔纳森·
阿贝尔(Jonathan Aibel)和格伦·伯杰(Glenn Berger)，阿贝尔表示：“我想说的是，在我们提炼故
事之前，他们手上就已经掌握了一个非常伟大的题材，我和伯杰用了一周的时间，也只是在给他们做
顾问而已，帮助他们将一切具细化：这里都需要什么样的场景？角色的位置摆放正确吗？如何让某些
细节成为所有人关注的焦点？所以，我们的工作就是提建议……可后来，一周的工作变成了一个月，
然后又延伸至三个月，最后变成了19个月，我们真的完全沉浸在里面了，身份也从顾问变成了编剧。”
另一位编剧伯杰所关注的地方就和阿贝尔不太一样了，他说：“故事本身可以利用的资源实在是太丰
富了，甚至有点过了头，大量让人眼花缭乱的对打场面，许多精彩的喜剧时刻--我们就好像在修剪一
处枝叶过于繁多的森林，寻找到他们一直瞄准的核心目标，在这样一个美丽的世界里，再加上许多有
趣的角色，我们自然而然就萌生了创作欲望。”
由于《功夫熊猫》是围绕着主角阿波展开的，所以电影人们被召集在一起好几次，单就为了讨论
故事应该发展的方向：阿波是谁？他想要什么？他要怎么得到自己想要的？发生了什么？如何结束？
所有这些都不是单靠一个特殊的场景、一个笑话或一个片断就能解决的，他们必须得保持住在讲述故
事过程中的流畅性，一旦达成了统一意见，后面的事情就简单多了，格伦·伯杰说：“在制作影片的
每一个阶段都有可能出现问题，所以无论是任何时候，只要有人就某个方面提出不同的意见，我们都
会悉心思考，然后找到解决的办法。”乔纳森·阿贝尔继续说：“我们最常讨论的一般都是：是否能
让它更有意思一点？更具戏剧性一些？或者动作场面更精彩一点？对于一部动画电影来说，是否有趣
味性就成了一个非常实际的意义。”
参考资料： 因为字数不够，报歉了，我要分哦！
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