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chooseoneofthefollowing:?A)InthewakeofthewarsinIraqandAfghanistan,thepossibilityofreq... choose one of the following:

?A) In the wake of the wars in Iraq and Afghanistan, the possibility of requiring universal military service through a draft has once again come under consideration. Write an essay arguing your position, for or against the draft. Your argument may or may not include a discussion of a system of national service that extends beyond military service. Please note, this is not a litmus test regarding political views; Bard seeks diversity and originality, not conformism.

?B) If you were given a grant to research a scientific or medical issue that you deem important to the world, what would it be, why did you choose it, and what kind of research do you think has the greatest chance of being productive?

?C) Write an essay defending the role and place of the arts, especially those forms that are not commercial in our society. In answering this question, feel free to focus on one particular art form.

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C)(非商业艺术,介绍街头涂鸦)
Graffiti (singular: graffito; the plural is used as a mass noun) is the name for images or lettering scratched, scrawled, painted or marked in any manner on property. Graffiti is any type of public markings that may appear in the forms of simple written words to elaborate wall paintings. Graffiti has existed since ancient times, with examples dating back to Ancient Greece and the Roman Empire[1]. In modern times, spray paint, normal paint and markers have become the most commonly used materials. In most countries, defacing property with graffiti without the property owner's consent is considered vandalism, which is punishable by law. Sometimes graffiti is employed to communicate social and political messages. To some, it is an art form worthy of display in galleries and exhibitions; to others it is merely vandalism. Graffiti has since evolved into a pop culture existence often related to underground hip hop music and b-boying creating a lifestyle that remains hidden from the general public.[2] Graffiti is used as a gang signal to mark territory or to serve as an indicator or "tag" for gang-related activity. The controversies that surround graffiti continue to create disagreement amongst city officials/ law enforcement and graffitists looking to display their work in public locations. There are many different types and styles of graffiti and it is a rapidly developing artform whose value is highly contested, being reviled by many authorities while also subject to protection, sometimes within the same jurisdiction.
Graffiti and graffito are from the Italian word graffiato ("scratched"). "Graffiti" is applied in art history to works of art produced by scratching a design into a surface. A related term is "graffito", which involves scratching through one layer of pigment to reveal another beneath it. This technique was primarily used by potters who would glaze their wares and then scratch a design into it. In ancient times graffiti was carved on walls with a sharp object, although sometimes chalk or coal were used. The Greek infinitive γράφειν — graphein — meaning "to write", is from the same root.
Some of the most common styles of graffiti have their own names. A "tag" is the most basic writing of an artist's name, it is simply a handstyle. A graffiti writer's tag is his or her personalized signature. Tagging is often the example given when opponents of graffiti refer to any acts of handstyle graffiti writing (it is by far the most common form of graffiti). Tags can contain subtle and sometimes cryptic messages, and might incorporate the artist's crew initials or other letters. One form of tagging known as "pissing" is the act of taking a refillable fire extinguisher and replacing the contents inside with paint, allowing for tags as high as around 20 feet. Aiming and keeping a handstyle steady in this form of tagging is very difficult, usually coming out wavy and sloppy.

Another form is the "throw-up," also known as a "bombing" which is normally painted very quickly with two or three colors, sacrificing aesthetics for speed. Throw-ups can also be outlined on a surface with one color. A "piece" is a more elaborate representation of the artist's name, incorporating more stylized letters, usually incorporating a much larger range of colors. This of course is more time consuming and increases the likelihood of the artist getting caught. A "blockbuster" or "roller" is a large piece, almost always done in a block shaped style, done simply to cover a large area solidly with two contrasting colours, sometimes with the whole purpose of blocking other writers from painting on the same wall. These are usually accomplished with extended paint rollers and gallons of cheap exterior paint.

An example of stencil graffiti, a very common modern graffiti style, in Moncton, CanadaA more complex style is "wildstyle", a form of graffiti usually involving interlocking letters and connecting points. These pieces are often harder to read by non-graffiti artists as the letters merge into one another in an often undecipherable manner. Some artists also use stickers as a quick way to catch ups. While certain critics from within graffiti culture consider this lazy, stickers can be quite detailed in their own right, and are often used in conjunction with other materials. Sticker tags are commonly done on blank postage stickers, as these can be easily acquired with no cost on the writers part.

Many graffiti artists believe that doing complex pieces involves too great an investment of time to justify the practice. Doing a piece can take (depending on experience and size) 30 minutes to months on end, as was the case for Saber MSK while working on the worlds largest graffiti piece on the LA river. Another graffiti artist can go over a piece in a matter of minutes with a simple throw up. This was exemplified by the writer "CAP" in the documentary Style Wars, who, other writers complain, ruins pieces with his quick throw ups. This became known as "capping" and is often done when there is "beef", conflict between writers.

Uses

Stencils by John Fekner: Charlotte Street Stencils, South Bronx, New York, 1980.Theories on the use of graffiti by avant-garde artists have a history dating back at least to the Scandinavian Institute of Comparative Vandalism in 1961. Many contemporary analysts and even art critics have begun to see artistic value in some graffiti and to recognize it as a form of public art. According to many art researchers, particularly in the Netherlands and in Los Angeles, that type of public art is, in fact an effective tool of social emancipation or in the achievement of a political goal.[51]

The murals of Belfast and of Los Angeles offer another example of official recognition.[52] In times of conflict, such murals have offered a means of communication and self-expression for members of these socially, ethnically and/or racially divided communities, and have proven themselves as effective tools in establishing dialog and thus of addressing cleavages in the long run. The Berlin Wall was also extensively covered by Graffiti reflecting social pressures relating to the oppressive Soviet rule over the GDR.

Unique utilization of graffiti used here as a method of expressing sexual orientation. Montclair, California.Many artists involved with Graffiti also are concerned with the similar activity of Stencilling. Essentially, this entails stenciling a print of one or more colors using spray-paint. Recognised while exhibiting and publishing several of her coloured stencils and paintings portraying the ethnic conflict in Sri Lanka and urban Britain in the early 2000s, graffiti artist Mathangi Arulpragasam a.k.a. M.I.A. has also become known for integrating her imagery of political violence into her music videos for singles "Galang" and "Bucky Done Gun," and her cover art. Stickers of her artwork also often appear around places such as London in Brick Lane, stuck to lamp posts and street signs, having herself become a muse for other graffiti artists/painters worldwide in cities including Seville.[53] Graffiti artist John Fekner, called "caption writer to the urban environment, adman for the opposition" by writer Lucy Lippard[54] , was involved in direct art interventions within New York City's decaying urban environment in the mid-seventies through the eighties. Fekner is known for his word installations targeting social and political issues, stenciled on buildings throughout New York.

"Return of the three funny types" By Dutch graffiti artist Ces53.Anonymous artists
Graffiti artists constantly have the looming threat of facing consequences for displaying their graffiti. Many choose to protect their identities and reputation by remaining anonymous. Banksy is one of the world's most notorious and popular street artist who continues to remain faceless in today's society[55]. He is known for his political, anti-war stencil art mainly in Bristol, England but his work can be seen anywhere from Los Angeles to Palestine. In the UK, Banksy is the most recognizable icon for this cultural artistic movement and keeps his identity a secret to avoid arrest. Much of Banksy's artwork can be seen around the streets of London and surrounding suburbs, though he has painted pictures around the world, including the Middle East, where he has painted on Israel's controversial West Bank barrier with satirical images of life on the other side. One depicted a hole in the wall with an idyllic beach, while another shows a mountain landscape on the other side. A number of exhibitions have also taken place since 2000, and recent works of art have fetched vast sums of money. Banksy's art is a prime example of the classic controversy: vandalism vs. art. Art supporters endorse his work distributed in urban areas as pieces of art while city officials and law enforcement have deemed all work by Banksy to be vandalism and property destruction. Many members of Bristol's communities feel that Banksy's graffiti reduces property value and encourages rogue behavior.

Pixnit is another artist who chooses to keep her identity from the general public[56]. Her work focuses on beauty and design aspects of graffiti as opposed to Banksy's anti-government shock value. Her paintings are often of flower designs above shops and stores in her local urban area of Cambridge, Massachusetts . Some store owners endorse her work and encourage others to do so as well. "One of the pieces was left up above Steve's Kitchen, because it looks pretty awesome"- Erin Scott, the manager of New England Comics in Allston.
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life at university andcontrast introduction
A College is the place where students live, eat and
socialise. It is also the place where they receive
small group teaching sessions, known as supervisions.
The supervision system is one of the main reasons for
the University's success in the external reviews of
learning and teaching.

In addition to resources provided by the University,
each College has its own library and sports
facilities, and some have their own bar and theatre.
Most Colleges have their own clubs and societies,
offering a variety of non-academic activities for
students to take part in.
Benefits of the College system for students
Teaching: The supervision system, where students
receive tuition in small groups, is regarded as one of
the best teaching models in the world.
Accommodation: Almost all undergraduates live in
College accommodation for the duration of their time
at Cambridge.
Welfare: A variety of support systems ensure that
students are treated as individuals, allowing overseas
students in particular to be fully integrated. This is
one of the reasons that Cambridge has one of the
lowest drop-out rates.
Financial support: Many Colleges offer awards for
their own members, in addition to funds available from
the University.
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