Question

求翻译~~~~~急用，拜托各位了

迪士尼公司近年的作品已经渐渐脱离了单纯讲故事这一套路，而是紧跟时代的步伐，赋予影片新的内涵，特别是对动画中女性角色展开愈加丰富的表现，人物设定多层次化且更加细腻，剧情摒弃之前的套路，开始突破既定的思维模式，让观众在观看动画的同时体会到更多观察视角，从而引发深入思考。
从1937年《白雪公主和七个小矮人》中第一位迪斯尼公主诞生,到2013年《冰雪奇缘》的上映,迪斯尼公司迄今为止共制作了十二部公主动画电影,随着社会的发展和变迁,其中的公主形象也从被动等待王子和渴望爱情的传统女性转变为寻求自我和探寻内在价值的现代独立女性,这代表了不同时期女性思想和意识特征历史性的变化,体现了女性主体意识的觉醒,以及社会性别权力关系的改变。
本文首先从历史的角度简单分析了女权主义的与定义发展历程。随后重点分析《冰雪奇缘》两位主人公：艾莎和安娜，从她们身上的特质来反映角色的定位变化，从而总结出当今新女性的特质。

（发现悬赏不够，谢谢好心人~）

Answer 1

Disney company in recent years has been gradually from the simpleworks to tell the story of this approach, but to keep pace with the times,gave the film a new connotation, especially more and more abundant on the performance of female characters in animation, character set multi-level and more delicate, the plot to abandon before routine, began tobreak through the established mode of thinking, let the audience at the same time to watch the animation experience more perspective, causingdeep thinking.
From 1937 "Snow White and the Seven Dwarfs" in the first princess Disney was born in 2013, to "snow romance" was released, the The Walt Disney Company has so far produced twelve part animated film the princess, with the social development and changes, including Princessimage from dynamic change is also waiting for the prince and eager to love the traditional women seek self and exploring the modernindependent women's intrinsic value, which represents the different stages of Female Ideology and the historic characteristics, embodies the awakening of female consciousness, and the change of social genderpower relations.
Firstly, from a historical point of simple analysis of the development process of feminism and definition. Then focus on the analysis of "Snow"Romance of two protagonists: Aisha and Anna, to reflect the change ofrole orientation from their body characteristics, and summarizes the newcharacteristics of women today.

望采纳

Answer 2

Abstract:

The productions of Disney Company in recent years have been gradually detaching from the
routine of simple story-telling; rather it has kept up with the pace of the times and vested its films with brand new
connotative meaning; particularly, the increasingly rich performance of female
characters in the animated films. The character design becomes multilevel and
more exquisite, the plots abandon the old routine and begins to break through
the established mind-set, allowing the audiences to experience more
perspectives while watching the animations, so as to arouse in-depth
reflections.
From the birth of the first Disney princess of "Snow
White and the Seven Dwarfs" In 1937 to the showing of “Frozen” in 2013,
Disney had produced 12 animated films about princess; with the development and
changes of society, the images of the princesses have also transformed from the
traditional women who are passively waiting for the prince and longing for love
into the modern independent women who are seeking self-identity and exploring
intrinsic values. This represents a historic change of feminine thoughts and awareness
traits in different times, and manifests the awakening of feminine
consciousness and the change of social gender empowerment.
From the historical perspective, this paper firstly conducts
a simple analysis on the definition and development course of feminism; then it focuses
analysis on the two protagonists in “Frozen” - Aisha and
Anna, and reflects from their traits, the orientation changes of their roles,
thereby summing up the characteristics of
the new contemporary women.