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题目comparetraditionalandcontemporarymusicinChina.写一篇比较类型的essay,比较传统音乐和现代音乐有什么不同,文章类型与雅...
题目 compare traditional and contemporary music in China.
写一篇比较类型的essay,比较传统音乐和现代音乐有什么不同,文章类型与雅思大作文相同.先要介绍这2个音乐,然后说为什么要比较它们,再说你将要描绘的它们特色.(第一段).第二段讲 它们 的相同之处,要举例子,至少要讲3个.第二,第三段讲它们不同之处,每段分别讲3个,也要举例.第四段总结,再讲讲 对未来的发展预测
字数在400-600之间 展开
写一篇比较类型的essay,比较传统音乐和现代音乐有什么不同,文章类型与雅思大作文相同.先要介绍这2个音乐,然后说为什么要比较它们,再说你将要描绘的它们特色.(第一段).第二段讲 它们 的相同之处,要举例子,至少要讲3个.第二,第三段讲它们不同之处,每段分别讲3个,也要举例.第四段总结,再讲讲 对未来的发展预测
字数在400-600之间 展开
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I think I should first from the pitch, Chinese law with five degrees, is born, western instruments of handmade in Renaissance is hand-made before the instrument, after the industrial revolution in order to achieve the purpose of unified band tone adopted BiaoZhunYin way, twelve average law and five degrees begets law law is different also, China USES is with "three losses" is a combination of five degrees, the basic law, so many pitches are handmade by the national musical instrument played the piano is odd mix
Then said to the music in the western tradition, etc. Can be more voice polyphony music development law, is this why? People think China should have more advantages to develop music, first multi-tone multi-tone music sure if many people sing or play in childhood, we learned an idiom is "bad", the Yu sucks when many people JiZou popular, but China is not developed, this should belong to the category of music, official orthodox in China with music began after the tang dynasty, the development regularity of the music is XiaJiuLiu society, not only when there is no one to learn general grievous, Europe music since the high TongBian column canticles after the music gradually multi-tone, development rules, in polyphony development rule up later also followed created a harmonic rules, it is close to modern music.
I still feel a bit, music is in the class, and many scholars are slightly a little guqin, this is not the average human, western musicians will be relatively few
Since the western alignment rules and harmony are the basic rules that should improve its application to practice, since the polyphonic development Bach to an unprecedented height was to determine the symphony orchestra compiled to various kinds of color of romantic introduced later instruments, the band of expressive always or strengthening, Chinese orchestra is brought more of a drama, though there are also mix of guangdong music band tune some, but not the mainstream in after all!
首先我觉得应该从定调上来说,中国人用五度相生律,是手工制造的乐器,西方在文艺复兴时代之前也是用手工制的乐器,在工业革命之后为了达到乐队调统一的目的就采用了标准音的方式,十二平均律和五度相生律定律也不一样,中国使用的是用“三分损益法”是五度相生律的基础,是手工定调,所以很多的民族乐器用钢琴拌奏起来都很别扭
然后在说到音乐传统的问题,西方可以将复调等多声部音乐发展规律起来,这是为什么?个人认为中国应该更有优势来发展多声部音乐的,首先多声部音乐肯定要是很多人在一起演唱或者演奏,我们小时候都学过一个成语是“烂竽充数”,那个时候就流行很多人的大齐奏,但是中国就是没有发展起来,这个应该是属于官方正统音乐的范畴,在中国唐带以后音乐开始就发展规律不前了,学音乐的人都是社会的下九流,不到万不得已的时候,一般是没有人去学音乐的,欧洲自从格利高列统编了圣咏之后,多声部的音乐逐渐就发展规律起来了,在复调发展规律起来以后也随之而来创制了和声规则,这就很接近现代音乐了。
我还觉得有一点啊,就是音乐在东西方的阶级性,很多文人都稍微会一点古琴之类的,这不是一般人学得起的,西方的音乐家就相对来说要宽一些
既然西方的对位法则和和声规则都基本完善了那就应该把它应用到实践中去,自巴赫把复调发展到一个前所未有的高度到海顿确定交响乐团的编制到后来浪漫派的引入各种色彩乐器,乐队的表现力总是要不段的加强,中国乐队更多的都是拿来个戏曲拌奏,虽然也有广东音乐一些乐队用曲子,但在当时来说毕竟不是主流!
Then said to the music in the western tradition, etc. Can be more voice polyphony music development law, is this why? People think China should have more advantages to develop music, first multi-tone multi-tone music sure if many people sing or play in childhood, we learned an idiom is "bad", the Yu sucks when many people JiZou popular, but China is not developed, this should belong to the category of music, official orthodox in China with music began after the tang dynasty, the development regularity of the music is XiaJiuLiu society, not only when there is no one to learn general grievous, Europe music since the high TongBian column canticles after the music gradually multi-tone, development rules, in polyphony development rule up later also followed created a harmonic rules, it is close to modern music.
I still feel a bit, music is in the class, and many scholars are slightly a little guqin, this is not the average human, western musicians will be relatively few
Since the western alignment rules and harmony are the basic rules that should improve its application to practice, since the polyphonic development Bach to an unprecedented height was to determine the symphony orchestra compiled to various kinds of color of romantic introduced later instruments, the band of expressive always or strengthening, Chinese orchestra is brought more of a drama, though there are also mix of guangdong music band tune some, but not the mainstream in after all!
首先我觉得应该从定调上来说,中国人用五度相生律,是手工制造的乐器,西方在文艺复兴时代之前也是用手工制的乐器,在工业革命之后为了达到乐队调统一的目的就采用了标准音的方式,十二平均律和五度相生律定律也不一样,中国使用的是用“三分损益法”是五度相生律的基础,是手工定调,所以很多的民族乐器用钢琴拌奏起来都很别扭
然后在说到音乐传统的问题,西方可以将复调等多声部音乐发展规律起来,这是为什么?个人认为中国应该更有优势来发展多声部音乐的,首先多声部音乐肯定要是很多人在一起演唱或者演奏,我们小时候都学过一个成语是“烂竽充数”,那个时候就流行很多人的大齐奏,但是中国就是没有发展起来,这个应该是属于官方正统音乐的范畴,在中国唐带以后音乐开始就发展规律不前了,学音乐的人都是社会的下九流,不到万不得已的时候,一般是没有人去学音乐的,欧洲自从格利高列统编了圣咏之后,多声部的音乐逐渐就发展规律起来了,在复调发展规律起来以后也随之而来创制了和声规则,这就很接近现代音乐了。
我还觉得有一点啊,就是音乐在东西方的阶级性,很多文人都稍微会一点古琴之类的,这不是一般人学得起的,西方的音乐家就相对来说要宽一些
既然西方的对位法则和和声规则都基本完善了那就应该把它应用到实践中去,自巴赫把复调发展到一个前所未有的高度到海顿确定交响乐团的编制到后来浪漫派的引入各种色彩乐器,乐队的表现力总是要不段的加强,中国乐队更多的都是拿来个戏曲拌奏,虽然也有广东音乐一些乐队用曲子,但在当时来说毕竟不是主流!
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2010-05-09
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敞开心扉
慈悲不是出于勉强,它如天降甘露,使心灵枯萎的人得到湿润,宽容易是如此。当我们发现别人无意中透漏了我们的秘密,宽容他人,可能使我们得到更真诚的友谊;当我们的钱在公交车上被明目张胆的扒手扒窃时,宽容他人,可能使浪子回头;当我们被他人伤害时,宽容他人,可能会使世界上少一个受害者,多一个善者;当我们......
可能做到这些事情并不容易,可能做到这些事情需要我们忍痛割爱,可能做到这些事情会使我们失去一些有“义气”的朋友......但是,只要我们敞开心扉,宽容他人,这世界就会多一分温暖,少一分寒冷。
也许你正在苦苦思索如何敞开心扉,也许你正在心灵的门前徘徊,也许你只将心灵的门打开了一半,也许你正在担心打开那扇门是否会有什么“后果”......
其实你并不需要犹豫,只要你对人真诚,以一颗宽容的心对待他人,你会发现你心灵的们早已悄然打开。
“宰相肚里能撑船。”这正是宽容的最好表现,只要你宽容待人,你可
敞开心扉,拥抱世界,接纳他人,让他人在我们的心中占有一席之地。
“厚德载物,源远流长。”宽容是我们中华民族的传统美德,将这种美德传承开来,发扬下去,是我们作为中华民族一份子光荣的历史任务。
“比海洋更广阔的是天空,比天空更广阔的是人的胸怀。”让我们以这样的胸怀容纳天地万物,敞开心扉,宽容待人。不要让心灵的樊笼禁锢自己,拥抱世界,厚德载物,我们会发现原来心灵的世界真的很美丽。
慈悲不是出于勉强,它如天降甘露,使心灵枯萎的人得到湿润,宽容易是如此。当我们发现别人无意中透漏了我们的秘密,宽容他人,可能使我们得到更真诚的友谊;当我们的钱在公交车上被明目张胆的扒手扒窃时,宽容他人,可能使浪子回头;当我们被他人伤害时,宽容他人,可能会使世界上少一个受害者,多一个善者;当我们......
可能做到这些事情并不容易,可能做到这些事情需要我们忍痛割爱,可能做到这些事情会使我们失去一些有“义气”的朋友......但是,只要我们敞开心扉,宽容他人,这世界就会多一分温暖,少一分寒冷。
也许你正在苦苦思索如何敞开心扉,也许你正在心灵的门前徘徊,也许你只将心灵的门打开了一半,也许你正在担心打开那扇门是否会有什么“后果”......
其实你并不需要犹豫,只要你对人真诚,以一颗宽容的心对待他人,你会发现你心灵的们早已悄然打开。
“宰相肚里能撑船。”这正是宽容的最好表现,只要你宽容待人,你可
敞开心扉,拥抱世界,接纳他人,让他人在我们的心中占有一席之地。
“厚德载物,源远流长。”宽容是我们中华民族的传统美德,将这种美德传承开来,发扬下去,是我们作为中华民族一份子光荣的历史任务。
“比海洋更广阔的是天空,比天空更广阔的是人的胸怀。”让我们以这样的胸怀容纳天地万物,敞开心扉,宽容待人。不要让心灵的樊笼禁锢自己,拥抱世界,厚德载物,我们会发现原来心灵的世界真的很美丽。
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2010-05-16
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音乐和思维的英语作文\
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写字要好看。
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