Question

求翻译，高一英语

Answer 1

你想拍些以记录生活现实为主题的好照片，但你不大懂得捕捉画面。我建议你看看身边的事物。每日的世界就是一幕幕的场景，有不同组别的演员正在担纲演出。你可能在上班途中，碰到过不下数十种适合入镜的情景，但你没注意到。
摄影大师们如Henri Cartier-Bresson及Bill Brandt，之前已把纪实摄影的方法完善地道出。虽然观摩他人作品亦会获益良多，但你若希望在这个领域取得成功，那就必须发展个人独特的方法。当摄影师的基本条件不在于技术上的问题。你必须要对周围的世界和生活在其中的人产生一种感知，而你应学会感知到当情况会发展到这地步时，就能捕捉到一个很不错的画面。那些已达这兴奋状态的会随时准备好当这一时刻来临时，就高举相机赶快拍摄。那些感知不足的人，则仍在与相机套和镜头盖挣扎。
电影制片商们以为经验不足的摄影师是在寻找合适的位置和正确的时刻才下手，必定很高兴。要是这种无止境的搜索继续，有多少昂贵的胶片要耗费在在成千上万的相机上。虽然许多这样的耗费是归咎于经验不足，但你会发现，即使是专业摄影师在拍摄时也要耗上不少胶片。不是每一个镜头都是可取的。假如你去看看，即使是摄影大师的作品，你会发现只有仅仅几十张照片，因为观察力强的摄影师已把景况成功地捕捉在镜头之下。而你会发现自己只能拍到一或两张在最佳时机过后的照片。很少会有一拍即中的佳作。总有一天这一切都能驾轻就熟，而你也会经常耗费胶片来捕捉那珍贵的时刻。

~~~~~~~~~纯人手翻译，欢迎采纳~~~~~~~~~

原文不全，全文如下：

You would like to take good photographs of real-life situations but you have few ideas for pictures. I suggest you look around you. The everyday world is full of scenes being played by an ever-changing group of actors. You probably passed a dozen picture situations without noticing on your way to work this morning.
The realistic approach to photograph has been perfected in the past by such masters as Henri Cartier-Bresson and Bill Brandt. But while you can learn a great deal from looking at the work of others, any success you can hope to achieve in this field has to come from developing an individual approach.
The main requirement for any photographer has little to do with technical matters. You must develop an awareness of the world around you and the people who live in it, and you should learn to notice when a situation may develop to a point where you will be able to take a good picture. Those who have reached this happy state will be prepared when that moment comes, and will simply raise their camera quickly and shoot. Others who are not so aware will be struggling with camera cases and lens caps.
Film manufactures must be delighted at the thought of the inexperienced photographer setting out in search of the right situation and the right moment. Many miles of costly material have passed through thousands of cameras as this endless search continues. But although a lot of this waste must be put down to inexperience, you'll find that even the professionals have to use a lot of film when they are out shooting. Not every shot is going to be a winner. If you look at the work of even the best photographers, you'll notice dozens of pictures have had to be taken only because they lead up to the successful shot of a situation that the photographer has obviously been observing through the lens. You may find that you have taken one or two pictures after the right moment has passed as well. There is seldom more than one shot which stands out. There is just one point where it all comes together, and you often have to waste film to catch that precious moment.