Question

在线等！求英文专业的来啊！！求英文翻译！！介绍一个平面设计师！！复制来的不要来了！写得好追加悬赏

发了两个帖子，回答得好请去同一个问题那边复制一下 加100悬赏！！
介绍日本的一名平面设计师！

内容为：
我最敬佩的设计师便是佐藤可士和。
关于设计，他的说法是，“设计不是一门需要微妙和细腻感觉的艺术。”所以，在担任优衣库（UNIQLO）的设计总监时，佐藤也只是“创作大多数人能够明白该而且能吸引他们的东西”。

用一句话表达佐藤心目中优衣库的品牌形象，那便是“真实的、当代的、酷的日本。”

UNIQLO纽约店的标志，佐藤选择用了醒目的红色片假名，因为“片假名是日本的流行文化，而红色是优衣库的基本元素”。在一张UNIQLO的海报上，重要的方形UNIQLO logo反复出现上百次，或是横或是竖，颜色各异，这种安迪·霍沃尔式的“提炼信息然后不断强化”的方法十分适应UNIQLO的街头商业流行文化。

“只依靠灵感和创意的设计会有些不平衡。正如你所知道的，每个人都是用左脑和右脑去控制感觉和逻辑。我想，一个好的设计同时需要美感和严格的逻辑。”这便是我需要学习的关于“灵感和逻辑对于一个设计师的意义”。

谢谢 写得好追加！！

Answer 1

The designer I admire most is Kashiwa Sato.

About design, he says"Design is not an art which need subtle and delicate feelings." So when he held the post of design director of UNIQLO, Sato only "created things that most people can understand and can be attracted".

A short sentence to express the brand identity of UNIQLO in Sato's mind is that is "real, modern, cool Japan".

For logo of UNIQLO NewYork store ，Sato' chose the eye-catching red katakana, because "katakana is popular Japanese culture, and red is the fundamental element of UNIQLO"
The significant square UNIQLO logo appear repeatedly over a hundred times,
horizontal or vertical, in different colors, the Andy Howavar-style "extract the information and then constantly strengthen it" being hghly adaptable to the commercial street fashion culture of UNIQLO.

"It is somewhat off-balance of the design which depends only on inspiration and creativity. As you know, each person controls his feelings and logistic by left and right brain. In my mind, A good design needs both sense of beauty and strict logic." This is what I need to learn about "meanings of inspiration and logic to a designer".

纯粹是为了学习英语语言才翻译的，我不喜欢日本！

Answer 2

My most admired designer is Kashiwa Sato.
As for design, he said, "designing is not a kind of art which is subtle and sensitive." So during the time as design director in Uniqlo, Sato just created something that is understandable and attractive to customer.
We can use one sentence to describe brand image of Uniqlo for Sato, that is "real, modern and cool Japan."
Sato selects red katakana as a symbol for shop in New York, because "katakana stands for Japan's fashionable culture, and red is basic element of Uniqlo". On an Uniqlo poster, the important square UNIQLO logo appear for over hundreds times horizontally or vertically with different color, this Andy Warhol style to “ ever-repeating after refining " is adaptive for street fashion culture of UNIQLO.
It is not balanced only based on intution and creativity in designing. As you know, everyone uses his right and left part of brain to control feel and logic. I assume, a good design needs both aesthetic feeling and strict logic. "It is significant for me to learn about what intution and logic means for a designer".

Answer 3

参考吧：
I admire most is sato can and designers.
About the design, he says, "the design is not a need to the art of subtle and delicate feeling."So as UNIQLO (UNIQLO) design director, sato is most people can understand the "creation and attract their stuff".

Express in a sentence sato minds uniqlo brand image, that is "real, contemporary, cool Japan."

UNIQLO store in New York, sato choice with the eye-catching red katakana, because "katakana is Japan's popular culture, and the red is the basic element of UNIQLO".Important square on a poster of UNIQLO, UNIQLO logo repeated hundreds of times, or horizontal or vertical, different color, the wall type Andy huo "extracting information and strengthen" approach is very adapt to UNIQLO street commercial pop culture.

"Only rely on the inspiration and creative design will be a little uneven. As you know, everyone is to use the left brain and right brain to control the feeling and logic. I think, a good design requires both aesthetic and strict logic."That is what I need to learn about the significance of "inspiration and logic to a designer".

Answer 4

这么多最起码50块。

Answer 5

这个，，给你参考,