Question

英译汉翻译！

The fundamental of any vibrating piano string tends to be the strongest component in its sound, although the higher harmonics are at least equally strong in the lowest two octaves due to the restricted physical size of the soundboard. At the lowest note (27.5Hz) the fundamental can be as much as 25dB below its strongest harmonics, though this is dependent on the design of the piano. At the upper end, the highest fundamental is around 4100Hz, with harmonics extending beyond 10kHz, although these tend to be relatively weak. The first partial above the top C is typically 20dB below its fundamental, producing an almost sinusoidal sound wave at these upper reaches.
Much of the character of a piano stems from the range of harmonics it produces (many of which are not straightforwardly related to the fundamental) and noise components which are percussive in nature. The mechanical noises are primarily between 200 and 500Hz for the lower notes, center around 200Hz for the middle of the instrument's compass, and peak at about 1kHz for the upper regions. This last peak is typically below the fundamental of the notes and so is not masked as effectively as for the lower and middle regions, becoming more obvious to the ear as a consequence. These artefacts, as well as the harmonic components generated by a struck string, are all affected by the hardness and density of the felt on the hammers, as well as the dynamic energy with which the string is struck.
英译汉翻译，不要百度翻译机器，一定要通顺！

Answer 1

The fundamental of any vibrating piano string tends to be the strongest component in its sound, although the higher harmonics are at least equally strong in the lowest two octaves due to the restricted physical size of the soundboard.
任何振动的钢琴弦基音倾向于是声音最强烈的部分，尽管由于soundboard有物理大小限制，更高的泛音至少等于最低两个八度的强度。
At the lowest note (27.5Hz) the fundamental can be as much as 25dB below its strongest harmonics, though this is dependent on the design of the piano.
在最低音调(27.5Hz)，基音可以达到低于其最强泛音25dB，尽管这是基于钢琴的设计。
At the upper end, the highest fundamental is around 4100Hz, with harmonics extending beyond 10kHz, although these tend to be relatively weak.

在最高端，最高基音大约在4100H左右，泛音扩展低于10kHZ,尽管这些倾向于相对较弱。
The first partial above the top C is typically 20dB below its fundamental, producing an almost sinusoidal sound wave at these upper reaches.
第一个高于高音C部分基本是低于其基音20dB，在其上方范围产生一种近乎正弦声波。
Much of the character of a piano stems from the range of harmonics it produces (many of which are not straightforwardly related to the fundamental) and noise components which are percussive in nature.

钢琴特征很多部分源于其产生的泛音（很多跟基音不是直接相关）和噪音部分（本质上有冲击性）范围。

The mechanical noises are primarily between 200 and 500Hz for the lower notes, center around 200Hz for the middle of the instrument's compass, and peak at about 1kHz for the upper regions.
机械噪音主要是对于低音在在200 到 500Hz，对乐器范围中间来说中音在200Hz左右，对于最高部分最高到1kHz。
This last peak is typically below the fundamental of the notes and so is not masked as effectively as for the lower and middle regions, becoming more obvious to the ear as a consequence.
这个最高基本是低于音调基音，所以不像下方和中间区域伪装一样有效，结果变得对耳朵来说更明显。

These artefacts, as well as the harmonic components generated by a struck string, are all affected by the hardness and density of the felt on the hammers, as well as the dynamic energy with which the string is struck.
这些人工制品，和击弦产生的泛音部分一样，都是受音锤的硬度和密度影响，也受弦被敲击的动态能量影响。

追问

你好棒啊！太激动了！好多话我都翻译不通顺但是你翻译的就好好！！太感谢你了！你有时间吗如果可以的话还有些句子你可以帮我翻译吗？

追答

可以哇，你可以直接点击向我求助