Question

基督山伯爵读后感(要英文的）600个单词

Answer 1

基督山伯爵读后感（1320字）
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The Count of Monte Cristo
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The Count of Monte Cristo by Alexandre Dumas père. Highly recommended.

Apart from 'The Three Musketeers', this is probably Alexandre Dumas' most famous work and one of the greatest novels in Western literature: a novel every literate and educated person should read at least once in their lives.

In this story, Edmond Dantes is an innocent man who was caught in the intrigues of Napoleon's escape from Elba and his 100 days of power until Waterloo. A sailor entrusted with a sealed letter of highest importance by his dying captain, Dantes delivers it into the hands of the evil prosecutor Villefort who, for reasons unkown to him, immediately sends him without trial or appeal to spend the rest of his days at the Chateau D'Iffe: a dark and isolated island prison presumed to be inescapable. With the help of Abbot Faria, a dying prisoner who knows the secret of a great hidden treasure on the small islet of Monte Cristo, Dantes escapes and prepares to unleash his revenge on those who did him wrong. For years he spends his time meticulously preparing his vengeful scheme against the treacherous friends and characters who left him to rot in prison for years and years. He refines his arts of disguise, alchemy, and manipulation to content himself with the ruin of his enemies.

Unlike the adventure themes in his works such as 'The Three Musketeers', this story is a deep character study on being the victim of utmost injustice and how cruel revenge is sweet after all: how a wronged man is entitled to become the agent of divine retribution when God and mortal laws have abandoned his cause. The various themes, complex plot, profound character development, and rich prose makes this long work undoubtedly one of the greatest works of literature ever written: Dumas was without question a literary genius.

This is a great story for people of all ages and should not be ignored by anyone who has a profound love of literature. I think this is Dumas greatest work far surpassing 'Queen Margo' 'The Three Musketeers' or 'The Corsican Brothers.'

As translator Robin Buss points out in his introduction, many of those who haven't read The Count of Monte Cristo assume it is a children's adventure story, complete with daring prison escape culminating in a simple tale of revenge. There is very little for children in this very adult tale, however. Instead, the rich plot combines intrigue, betrayal, theft, drugs, adultery, presumed infanticide, torture, suicide, poisoning, murder, lesbianism, and unconventional revenge.

Although the plot is roughly linear beginning with Edmond Dantès' return to Marseille, prenuptial celebration, and false imprisonment and ending with his somewhat qualified triumphant departure from Marseille and France, Dumas uses the technique of interspersing lengthy anecdotes throughout. The story of Cardinal Spada's treasure, the origins of the Roman bandit Luigi Vampa (the least germane to the novel), Bertuccio's tale of his vendetta, and the account of the betrayal and death of Ali Pasha are few of the more significant stories-within-the-novel. While Dumas devotes an entire chapter to bandit Luigi Vampa's background, he cleverly makes only a few references to what will remain the plot's chief mystery-how the youthful, intelligent, and naive sailor Edmond Dantès transforms himself into the worldly, jaded, mysterious Renaissance man and Eastern philosopher, the count of Monte Cristo, presumably sustained by his own advice of "wait" and "hope."

This novel is not a simple tale of simple revenge. The count does not kill his enemies; he brilliantly uses their vices and weaknesses against them. Caderousse's basic greed is turned against him, while Danglars loses the only thing that has any meaning for him. Fernand is deprived of the one thing that he had that he had never earned-his honour. In the process, he loses the source of his initial transgression, making his fate that much more poignant. The plot against Villefort is so complicated that even Monte Cristo loses control of it, resulting in doubt foreign to his nature and remorse that he will not outlive.

This long but generally fast-paced is set primarily in Marseille, Rome, and Paris. It begins with Dantès' arrival in Marseille aboard the commercial vessel Pharaon and ends with his departure from Marseille aboard his private yacht, accompanied by the young, beautiful Greek princess Haydée. What gives The Count of Monte Cristo its life, however, are the times in which it is set-the Revolution, the Napoleonic era, the First and Second Restoration, and the Revolution of 1830. Life-and-death politics motivates many of the characters and keeps the plot moving. Dumas also uses real people in minor roles, such as Countess G- (Byron's mistress) and the Roman hotelier Signor Pastrini, which adds to the novel's sense of historical veracity.

The most troubling aspect of The Count of Monte Cristo is Edmond Dantès himself. His claim to represent a higher justice seems to justify actions and inactions that are as morally reprehensible as those that sent him to prison, for example, his account of how he acquired Ali and his loyalty. Had he not discovered young Morrel's love for Valentine Villefort, she too might have become an innocent victim. As it is, there are at least two other innocents who die, although one clearly would not have been an innocent for long based on his behaviour in the novel. One wonders of Dantès' two father figures, his own flower-loving father and fellow prisoner Abbé Faria, would have approved of the count.

The translation appears to be good, with a few slips into contemporary English idioms that sound out of place. In his introduction, Buss states that the later Danglars and Fernand have become unrecognizable and that Fernand in particular has been transformed "from the brave and honest Spaniard with a sharp sense of honour . . . to the Parisian aristocrat whose life seems to have been dedicated to a series of betrayals." There is never anything honest or honourable about Fernand; his very betrayal of Edmond is merely the first we know of in his lifelong pattern.

What seems extreme and somewhat unrealistic about Fernand is his transformation from an uneducated Catalan fisherman into a "Parisian aristocrat," hobnobbing with statesmen, the wealthy, and the noteworthy of society. This, however, is the result of the milieu that the novel inhabits. During these post-Revolution, post-Napoleonic years, Fernand could rise socially through his military and political accomplishments just as Danglars does through his financial acumen. Danglars is careful to note that the difference between them is that Fernand insists upon his title, while Danglars is openly indifferent to and dismissive of his; his viewpoint is the more aristocratic.

Countess G- is quick to point out that there is no old family name of Monte Cristo and that the count, like many other contemporaries, has purchased his title. It serves mainly to obscure his identity, nationality, and background and to add to the aura of mystery his persona and Eastern knowledge create. What is most telling is that his entrée into Parisian society is based primarily on his great wealth, not his name. Dumas reinforces this point with Andrea Cavalcanti, another mystery man of unknown name and reputed fortune.

I have read The Man in the Iron Mask and The Three Musketeers series, both of which surprised me with their dark aspects (the character and fate of Lady de Winter, for example) and which little resembled the adventure stories distilled from them for children and for film. When I overheard a college student who was reading The Count of Monte Cristo on the bus tell a friend that she couldn't put it down, I was inspired to read it. I couldn't put it down, either, with its nearly seamless plot, dark protagonist, human villains, turbulent historical setting, and larger-than-life sense of mystery. At 1,078 pages, it's imposing, but don't cheat yourself by settling for an abridged version. You'll want to pick up every nuance.

Answer 2

This book is the world's most widely circulated classics. But has not read it thought would be boring at the beginning and not on the modern dialogue together, did not expect a reading to fit inside, unable to stop. The book I Monte Cristo is like the character, the very real feeling. put yourself in thinking that if I happened to encounter him, I would carry out revenge, but it is not the hand of God, but revenge angels, death's hand. I see his fall into hell from heaven, watching him fall into the underground from the clouds, looking at him from the hope to despair, watching him from a vibrant youth into a heart full of hatred, revenge, angel, watching him finally put aside hatred and find happiness. happiness is short for him, 14 years in prison, made his appearance, voice, heart and mind, personality also changed dramatically. He crawled out from the grave, Enyuanfenming for help through him to gratitude, to those I am sorry to his people, to impose reprisals. People are always satisfied with the language situation, not content with being vested, can be lost only if, they find that share of happiness is valuable enough how moose . We always complain about learning difficulties, parents nagging, but we do not know, school is the community remaining in the Pure Land, the love of parents is the world's most selfless emotion. He experienced many things, the final finally see through things, as he Morrell said: "In this world neither happiness nor misfortune, there is only one situation and another situation more. to think of the pain of death, to know health and happiness. "At that time what kind of open-minded what ah! time trials to come up with life feeling.

这本书是全世界流传最广的名著之一.但一直没有去看,原以为会有枯燥的开头和与现代合不上的对白,没想到一读就放不下了,欲罢不能.
书中我是喜欢基督山这个人物的,很真实的感觉.设身处地地想,如果我遭遇到他的遭遇,我也会进行复仇,但那不是上帝的手,而是复仇天使,是死神的手.
我看着他从天堂掉入地狱,看着他从云端掉入地底,看着他从充满希望到彻底绝望,看着他从一个充满朝气的青年变成一个心中充满仇恨的复仇天使,看着他最终放下仇恨,找到幸福.
快乐对他来说是短暂,十四年的牢狱之灾,使他的外貌,声音,心性,性格也都发生巨大变化.他从坟墓中爬出来,恩怨分明,对帮过他的人进行报恩,对那些对不起他的人,施以报复.
人们总是不满足语言现状,不满足于既得的幸福,可只有当失去时,才发现那份幸福是多么的麋足珍贵.
我们总是埋怨学习的辛苦,父母的唠叨,而我们却不知道,学校是这社会上仅剩的净土,父母的爱是世上最无私的情感.
他经历了许许多多的事,最终终于看透世事,正如他对莫雷尔所说:"在这个世界上既没有幸福也没有不幸,只有一种处境和另一种处境的比较.必须想到过死的痛苦,才能懂得生的快乐."那时怎样的豁达,怎样的胸襟啊!那时历经磨难后得出的人生感悟.

Answer 3

The book called the count of Monte Cristo reveals records and represents a total view of people and life in France of 19th century when the social structure is distanced from ours and the horror and dignity of a man equals his life. Unable to seize the big picture which Alexandra Dumas has obviously seized I put my focus on the focus of the book: Dante Edmond AKA the count of Monte Cristo who shines through the cover all the way to the last page. Seeing admiring and longing his unsteady lifeline, extreme fortune as well as misfortune and his air of height and detachment I on the other hand think what sparkles most is when Dante’s life reached into the unreachable bottom in the dungeon of Chateau d’If all alone.

Loneliness is the theme of both most fortunate and unfortunate men. Dante belonging to the former, the loneliness he encountered, suffered and was reborn from holds three elements which are shared by the universal concept of loneliness: the absence of addiction the presence of question and self doubt and the state of detachment. Each one of the three carries the rare function and unspeakable suffering they are also the inevitable steps on the path of evolution and distinguish pages engraved in the mental history of human being.

Loneliness and the absence of addiction

A fact that can’t be more manifested yet is constantly ignored is all creatures on the earth need to be addicted to something to live on. The birth of civilization diversified the core of each individual from the solo grasp of Mother Nature but failed to change that of the whole race. If we looked closely enough, we’ll run into the blind area of modern medical theory where only the addiction of drugs alcohol and other materialized forms is diagnosed. The fact is we all have addictive character and have to force ourselves into some kind of obsession to ignore the hollowness which truly fills our life. Those obsession often takes on occupation, hobby, aim and plan as names and hatred, love, vengeance, and anguish as content. Because few people realize their ever-lasting existence, nothing is done to prevent the harm which with more violence and strength effects not only on the body but also the mind. Yet what goes further on the destructive way than the necessary evil of obsession is absence of it. Being used the convenience and comfort of having the wandering life clinging to something, people who are suddenly taken away from all these and enter the fields of loneliness will experience a feeling of that is described as that all the oxygen is sucked out of the room. To make things worse and more unbearable all the spare energy, thinking and effort having nowhere to go will turn directly back to ourselves which leads to the second step of destruction.

Loneliness and the presence of self doubt and questioning

After the black –hole –like loneliness sucks in the conventional addiction along with the ambition desire fulfillment and all other armor people used to wear to protect from themselves the only thing we can come up with is the doubt which needs to be ascertained and the questions that need to be answered. Yet never could the hollowness be removed by questions as never could one hole be filled with another. Intended to bear the loneliness and to heal us, the doubt enlarges the hole and the questions end up cutting into the inquirers. To fall apart once and for all seems to be the most easy way out which is indeed a popular choice. And rarity, again, earns its name of precious .Self doubt and questioning is the ultimate way of self-destruction with the devastation that can only achieved by us, because we know ourselves too well. But every self evolution comes after self destruction. Being well realized and actualized by Mufucious, Buddhism and Christianity, this truth is best stated by Tyler Darden: It’s only when you’ve lost everything that you are free to do anything.

Loneliness and the state of detachment

Impossible as it is to compare the sacrifice and the rewards of loneliness, the mid-night tide of the latter rushes to the vacant beach with prevailing power and absolute cleanness. Loneliness is not an enemy whom ends up bleeding to death, but a tamed beast inhabits in the mind and heart. It is not a clerk as your service but a friend stays as a distance. Not that it is lingering a round but that is shares with you some of its rare quality: the sense of detachment. The period of loneliness created a rather distinct personal space from the world. When the loneliness leaves, the space somehow stays and will linger on. You’ll find the intimacy of old age never returns in one piece. Where connection ends the detachment begins, with that or harm could ever creep in. And with this strength mental could go further that the physical. And outside harm can be laughed at because we’ve been suffering the worse—the torture if loneliness.

The ultimate fear of man is not from outside jungle but from the inner world. We are shaking not due to our coming destruction but our mere existence. Loneliness happens to be comer one in a place where we have no choice but to confront ourselves without any distraction. The count of Monte Cristo suffered it all when he was trapped reasonlessly hopelessly and helplessly in the dungean when death is the most tempting way and loneliness was his only company. So afterwards he had it all, the ability to take everything easy, the air of undoubtedly dignity and the still lake of mind that doesn’t stir.

Victor Hugo said the name of Alexandra Dumas is more than French—it’s universal.” Literature knows no boundary of language or nationality but flourishes in the field of universal feeling and experience shared by all human beings. In this book, it's loneliness and detachment. That is why he who was fat, cunning and yet briliantly writing in France could urge me who is also-fat, but not-so-cunning to write these senseless words sitting here in the tropical area. A glance at it may tell no more than a distant silence, but do remember the words of wisdom: the tree of man is never silent, then it was Rome now it is I.”