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一篇文章帮忙翻译成英语拜托各位了 3Q

传统演出空间之美 ——浅谈青春版《牡丹亭》的舞台空间设计 舞台影视传媒艺术设计专业 摘要：启功说，中国古典书画追求的至上境界，不外乎“形、气、神、韵”四字。无独有偶，梁启超说，中国诗词追求的终极题旨，全在“形、理、声、法、神”。而传统舞台戏曲艺术，作为中国古典美术与古典文学的完美结合体，笔者认为，也可以拿上述两位大师的标准，评判其高下长短。 白先勇先生的“青春版”《牡丹亭》是近年来最受瞩目的传统戏曲之一。它以昆剧这种阳春白雪的戏曲作为表现形式，糅合了丰富的舞台美学元素，获得了广泛的市场认可。但同时，它是否发扬了优良艺术传统，做到了雅俗共赏的“双丰收”呢？本文试以空间构思、创作背景以及舞台空间的设计三大方面，从更深层次解构与这一剧作的价值。 关键词：白先勇；青春版《牡丹亭》；昆曲；传统表演空间； 这个是文章，不要用网上的翻译啊，那个都不通顺的

Answer 1

Traditional performances of space - on youth version of the peony pavilion design stage Stage and film &tv art design speciality Abstract: classical Chinese calligraphy and painting, qi gong says the supreme state, simply pursuit ", gas, god, "four words. Similarly, liang said, the ultimate pursuit of Chinese poetry in the form and method, and sound, and god ". While traditional drama stage, as China's classical art and the perfect combination of classical literature, the author thinks that the two master can also take the standard to judge their length and competing. Mr. Bai xianyong "youth" in recent years, the peony pavilion is the one of the traditional drama. It to the opera kun art-house such as form, mix the rich aesthetic element, the stage of wide market acceptance. But at the same time, it is the good tradition art, the "double harvest lowbrows"? This paper tries to with space conception, the background and the three aspects of the design stage, from deeper deconstruction and the value of the play. Keywords: bai xianyong, The peony pavilion, Kunqu opera, Traditional performance space,

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