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BottomLine:Roadtripdramasetduring9/11doesn’tfullyconnectbutbenefitsfromMelissaLeo’spe...
Bottom Line: Road trip drama set during 9/11 doesn’t fully connect but benefits from Melissa Leo’s performance
An earnest heartstring-tugger set in the wake of 9/11, "The Space Between" comes with ready-made emotional weight and benefits from a solid performance by Melissa Leo but is less successful than it might have been. It stands a chance of moving audiences in a limited theatrical run, but seems unlikely to overcome broader resistance to features revolving around the event.
Leo, more caustic than usual but again convincing as a working-class woman struggling with misfortune, plays Montine, an alcoholic flight attendant on the verge of getting fired for her quick temper. Working on a flight that is grounded mid-route when the September 11 attacks occur, she is stuck caring for a 10-year-old Muslim boy who was flying alone. Though reluctant to engage with young Omar, she caves in after learning that his father worked at the Trade Center. She goes AWOL from work in an attempt to get the boy to New York and search for his father.
Their ensuing road trip is shadowed by terror-related issues both predictable, such as Omar’s Pakistani heritage provokes bigotry, and unexpected. Writer/director Fine handles the thawing relationship between the two protagonists well, but his screenplay is too on-the-nose in its pursuit of emotional resonance, particularly when it comes to Montine’s family and the losses in her past.
As Omar, young thesp Anthony Keyvan is capable but stuck in a thin role that keeps him in precocious good-boy mode throughout. Happily, Fine doesn’t push him to act cute, but something more was needed to balance this two-hander and to deepen the bond Fine eventually envisions between the boy and his new guardian.
Venue: Tribeca Film Festival
Production company: TSB Films
Cast: Melissa Leo, Brad William Henke, AnnaSophia Robb, Phillip Rhys, Anthony Keyvan
Director/screenwriter: Travis Fine
Producers: Travis Fine, Kristine Fine
Director of photography: Marc Shap
Production designer: Elizabeth Garner
Music: Joey Newman
Costume designer: Samantha Kuester
Editor: Tom Cross
Sales Agent: Kevin Iwashina, Parlay Media; Graham Taylor, WME Global
No rating, 85 minutes 展开
An earnest heartstring-tugger set in the wake of 9/11, "The Space Between" comes with ready-made emotional weight and benefits from a solid performance by Melissa Leo but is less successful than it might have been. It stands a chance of moving audiences in a limited theatrical run, but seems unlikely to overcome broader resistance to features revolving around the event.
Leo, more caustic than usual but again convincing as a working-class woman struggling with misfortune, plays Montine, an alcoholic flight attendant on the verge of getting fired for her quick temper. Working on a flight that is grounded mid-route when the September 11 attacks occur, she is stuck caring for a 10-year-old Muslim boy who was flying alone. Though reluctant to engage with young Omar, she caves in after learning that his father worked at the Trade Center. She goes AWOL from work in an attempt to get the boy to New York and search for his father.
Their ensuing road trip is shadowed by terror-related issues both predictable, such as Omar’s Pakistani heritage provokes bigotry, and unexpected. Writer/director Fine handles the thawing relationship between the two protagonists well, but his screenplay is too on-the-nose in its pursuit of emotional resonance, particularly when it comes to Montine’s family and the losses in her past.
As Omar, young thesp Anthony Keyvan is capable but stuck in a thin role that keeps him in precocious good-boy mode throughout. Happily, Fine doesn’t push him to act cute, but something more was needed to balance this two-hander and to deepen the bond Fine eventually envisions between the boy and his new guardian.
Venue: Tribeca Film Festival
Production company: TSB Films
Cast: Melissa Leo, Brad William Henke, AnnaSophia Robb, Phillip Rhys, Anthony Keyvan
Director/screenwriter: Travis Fine
Producers: Travis Fine, Kristine Fine
Director of photography: Marc Shap
Production designer: Elizabeth Garner
Music: Joey Newman
Costume designer: Samantha Kuester
Editor: Tom Cross
Sales Agent: Kevin Iwashina, Parlay Media; Graham Taylor, WME Global
No rating, 85 minutes 展开
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底线：在客场戏剧9 / 11不完全连接，而是来自梅丽莎利奥的性能优势集
认真的心弦，tugger载于9 / 11之后，“空间与”带有现成的情感和利益从一重由Melissa利奥稳健的表现是不太成功，但比它可能已。它代表了移动运行在有限的舞台观众的机会，但似乎不可能克服阻力特性更广泛的事件左右旋转。
狮子座，比平常更多的苛性但再次作为工人阶级的女子晓之以不幸中挣扎，戏剧Montine，一个濒临酒精乘务员让她的脾气快速发射。在接地的中期路线时，9月11日的袭击发生飞行工作，她被套牢了10岁的穆斯林男孩谁是单独飞行的关怀。虽然不愿意从事与年轻奥马尔，她在山洞后得知他的父亲在贸易中心工作。她去上班擅离职守，企图让孩子到纽约和他父亲的搜索。
他们接下来的客场之旅是由恐怖阴影有关的问题都可以预测，如奥马尔的巴基斯坦遗产挑起偏见，和意外。作家/导演精细处理两者之间的关系以及解冻主角，但他的剧本太上在其追求的情感共鸣，鼻子，尤其是当涉及到Montine的家庭和她的过去的损失。
正如奥马尔，年轻thesp安东尼Keyvan有能力，但在一个薄的作用，保持良好的早熟男孩模式在整个他卡住了。令人高兴的是，精细不推他的行为很可爱，但更多的东西，需要平衡这两个投手，深化精细最终设想债券之间的男孩和他的新监护人。
地点：翠贝卡电影节
制作公司：TSB的电影
演员：梅丽莎利奥，布拉德威廉亨克，AnnaSophia罗布，菲利普里斯，安东尼Keyvan
导演/编剧：特拉维斯精细
制作人：特拉维斯精细，精细克里斯坦
摄影指导：马克十八
制作设计师：伊丽莎白加纳
音乐：乔伊纽曼
服装设计师：萨曼莎库斯特
编辑：汤交叉
销售代理：凯文岩科，Parlay的媒体;格雷厄姆泰勒，WME全球
没有评分，85分钟
认真的心弦，tugger载于9 / 11之后，“空间与”带有现成的情感和利益从一重由Melissa利奥稳健的表现是不太成功，但比它可能已。它代表了移动运行在有限的舞台观众的机会，但似乎不可能克服阻力特性更广泛的事件左右旋转。
狮子座，比平常更多的苛性但再次作为工人阶级的女子晓之以不幸中挣扎，戏剧Montine，一个濒临酒精乘务员让她的脾气快速发射。在接地的中期路线时，9月11日的袭击发生飞行工作，她被套牢了10岁的穆斯林男孩谁是单独飞行的关怀。虽然不愿意从事与年轻奥马尔，她在山洞后得知他的父亲在贸易中心工作。她去上班擅离职守，企图让孩子到纽约和他父亲的搜索。
他们接下来的客场之旅是由恐怖阴影有关的问题都可以预测，如奥马尔的巴基斯坦遗产挑起偏见，和意外。作家/导演精细处理两者之间的关系以及解冻主角，但他的剧本太上在其追求的情感共鸣，鼻子，尤其是当涉及到Montine的家庭和她的过去的损失。
正如奥马尔，年轻thesp安东尼Keyvan有能力，但在一个薄的作用，保持良好的早熟男孩模式在整个他卡住了。令人高兴的是，精细不推他的行为很可爱，但更多的东西，需要平衡这两个投手，深化精细最终设想债券之间的男孩和他的新监护人。
地点：翠贝卡电影节
制作公司：TSB的电影
演员：梅丽莎利奥，布拉德威廉亨克，AnnaSophia罗布，菲利普里斯，安东尼Keyvan
导演/编剧：特拉维斯精细
制作人：特拉维斯精细，精细克里斯坦
摄影指导：马克十八
制作设计师：伊丽莎白加纳
音乐：乔伊纽曼
服装设计师：萨曼莎库斯特
编辑：汤交叉
销售代理：凯文岩科，Parlay的媒体;格雷厄姆泰勒，WME全球
没有评分，85分钟
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