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《哀悼基督》雕像
《大卫》云石雕像
《摩西》和《奴隶》等雕像
世界上最大的壁画《创世纪》
米开朗基罗·博那罗蒂（Michelangelo Buonarroti，1475年3月6日－1564年2月18日），意大利文艺复兴时期伟大的绘画家、雕塑家、建筑师和诗人，文艺复兴时期雕塑艺术最高峰的代表。与拉斐尔和达芬奇并称为文艺复兴后三杰。全名 Michelangelo di Lodovico Buonarroti Simoni，又译“米开兰琪罗”、“米高安哲罗”，1475年生于佛罗伦斯加柏里斯镇。他与列奥纳多·达芬奇和拉斐尔并称“文艺复兴三杰”。
百科。
《大卫》云石雕像
《摩西》和《奴隶》等雕像
世界上最大的壁画《创世纪》
米开朗基罗·博那罗蒂（Michelangelo Buonarroti，1475年3月6日－1564年2月18日），意大利文艺复兴时期伟大的绘画家、雕塑家、建筑师和诗人，文艺复兴时期雕塑艺术最高峰的代表。与拉斐尔和达芬奇并称为文艺复兴后三杰。全名 Michelangelo di Lodovico Buonarroti Simoni，又译“米开兰琪罗”、“米高安哲罗”，1475年生于佛罗伦斯加柏里斯镇。他与列奥纳多·达芬奇和拉斐尔并称“文艺复兴三杰”。
百科。
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创世纪：
http://www.86art.net/art/UploadFiles_5617/200709/20070919203039306.jpg
中文:在1505年米开朗基罗被邀请了回到罗马由最近当选教皇朱利叶斯II。 他被委任修造教皇的坟茔。在教皇的光顾之下，米开朗基罗必须经常停下来在坟茔的工作为了完成许多其他任务。 由于这些中断，米开朗基罗在坟茔工作了40年。坟茔，中央特点是摩西米开朗基罗的雕象，未曾被完成对米开朗基罗的满意。 它位于S. Pietro教会在Vincoli的在罗马。
在坟茔的The 主要中断是绘Sistine教堂的天花板的委员会，需要大约四年完成(1508–1512)。 根据米开朗基罗的自己的帐户，再生产在当代传记， Bramante和Raphael说服教皇委任不是媒介知交的米开朗基罗对艺术家，为了他也许被牵制免受他的雕塑的特选入壁画绘画和因而遭受与他的敌手 Raphael的不赞同的比较。 然而，这个故事由现代史学家打折根据当代证据，并且也许仅仅是艺术家的自己的透视的反射。
Michelangelo最初被委任绘12位传道者，但是为一份不同和更加复杂的计划被游说了，代表创作、人倒台和救世诺言通过基督先知和谱学。 工作是装饰一份更大的计划的一部分在代表许多天主教教会的教条的教堂之内的
The 构成最终包含300个图和有在它的从创世纪书的中心九情节，被划分成三个小组： 地球的上帝的创作; 人类和他们的从上帝的雍容的秋天的上帝的创作; 并且最后，人类状态如代表由诺亚和他的家庭。 在支持天花板的pendentives被绘预测来临耶稣的十二名男人和妇女。他们是以色列的七个先知和五个女巫，古典世界的预言妇女。
Among在天花板的最著名的绘画是亚当的创作，亚当和伊芙在伊甸园里，伟大的洪水、先知艾赛尔和Cumaean女巫。 在窗口附近被绘基督的祖先。
英文：
In 1505 Michelangelo was invited back to Rome by the newly elected Pope Julius II. He was commissioned to build the Pope's tomb. Under the patronage of the Pope, Michelangelo had to constantly stop work on the tomb in order to accomplish numerous other tasks. Because of these interruptions, Michelangelo worked on the tomb for 40 years. The tomb, of which the central feature is Michelangelo's statue of Moses, was never finished to Michelangelo's satisfaction. It is located in the Church of S. Pietro in Vincoli in Rome.
The major interruption on the tomb was the commission to paint the ceiling of the Sistine Chapel, which took approximately four years to complete (1508–1512). According to Michelangelo's own account, reproduced in contemporary biographies, Bramante and Raphael convinced the Pope to commission Michelangelo in a medium not familiar to the artist, in order that he might be diverted from his preference for sculpture into fresco painting, and thus suffer from unfavorable comparisons with his rival Raphael. However, this story is discounted by modern historians on the grounds of contemporary evidence, and may be merely a reflection of the artist's own perspective.
Michelangelo was originally commissioned to paint the 12 Apostles, but lobbied for a different and more complex scheme, representing creation, the Downfall of Man and the Promise of Salvation through the prophets and Genealogy of Christ. The work is part of a larger scheme of decoration within the chapel which represents much of the doctrine of the Catholic Church
The composition eventually contained over 300 figures and had at its centre nine episodes from the Book of Genesis, divided into three groups: God's Creation of the Earth; God's Creation of Humankind and their fall from God's grace; and lastly, the state of Humanity as represented by Noah and his family. On the pendentives supporting the ceiling are painted twelve men and women who prophesied the coming of the Jesus. They are seven prophets of Israel and five Sibyls, prophetic women of the Classical world.
Among the most famous paintings on the ceiling are the Creation of Adam, Adam and Eve in the Garden of Eden, the Great Flood, the Prophet Isaiah and the Cumaean Sibyl. Around the windows are painted the ancestors of Christ.
http://www.86art.net/art/UploadFiles_5617/200709/20070919203039306.jpg
中文:在1505年米开朗基罗被邀请了回到罗马由最近当选教皇朱利叶斯II。 他被委任修造教皇的坟茔。在教皇的光顾之下，米开朗基罗必须经常停下来在坟茔的工作为了完成许多其他任务。 由于这些中断，米开朗基罗在坟茔工作了40年。坟茔，中央特点是摩西米开朗基罗的雕象，未曾被完成对米开朗基罗的满意。 它位于S. Pietro教会在Vincoli的在罗马。
在坟茔的The 主要中断是绘Sistine教堂的天花板的委员会，需要大约四年完成(1508–1512)。 根据米开朗基罗的自己的帐户，再生产在当代传记， Bramante和Raphael说服教皇委任不是媒介知交的米开朗基罗对艺术家，为了他也许被牵制免受他的雕塑的特选入壁画绘画和因而遭受与他的敌手 Raphael的不赞同的比较。 然而，这个故事由现代史学家打折根据当代证据，并且也许仅仅是艺术家的自己的透视的反射。
Michelangelo最初被委任绘12位传道者，但是为一份不同和更加复杂的计划被游说了，代表创作、人倒台和救世诺言通过基督先知和谱学。 工作是装饰一份更大的计划的一部分在代表许多天主教教会的教条的教堂之内的
The 构成最终包含300个图和有在它的从创世纪书的中心九情节，被划分成三个小组： 地球的上帝的创作; 人类和他们的从上帝的雍容的秋天的上帝的创作; 并且最后，人类状态如代表由诺亚和他的家庭。 在支持天花板的pendentives被绘预测来临耶稣的十二名男人和妇女。他们是以色列的七个先知和五个女巫，古典世界的预言妇女。
Among在天花板的最著名的绘画是亚当的创作，亚当和伊芙在伊甸园里，伟大的洪水、先知艾赛尔和Cumaean女巫。 在窗口附近被绘基督的祖先。
英文：
In 1505 Michelangelo was invited back to Rome by the newly elected Pope Julius II. He was commissioned to build the Pope's tomb. Under the patronage of the Pope, Michelangelo had to constantly stop work on the tomb in order to accomplish numerous other tasks. Because of these interruptions, Michelangelo worked on the tomb for 40 years. The tomb, of which the central feature is Michelangelo's statue of Moses, was never finished to Michelangelo's satisfaction. It is located in the Church of S. Pietro in Vincoli in Rome.
The major interruption on the tomb was the commission to paint the ceiling of the Sistine Chapel, which took approximately four years to complete (1508–1512). According to Michelangelo's own account, reproduced in contemporary biographies, Bramante and Raphael convinced the Pope to commission Michelangelo in a medium not familiar to the artist, in order that he might be diverted from his preference for sculpture into fresco painting, and thus suffer from unfavorable comparisons with his rival Raphael. However, this story is discounted by modern historians on the grounds of contemporary evidence, and may be merely a reflection of the artist's own perspective.
Michelangelo was originally commissioned to paint the 12 Apostles, but lobbied for a different and more complex scheme, representing creation, the Downfall of Man and the Promise of Salvation through the prophets and Genealogy of Christ. The work is part of a larger scheme of decoration within the chapel which represents much of the doctrine of the Catholic Church
The composition eventually contained over 300 figures and had at its centre nine episodes from the Book of Genesis, divided into three groups: God's Creation of the Earth; God's Creation of Humankind and their fall from God's grace; and lastly, the state of Humanity as represented by Noah and his family. On the pendentives supporting the ceiling are painted twelve men and women who prophesied the coming of the Jesus. They are seven prophets of Israel and five Sibyls, prophetic women of the Classical world.
Among the most famous paintings on the ceiling are the Creation of Adam, Adam and Eve in the Garden of Eden, the Great Flood, the Prophet Isaiah and the Cumaean Sibyl. Around the windows are painted the ancestors of Christ.
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