求英国文学简史(刘炳善)的中文版全文,谢谢 10

求英国文学简史(刘炳善)的中文版全文,谢谢开头是“在开始学习英国文学史之前,了解一下英国这个民族是很重要的”xfxfnlb@企鹅家的邮箱.com谢谢!... 求英国文学简史(刘炳善)的中文版全文,谢谢
开头是 “在开始学习英国文学史之前,了解一下英国这个民族是很重要的 ”
xfxfnlb@企鹅家的邮箱.com
谢谢!
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The third tendency by Johnson: reaction——Classically pure and restrained style. The fourth tendency by Milton: central Christian and Biblical tradition. 2. Drama a. the native tradition and classical examples. b. the drama stands highest in popular estimation: Marlowe – Shakespeare – Jonson. 3. Prose a. translation of Bible; b. More; c. Bacon. II.English poetry. 1. Sir Thomas Wyatt and Henry Howard (courtly makers) (1) Wyatt: introducing sonnets. (2) Howard: introducing sonnets and writing the first blank verse. 2. Sir Philip Sidney—poet, critic, prose writer (1) Life: a. English gentleman; b. brilliant and fascinating personality; c. courtier. (2) works a. Arcadia: pastoral romance;

b. Astrophel and Stella (108): sonnet sequence to Penelope Dvereux—platonic devotion. Petrarchan conceits and original feelings-moving to creativeness—building of a narrative story; theme-love originality-act of writing. c. Defense of Poesy: an apology for imaginative literature—beginning of literary criticism. 3. Edmund Spenser (1) life: Cambridge - Sidney's friend - ―Areopagus‖ – Ireland - Westminster Abbey. (2) works a. The Shepherds Calendar: the budding of English poetry in Renaissance. b. Amoretti and Epithalamion: sonnet sequence c. Faerie Queene: l The general end——A romantic and allegorical epic—steps to virtue. l 12 books and 12 virtues: Holiness, temperance, justice and courtesy. l Two-level function: part of the story and part of allegory (symbolic meaning) l Many allusions to classical writers. l Themes: puritanism, nationalism, humanism and Renaissance Neoclassicism—a Christian humanist. (3) Spenserian Stanza.

III.English Prose 1. Thomas More (1) Life: ―Renaissance man‖, scholar, statesman, theorist, prose writer, diplomat, patron of arts a. learned Greek at Canterbury College, Oxford; b. studies law at Lincoln Inn; c. Lord Chancellor; d. beheaded. (2) Utopia: the first English science fiction. Written in Latin, two parts, the second—place of nowhere. A philosophical mariner (Raphael Hythloday) tells his voyages in which he discovers a land-Utopia. a. The part one is organized as dialogue with mariner depicting his philosophy. b. The part two is a description of the island kingdom where gold and silver are worn by criminal, religious freedom is total and no one owns anything. c. the nature of the book: attacking the chief political and social evils of his time. d. the book and the Republic: an attempt to describe the Republic in a new way, but it possesses an modern character and the resemblance is in externals. e. it played a key role in the Humanist awakening of the 16th century which moved away from the Medieval otherworldliness towards Renaissance
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The third tendency by Johnson: reaction——Classically pure and restrained style. The fourth tendency by Milton: central Christian and Biblical tradition. 2. Drama a. the native tradition and classical examples. b. the drama stands highest in popular estimation: Marlowe – Shakespeare – Jonson. 3. Prose a. translation of Bible; b. More; c. Bacon. II.English poetry. 1. Sir Thomas Wyatt and Henry Howard (courtly makers) (1) Wyatt: introducing sonnets. (2) Howard: introducing sonnets and writing the first blank verse. 2. Sir Philip Sidney—poet, critic, prose writer (1) Life: a. English gentleman; b. brilliant and fascinating personality; c. courtier. (2) works a. Arcadia: pastoral romance;

b. Astrophel and Stella (108): sonnet sequence to Penelope Dvereux—platonic devotion. Petrarchan conceits and original feelings-moving to creativeness—building of a narrative story; theme-love originality-act of writing. c. Defense of Poesy: an apology for imaginative literature—beginning of literary criticism. 3. Edmund Spenser (1) life: Cambridge - Sidney's friend - ―Areopagus‖ – Ireland - Westminster Abbey. (2) works a. The Shepherds Calendar: the budding of English poetry in Renaissance. b. Amoretti and Epithalamion: sonnet sequence c. Faerie Queene: l The general end——A romantic and allegorical epic—steps to virtue. l 12 books and 12 virtues: Holiness, temperance, justice and courtesy. l Two-level function: part of the story and part of allegory (symbolic meaning) l Many allusions to classical writers. l Themes: puritanism, nationalism, humanism and Renaissance Neoclassicism—a Christian humanist. (3) Spenserian Stanza.

III.English Prose 1. Thomas More (1) Life: ―Renaissance man‖, scholar, statesman, theorist, prose writer, diplomat, patron of arts a. learned Greek at Canterbury College, Oxford; b. studies law at Lincoln Inn; c. Lord Chancellor; d. beheaded. (2) Utopia: the first English science fiction. Written in Latin, two parts, the second—place of nowhere. A philosophical mariner (Raphael Hythloday) tells his voyages in which he discovers a land-Utopia. a. The part one is organized as dialogue with mariner depicting his philosophy. b. The part two is a description of the island kingdom where gold and silver are worn by criminal, religious freedom is total and no one owns anything. c. the nature of the book: attacking the chief political and social evils of his time. d. the book and the Republic: an attempt to describe the Republic in a new way, but it possesses an modern character and the resemblance is in externals. e. it played a key role in the Humanist awakening of the 16th century which moved away from the Medieval otherworldliness towards Renaissance
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