![](https://iknow-base.cdn.bcebos.com/lxb/notice.png)
英文高手帮我翻译一下!
Loveistheweather.Betrayalisthelightningthatcleavesandrevealsit.(怎么翻译cleaveandreveal)I...
Love is the weather . Betrayal is the lightning that cleaves and reveals it.(怎么翻译cleave and reveal)
In Love, the material struck me as longing for a similar freedom - but this time with an embodied , participating voice.(尤其是破折号后面那句) 展开
In Love, the material struck me as longing for a similar freedom - but this time with an embodied , participating voice.(尤其是破折号后面那句) 展开
2个回答
展开全部
出自黑人女作家托尼莫里森的作品love.给你上下文,更好理解。
People tell me that I am always writing about love. Always, always love, I nod, yes, but it isn't true – not exactly. In fact, I am always writing about betrayal. Love is the weather. Betrayal is the lightning that cleaves and reveals it。
人们总是说我只写爱。永远是爱,我点头说是,但事实上,并不完全是。
其实,我也总在写背叛。爱像天气。背叛是那将它劈裂暴露的闪电。
I liked so much the challenge that writing Jazz gave me: breaking or dismissing conventional rules of composition to replace them with other, stricter rules. In that work, the narrative voice was the book itself, its physical and spatial confinement made irrelevant by its ability to imagine, invent, interpret, err, and change。In Love, the material (forms of love, kinds of betrayal) struck me as longing for a similar freedom – but this time with an embodied, participating voice.
我很喜欢在写爵士时的那种挑战,打破传统的规律,用更严苛的去代替它们。在那种情况下,狭隘的媒介是书本身,物理和空间上的限制来自想象力,理解力,发明的能力,改变的能力等等。在爱中,表面的形式以一种同样对自由的渴望激励着我,只是这一次的媒介更具体,更能让人参与其中。
People tell me that I am always writing about love. Always, always love, I nod, yes, but it isn't true – not exactly. In fact, I am always writing about betrayal. Love is the weather. Betrayal is the lightning that cleaves and reveals it。
人们总是说我只写爱。永远是爱,我点头说是,但事实上,并不完全是。
其实,我也总在写背叛。爱像天气。背叛是那将它劈裂暴露的闪电。
I liked so much the challenge that writing Jazz gave me: breaking or dismissing conventional rules of composition to replace them with other, stricter rules. In that work, the narrative voice was the book itself, its physical and spatial confinement made irrelevant by its ability to imagine, invent, interpret, err, and change。In Love, the material (forms of love, kinds of betrayal) struck me as longing for a similar freedom – but this time with an embodied, participating voice.
我很喜欢在写爵士时的那种挑战,打破传统的规律,用更严苛的去代替它们。在那种情况下,狭隘的媒介是书本身,物理和空间上的限制来自想象力,理解力,发明的能力,改变的能力等等。在爱中,表面的形式以一种同样对自由的渴望激励着我,只是这一次的媒介更具体,更能让人参与其中。
推荐律师服务:
若未解决您的问题,请您详细描述您的问题,通过百度律临进行免费专业咨询