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3.Inside,asurprisingmodulationofscalesaccompaniesfunction:generouslywidecorridorsinpu...
3. Inside, a surprising modulation of scales accompanies function: generously wide corridors in public areas achieve grandeur, while galleries and interior courtyards provide moments of intimacy for individuals to sit or converse. The pathway brings experiential richness. Natural light creates a soft ambience, even in galleries, illuminated by high clerestories, which filter light for ceramic objects from above and warm the wood walls. Hexagonal viewing windows frame controlled views to the exterior pavilion or to a poetic tree.
The Suzhou Museum represents Pei’s highly personal essay on building in strong context in this cradle of Chinese culture. Referential without explicitly copying precedent, respectful of its surrounding constraints, the complex nevertheless breaks no new ground. If the Suzhou Museum sometimes reverts to the scenographic, the walled-in, three-dimensional project succeeds by doing no harm to its hypersensitive environment while offering a new generation of Chinese architects a modest model drawn from precedent — to reflect on, to debate and criticize, to react to, and to create their own new work. 展开
The Suzhou Museum represents Pei’s highly personal essay on building in strong context in this cradle of Chinese culture. Referential without explicitly copying precedent, respectful of its surrounding constraints, the complex nevertheless breaks no new ground. If the Suzhou Museum sometimes reverts to the scenographic, the walled-in, three-dimensional project succeeds by doing no harm to its hypersensitive environment while offering a new generation of Chinese architects a modest model drawn from precedent — to reflect on, to debate and criticize, to react to, and to create their own new work. 展开
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3。在一个令人惊讶的调制的尺度,伴随着功能:慷慨的宽阔的走廊在公共区域实现宏伟,而画廊和内部庭院,提供个人坐或交谈的亲密时刻。途径带来的经验丰富。天然光创造一个软环境,即使在画廊,由高高照灯照明,其过滤光线从上面和温暖的木墙的陶瓷。六角观景窗框架控制视图外亭或一个诗意的树。
苏州博物馆是贝聿铭的高度个人化的散文在中国文化的摇篮强语境构建。引用没有显式复制的先例,尊重其周围的约束,但不复杂的新天地。如果苏州博物馆有时回到舞台装置,寨中,三维项目成功的在不损害其敏感的环境,提供了一种新的中国建筑师适度模型得出的先例——反思代,辩论和批评,反应,和创造他们自己的新工作
苏州博物馆是贝聿铭的高度个人化的散文在中国文化的摇篮强语境构建。引用没有显式复制的先例,尊重其周围的约束,但不复杂的新天地。如果苏州博物馆有时回到舞台装置,寨中,三维项目成功的在不损害其敏感的环境,提供了一种新的中国建筑师适度模型得出的先例——反思代,辩论和批评,反应,和创造他们自己的新工作
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