这篇英语文章是什么意思?求翻译
TherewasonlyonechaironthestageoftheconcerthallinNorthernEngland.Therewasnopiano,nomus...
There was only one chair on the stage of the concert hall in Northern England. There was no piano, no music stand and no conductor. Just that lonely chair.
The atmosphere in the hall was tense. People were nervous and excited. Everyone in the audience of 600 people knew that they were going to hear a very special kind of music.
Finally it was time to start. Yo-Yo Ma, Chinese-American, one of the world’s most famous cellists(大提琴家), came on to the stage, bowed to the audience and sat down quietly on the chair. He made himself comfortable, thought for some minutes until there was complete silence, and then he started to play music that was at first empty and dangerous, but that soon became loud and painful, like the worst thing you’ve ever heard. It was almost unbearable , but finally, it faded away to nothing. Yo-Yo Ma did not move. He stayed with his head bowed over his instrument.
Everyone in the hall held their breath. For what seemed like hours, nobody moved, though the performance ended. It was as if they had all experienced something terrible and dark. But then Yo-Yo Ma stood up. He put down his cello. He extended his hand to someone in the audience, asking them to come and join him. An electric shock ran through the audience when they realized what was going to happen.
A man in dirty motorcycle leathers got up from his seat excitedly and walked towards the stage, but Ma did not seem to mind. The great cellist rushed down from the stage and hugged him. The audience went crazy; suddenly everyone was cheering and shouting, like people do when they’ve just heard great music.
But this was more than music, just as the great cellist told us:“You should play not because you want to be good, but because you need to make a sound, music --- the essence of music is about expression.” 展开
The atmosphere in the hall was tense. People were nervous and excited. Everyone in the audience of 600 people knew that they were going to hear a very special kind of music.
Finally it was time to start. Yo-Yo Ma, Chinese-American, one of the world’s most famous cellists(大提琴家), came on to the stage, bowed to the audience and sat down quietly on the chair. He made himself comfortable, thought for some minutes until there was complete silence, and then he started to play music that was at first empty and dangerous, but that soon became loud and painful, like the worst thing you’ve ever heard. It was almost unbearable , but finally, it faded away to nothing. Yo-Yo Ma did not move. He stayed with his head bowed over his instrument.
Everyone in the hall held their breath. For what seemed like hours, nobody moved, though the performance ended. It was as if they had all experienced something terrible and dark. But then Yo-Yo Ma stood up. He put down his cello. He extended his hand to someone in the audience, asking them to come and join him. An electric shock ran through the audience when they realized what was going to happen.
A man in dirty motorcycle leathers got up from his seat excitedly and walked towards the stage, but Ma did not seem to mind. The great cellist rushed down from the stage and hugged him. The audience went crazy; suddenly everyone was cheering and shouting, like people do when they’ve just heard great music.
But this was more than music, just as the great cellist told us:“You should play not because you want to be good, but because you need to make a sound, music --- the essence of music is about expression.” 展开
3个回答
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世界上只有一个在英格兰北部的音乐厅舞台的椅子。有没有钢琴,没有音乐的立场,没有指挥。只是,寂寞的椅子。
大厅里的气氛很紧张。人们在紧张和兴奋。在600名观众每个人都知道,他们要听的音乐很特殊的。
最后,是时候开始。马友友,美籍华人,世界上最著名的大提琴家(大提琴家)之一,来到了舞台上,向观众鞠躬坐在椅子上,静静地。他让自己舒服,想到了好几分钟,直到有完整的沉默,然后他就开始玩音乐,是在第一个空的危险,
但很快就大声和痛苦的,最糟糕的事情就像你曾经听说过。这几乎是无法忍受,但最后,它消失落空。马友友不动了。他住他的头在他的乐器鞠了一躬。
在大厅里每个人都屏住了呼吸。对于像什么几个时辰,没有人提出,虽然表演结束。这是因为如果他们都经历了什么可怕的,黑暗。但后来马友友站了起来。他放下大提琴。他伸出手的人在台下,请他们来参加他。
触电贯穿观众当他们意识到发生了什么事情发生。
一个人在肮脏的摩托车皮革从座位上站起来兴奋地向台上走来走去,但马似乎并不介意。伟大的大提琴家冲下从舞台,抱住了他。观众疯了;突然大家都欢呼呐喊,大家都是这样做时,他们刚刚听到美妙的音乐。
但是,这是比音乐更多,正如伟大的大提琴家告诉我们:“。你应该不是因为你要发挥好,而是因为你需要做一个声音,音乐---音乐的本质是关于表达”
大厅里的气氛很紧张。人们在紧张和兴奋。在600名观众每个人都知道,他们要听的音乐很特殊的。
最后,是时候开始。马友友,美籍华人,世界上最著名的大提琴家(大提琴家)之一,来到了舞台上,向观众鞠躬坐在椅子上,静静地。他让自己舒服,想到了好几分钟,直到有完整的沉默,然后他就开始玩音乐,是在第一个空的危险,
但很快就大声和痛苦的,最糟糕的事情就像你曾经听说过。这几乎是无法忍受,但最后,它消失落空。马友友不动了。他住他的头在他的乐器鞠了一躬。
在大厅里每个人都屏住了呼吸。对于像什么几个时辰,没有人提出,虽然表演结束。这是因为如果他们都经历了什么可怕的,黑暗。但后来马友友站了起来。他放下大提琴。他伸出手的人在台下,请他们来参加他。
触电贯穿观众当他们意识到发生了什么事情发生。
一个人在肮脏的摩托车皮革从座位上站起来兴奋地向台上走来走去,但马似乎并不介意。伟大的大提琴家冲下从舞台,抱住了他。观众疯了;突然大家都欢呼呐喊,大家都是这样做时,他们刚刚听到美妙的音乐。
但是,这是比音乐更多,正如伟大的大提琴家告诉我们:“。你应该不是因为你要发挥好,而是因为你需要做一个声音,音乐---音乐的本质是关于表达”
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我看过一本书意思应该是这样的
世界上只有一个在英格兰北部的音乐厅舞台的椅子。有没有钢琴,没有音乐的立场,没有指挥。只是,寂寞的椅子。
大厅里的气氛很紧张。人们在紧张和兴奋。在600名观众每个人都知道,他们要听的音乐很特殊的。
最后,是时候开始。马友友,美籍华人,世界上最著名的大提琴家(大提琴家)之一,来到了舞台上,向观众鞠躬坐在椅子上,静静地。他让自己舒服,想到了好几分钟,直到有完整的沉默,然后他就开始玩音乐,是在第一个空的危险,
但很快就大声和痛苦的,最糟糕的事情就像你曾经听说过。这几乎是无法忍受,但最后,它消失落空。马友友不动了。他住他的头在他的乐器鞠了一躬。
在大厅里每个人都屏住了呼吸。对于像什么几个时辰,没有人提出,虽然表演结束。这是因为如果他们都经历了什么可怕的,黑暗。但后来马友友站了起来。他放下大提琴。他伸出手的人在台下,请他们来参加他。
触电贯穿观众当他们意识到发生了什么事情发生。
一个人在肮脏的摩托车皮革从座位上站起来兴奋地向台上走来走去,但马似乎并不介意。伟大的大提琴家冲下从舞台,抱住了他。观众疯了;突然大家都欢呼呐喊,大家都是这样做时,他们刚刚听到美妙的音乐。
但是,这是比音乐更多,正如伟大的大提琴家告诉我们:“。你应该不是因为你要发挥好,而是因为你需要做一个声音,音乐---音乐的本质是关于表达”
希望你学习进步,别忘了及时采纳哦 (* *)。
世界上只有一个在英格兰北部的音乐厅舞台的椅子。有没有钢琴,没有音乐的立场,没有指挥。只是,寂寞的椅子。
大厅里的气氛很紧张。人们在紧张和兴奋。在600名观众每个人都知道,他们要听的音乐很特殊的。
最后,是时候开始。马友友,美籍华人,世界上最著名的大提琴家(大提琴家)之一,来到了舞台上,向观众鞠躬坐在椅子上,静静地。他让自己舒服,想到了好几分钟,直到有完整的沉默,然后他就开始玩音乐,是在第一个空的危险,
但很快就大声和痛苦的,最糟糕的事情就像你曾经听说过。这几乎是无法忍受,但最后,它消失落空。马友友不动了。他住他的头在他的乐器鞠了一躬。
在大厅里每个人都屏住了呼吸。对于像什么几个时辰,没有人提出,虽然表演结束。这是因为如果他们都经历了什么可怕的,黑暗。但后来马友友站了起来。他放下大提琴。他伸出手的人在台下,请他们来参加他。
触电贯穿观众当他们意识到发生了什么事情发生。
一个人在肮脏的摩托车皮革从座位上站起来兴奋地向台上走来走去,但马似乎并不介意。伟大的大提琴家冲下从舞台,抱住了他。观众疯了;突然大家都欢呼呐喊,大家都是这样做时,他们刚刚听到美妙的音乐。
但是,这是比音乐更多,正如伟大的大提琴家告诉我们:“。你应该不是因为你要发挥好,而是因为你需要做一个声音,音乐---音乐的本质是关于表达”
希望你学习进步,别忘了及时采纳哦 (* *)。
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文章很简单,就是描述一场音乐会的情景。文字简单,但写得很好。 楼上两位的翻译都不准确,是机器翻译。
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