Question

服装英语在线翻译

First one must differentiate between “top pressing” and “underpressing” as the terms are used in the industry. Top pressing is the final pressing up of the garment before it is dispatched to the customer. This is a relatively speedy process particularly now that there is such a wide range of sophisticated equipment available to perform the operation. Underpressing on the other hand is the pressing of individual pieces during the making up of the garment. Pressing each piece before working the next one makes the subsequent tasks easier and usually more accurate. If the underpressing has been carefully performed throughout the garment assembly, top pressing becomes little more than touching up the completed garment.

2. The Pattern Maker
The designer depends on the pattern maker to translate his or her ideas with accuracy and flair, and so the pattern maker is a very important partner in the production of the first sample. The word ‘partner’ is chosen as it indicates that the pattern maker’s part in the team is a very active one. The pattern maker has to analyze very carefully the working sketch and decide which method is best for creating a pattern for this particular style. He can choose either to work from patterns or to use calico and create the pattern directly onto the dress stand. Both approaches are effective; the choice of method will depend on the style to be cut and, of course, the personal preference of the pattern maker.
A good pattern maker will be sympathetic to the designer’s ideas, as any lack of understanding between designer and pattern maker could lead to the production of poor samples.
It is essential that the pattern maker understands thoroughly not only the techniques of creating a pattern but also has a thorough knowledge of how the garment is assemble by the machinist. Without this knowledge the pattern maker would produce patterns which were not practical to put together and all sorts of problems would arise. The original pattern, cut from the working sketch, is called the first pattern. This is used to cut out a ‘toile’ or calico. The toile is then passed to the next team member to be made up into the prototype garment.

3．The Designer
Very briefly, the designer’s job is to select fabric and trimmings and to create commercial designs suitable for a specific market. The designer develops ideas for samples which are passed on, in the form of a working sketch to the pattern cutter. The working sketch is a detailed drawing of the designer’s idea and should not be confused with a fashion drawing, which serves a different purpose. It should be easy to understand and clearly indicate the position of seams, pockets, darts, type of collar, width of sleeve, etc. when the pattern cutter receives the working sketch, his job is to study it and to develop from it into the pattern that will eventually become the sample garment to be shown to prospective buyers.

帮忙翻译下 感激不尽

Answer 1

首先，你必须区分“压顶”和“underpressing”作为术语在行业使用。顶紧迫的是最后按之前的服装是派往客户。这是一个相对快速的进程，特别是现在有这样一个先进的设备广泛用于执行该操作。另一方面Underpressing是在服装的制作了个人作品紧迫。按之前中的每一块下一个后续任务，使通常更容易和准确。如果underpressing经过精心整个服装表演大会，成为最迫切略高于感人注册完成服装.

2更多。样板师
设计者取决于样板师翻译的准确性和天赋他或她的想法，因此样板师是在第一个样本生产非常重要的伙伴。这个词'伙伴'的选择，因为它表明，样板师在团队的一部分，是一个非常活跃的一个。该模式制造商必须非常仔细地分析了工作草图，并决定哪种方法最适合创建此特定风格图案。他可以选择从工作模式或使用棉布和创建模式上的衣服直接站在。这两种方法都是有效的;方法的选择将取决于要削减的风格，当然，该样板师的个人偏好.
一个好的模式制造商将被同情设计师的任何想法，设计师之间缺乏理解和模式制造商可能会导致贫困样品生产.
重要的是，样板师，不仅彻底明白了创建一个模式技术，但也有一个透彻的认识如何服装是组装的机械师。如果没有这方面的知识的模式制造商将生产模式，其中不切合实际的问题放在一起，就会出现种种。原来的格局，从工作草图切，被称为第一种模式。这是用来切出一个'toile'或白布。该toile然后传递到下一个团队成员被制成原型服装注册.

3设计师
很简单，设计师的工作就是选择面料和辅料，并创造商业设计为适合特定市场。设计人员开发用于这是通过在一个工作草图的形式向裁剪师，样品的想法。工作草图是设计师的想法详细的图纸，而不应与时尚画，是为不同的目的相混淆。它应该是容易理解和清楚地表明了接缝，口袋，飞镖，领型，袖宽，切割机等接收模式时的工作草图的位置，他的工作是研究它，从它发展成模式，最终将成为服装样品要显示准买家.

Answer 2

首先,你必须区分“上面压”和“underpressing”的术语是用于工业。前紧迫的是最后的加快之前,它是服装的派遣给客户。这是一个相对快速过程尤其现在有这样一个广泛的精良的设备可以用来执行操作。Underpressing另一方面是个体零配件压在化妆的服装。每一件工作前压下一个使后来的任务更加容易和通常更准确。如果underpressing已仔细进行组装,上整个服装压就变少超过摸起来完成的服装。

2。样板师

设计师要样板师把他或她的思想和准确性和独特的风格,因此样板师是一个非常重要的合作伙伴生产第一样品。“伙伴”这个词,这表明被选择作为样板师参与队的比赛是很活跃的。样板师必须分析工作框架和非常小心地采用何种方式是最好的,这形成了一种独特的艺术风格。他可选择工作的印花图案或使用、共创模式直接放在衣服站立得住。这两种方法都是有效的,选择的方法,将取决于风格被剪掉了,当然,个人偏爱的样板师。

优秀的样板师会同情与设计师的主见,就像任何缺乏设计师和之间的了解样板师可能会导致生产样衣的劣质。

它是必要的,样板师理解不仅彻底的技巧也形成了一种有透彻的认识组装的机械师的衣服。不了解这些样板师会产生的模式,这是不太实际的组合在一起,可能出现的各种问题。原始图案,减少消除工作中的素描,称作第一模式。这是用来剪出一个“toile”或白布。toile的被转送到下一个球队成员由原型的衣裳。

设计师:

简单的,设计师的项工作是选择织物、礼品、创造的商业设计适用于某种特殊的市场。设计师的想法发展了样品,形式的工作草图到裁剪师。工作素描零件图设计师的想法,而不应被误认为是时尚图,这是服务于一个不同的目的。它应该看上去很容易理解和注明缝和的位置,以及袋、飞镖,类型的衣领、宽袖等裁剪师时收到工作的草图,他的工作是研究和发展,从它变成的图案,最终会成为样品服装将呈现给有潜力的买主。

Answer 3

设计师:
简单的,设计师的项工作是选择织物、礼品、创造的商业设计适用于某种特殊的市场。设计师的想法发展了样品,形式的工作草图到裁剪师。工作素描零件图设计师的想法,而不应被误认为是时尚图,这是服务于一个不同的目的。它应该看上去很容易理解和注明缝和的位置,以及袋、飞镖,类型

Answer 4

太长了。。。。。