Question

机器翻译绝不采纳！！请能人帮忙翻译这篇文章.

“One looks beautiful before dying, especially a man” (Yukari, “The Story of Ricky”)

Yukari’s links to cinematic violence are a little more ambiguous than might appear at first sight. Of approximately 60 movies she is shot in 15, stabbed or impaled in 8, and crushed or burned in another 5. Her character dies in 14 movies. While some roles - often her better parts - involve a just death for the villain, others are a little murkier. In “Ghost’s Love” (1993), for example, Yukari appears as the only female character who does not have sex. She gets shot, instead. In addition to the sheer number of times she has been the target of lethal violence, other possible indicators of an ambiguous role include frequent reminders to the audience of her Japanese identity. These have spanned her career, and have ranged from crude epithets such as “Tempura” and “Yellow Peril” (“Funny Family,” 1986) or “damn Japanese” (“Close Escape,” 1989), banzai jokes (“Tapang Sa Tapang,” 1997) or remarks about stealing raw fish (“Devil Cat,” 1991), to more subtle indicators such as casting Yukari as a Japanese detective, tourist or expatriate, having her repeatedly dine on-screen in Japanese restaurants, or mocking Japanese greeting customs by bumping heads (“Love To Kill,” 1993). A devalued alien character can be killed off more easily, and few other female actors have been as consistently shot or battered on the Asian screen. It is also noteworthy that, despite being one of the few female action stars of the genre to have a legitimate, competition-level martial arts background - in contrast to others whose previous experience was on the stage, in dance or modeling - Yukari’s physical toughness and skills have received little attention, and even some criticism.

Answer 1

一个看上去很漂亮,尤其是在死亡之前,“人”(Yukari瑞奇·马丁的故事”

Yukari关系对暴力电影有一点模糊比可能出现的一见钟情。约60电影她被钉在15,刺伤或8,咬碎在接下来的5或烧毁。她的性格死在14电影。虽然有些角色——经常看见她更好的零件包括一个就死亡,坏人,别人都有点会显得更隐蔽。在“鬼情》(1993),例如,Yukari呈现为唯一的女性人物没有性生活。她中弹后,代替。除了纯粹的好几次,她是致命的暴力行为的目标,其他可能模稜两可的指标的作用,包括经常提醒你们,她的日本的观众身份。这些一直是她的职业生涯,范围从原油修饰语如“天妇罗”和“黄祸”(“搞笑的家庭,1986)或“该死的日本”(“关逃过一劫,”1989),万岁笑话(“Tapang山Tapang”,1997)或者评论和偷生鱼(“魔鬼猫,1991),以更微妙的指标如铸造Yukari身为日本人侦探、旅游或外籍人士,她在日本餐厅进餐屏幕上反复问候,或者由日本嘲笑撞头海关(“爱杀生,1993)。贬值外星人的特性能够更容易被杀死,也很少有其他女演员已经遭受的不断射击或在亚洲的屏幕。它也是值得注意的,,尽管是少数的女性动作演员类型有合法的,competition-level武术背景——与经验的人是在舞台上,在舞蹈或建模——Yukari身体的韧性和技能得到很少的关注,甚至一些批评。

Answer 2

尽力了 = =+ 能力不够

(一切）在死亡前看上去很总是美，尤其是人类。 (Yukari, “The Story of Ricky”)

Yukari和暴力电影之间的联系比第一眼看上去的更加模棱两可。在她的大约60部影片中，她被射杀的有15部， 被刺杀的有8部, 在另外5部中被碾压或者焚烧致死。在14部影片中，她所扮演的人物都死了。当她的一些角色-通常是比较好的那一些- 为的就是演一个坏人的死亡, 或者是表现一些阴暗面 在 “Ghost’s Love” (1993)中, 打个比方, Yukari 唯一一个以没有性欲的女性身份出场 她被射杀了. 除了纯粹的在暴力电影中被当作致命目标的死亡数字的增加, 其他可能的模棱两可的指标大概就是使观众想起她日本人的身份。这些已经贯穿了她的事业, 而且在诸如 “Tempura” 和 “Yellow Peril” (“Funny Family,” 1986) 、 “damn Japanese” (“Close Escape,” 1989), banzai jokes (“Tapang Sa Tapang,” 1997) 或者 remarks about stealing raw fish (“Devil Cat,” 1991),之类的粗鲁的称号内变化 对于一些更加合理的指标，比如让Yukari 作为一个日本侦探、导游或者是外籍人士在屏幕上（表演）在一家日本餐馆反复的用餐 或是撞击头部来嘲笑日本的问候礼仪 (“Love To Kill,” 1993)【应该是在这部电影中表演过这个场景吧。。= =】. 一个身价低廉的外国人角色能够被更加轻易的抹杀并且在亚洲的银屏上少有其他的女性演员始终如一的被打击或打垮 值得注意的是，不管成为一个少有的女性动作流派的明星去获得一个合理的，等级斗争的艺术背景- 与一些早先经验是在舞台上,是舞者或者是模特的人不同- Yukari的坚强和技能 已经获得了一点关注甚至是一些评论