Question

《出水芙蓉》的英文影评？

英文版的

Answer 1

　　If the water lotus "as a movie to judge， then the comprehensive pointrating wouldn't pass； But if the film as a proposition thesis LiuZhenWei is 80， is absolutely fine. The film LiuZhenWei in recent years to keep the level consistent， although large section of the stereotypical recruit be very annoyed， but always in casual barge a two very imaginative guys， let's have to admire the bodhi old zu brain different from ordinary people. And as long LiuZhenWei state of the completion of soft advertising， is reflected professional filmmaker degree due quality.

　　The dormant 3 years， led to the fall of the lotus flower in the light of the treasure box "later. Obviously， it was bad. In the light of the experience of the fortress of mock and jewel box after intensive bombing， which lack the mock and no water lotus "fortress appear GuaDan like water. Before the film the story about 40 minutes is very lax， and the joke is not much more special than traditional Hong Kong movie jokes number) playing a basic 60 percent discount. More let a person feel annoyed， film 70% of its lack of wisdom and creativity. All its role in only rely on， such as let a man make the pseudo niang dressed up as mental disorders， and like make four women Pose weird Pose， and like make a peep of drowning， for instance again let slip the noisy originally very serious and romantic scene moments. The gags although fortress and copied， but is it's very old routine. Tian liang appearances let a person very surprising， but then end but don't surprising. Everybody is easy to guess！ But why end games can appear so supernatural phenomena and the tian liang this period of whole doesn't stick a magical interlude？

　　The difference between composition and movies， is the former because of the purpose and strong integrity. LiuZhenWei obviously want to finish a task， for the stated goal just， every detail of movies and not putting efforts to excellence. Video of the story is simple acme， everyone accompany a stubborn ejiao completed a collective self-deception. From end to end， it is only FangLiShen plays role have so a little change and growth. Even many ejiao fails， also no psychological quality， only in the shape and the show. Make As for other roles often became molded cheung chau image accessories， either and cheung chau stood together， either and cheung chau stood opposite. Film finally reiterated love theme also appears rather superficial. "Life" this stuff on so little dramatic story， always looks lack strength. Recalling the LiuZhenWei had passionately as the movie is his "first love big guess，" visible "first love" is indeed the best formalism pretence ha. We were amazed by "exaggeration west" can be embedded in wulitou coat for a dramatic under the romantic love， don't represent LiuZhenWei every movie didn't love not line. Every time I see the bodhi old zu propaganda films， all want to emphasize film have romantic love. I think this is turning into bondage to the bodhi old zu's largest creation.

　　But the film has another two purposes， and LiuZhenWei years to temper the experience， make him out to handle this very easily when two aspects. The first point is about cheung chau's show. In photography， under the guidance AoZhiJun film of auxiliary in changzhou very beautiful， have metropolis doesn't have clear. Especially， the capture of the on the surface film than the flocks of swimsuit beauty absolute even raise a key point. But for cheung chau's vista is somewhat... Ah ~ ~ although I very want to changzhou swimming and sunbathing， but I also have to know I can live where！ Environmental pallet can also be local amorous feelings， but this is not a normal folks neighborhood， how many tourists ha scare. ^_^ film on the biggest characteristic of changzhou people describe concluded on a word above， very intuitive also very impressive. But these characteristics of changzhou people often used for when the punchline， don't know outsiders will it misunderstood them. Ah ~ ~

　　Another thing is really very High film climax paragraphs. Endure after a first 60 minutes after the start of the game， LiuZhenWei send force resolutely. Those weird team ejiao， and a frequent players status than a more fantastic， all the whole game go plate thegoal， chicken fly a dog to jump. This small paragraphs fully embodies the the bodhi old zu's badly behaved nature， one condition not to the audience panting， and High degree of any constantly increasing until the scene of confusion acme， the audience was to laugh neural also follow summits. In you all think of this scene is packed moments， the bodhi old zu once again showed a powerful and unconstrained style imagination. For a swimming version of "dual emphasis on big move" with big drive played， effects of the treatment， the High point by visual) inherited over excited. Period of supernatural fantasy for this keep earth romantic story do knot， although logically trash， but it's absolutely authentic wulitou ecru. LiuZhenWei not hair force， we can never regard him as the raisins.

　　Suddenly remembered school teacher speak composition skills： write begin and end， scores will be 80 points. LiuZhenWei with beautiful cheung chau exteriors give the film opened a pretty good start， and with big drive for the visual signs added to a gorgeous ending. Have a wonderful begin and end， middle rough some seemingly can still fooled a lot of sloppy read a slice audience ha.

Answer 2

This was Esther Williams's first starring vehicle and the beginning of that strange if charming subgenre, the swimming musical. She is lovely and has a certain presence; her film persona, a kind of wet precursor of Doris Day's virgins, is already set here. The water ballets that begin and end the film are well done and lavish but not as campy as they later became. The finale of fountains of water and flame is memorable.

The film, however, belongs to Red Skelton, who gets top billing. He does a classic bit that I've seen numerous times from him over the years, miming a woman getting up in the morning and getting dressed. He also has a long ballet sequence of his own, complete with pink tutu, that is one of the best things I've ever seen him do.

The rest of the cast, especially long-suffering Basil Rathbone (what were the casting people thinking?), were either wasted or forgettable, a Colombian baritone Carlos Ramirez, who has the presence of haddock, being one of the latter. The story rather lies there and smells, too.

Music, provided by Harry James, Xavier Cugat, Helen Forrest, and others, ought to have been a lot better, too. The songs are not execrable, simply forgettable given the talents available.

This is not a film for someone who is not a true believer of the genre, but it has its moments for those of us who are.