台词如下:
Land? Land is a ship too big for me.
陆地?陆地对我来说是一艘太大的船。
It's a woman too beautiful; it's a voyage too long, a perfume too strong. It's a music I don't know how to make.
是一个太漂亮的女人,一段太长的旅行,一瓶太刺鼻的香水,一种我不会创作的音乐。
I could never get off this ship. At best, I can step off my life.
我永远无法放弃这艘船,不过幸好,我可以放弃我的生命。
After all, I don't exist for anyone.
反正没人记得我存在过。
You're an exception, Max, you're the only one who knows I'm here.
而你是例外,max,你是唯一一个知道我在这里的人。
You're a minority, and you better get used to it.
你是唯一一个,而且你最好习惯如此。
Forgive me, my friend, but I'm not getting off.
原谅我,朋友,我不会下船的。
扩展资料:
《海上钢琴师》改编自锋伏模亚历山卓•巴利科1994年的剧场文本《1900:独白》,讲述了一个被命名为“1900”的弃婴在一艘远洋客轮上与钢琴结缘,成为钢琴大师的传奇故事。影片于1998年10月28日在意大利上映。
在《海上钢琴师》里,世界电影界著名和资深的意大利最具风格的作曲家埃尼奥.莫里康内以钢琴为主配合适当的管弦乐和室内乐创作出音色醉人、旋律优美和风格隽永的迷人乐章。其中随性的爵士音符随处可见,出彩的配乐表现出决不流俗的态度。
原声大碟中,1900在滑动的钢琴上弹奏、与爵士乐大师斗厅瞎法机巧跳脱,精妙无银缓比,尤其是他透过舷窗看到暗恋情人即兴创作的那一曲“playing love”,更是温婉细腻如喁喁私语,被公推为全片最动人乐章。
Why why why why why... I think land people waste a lot of time wondering why. Winter comes they can't wait for summer; summer comes they're living drilled of winter. That's why you're never tired of travelling, with chasing some place far away, where there's always summer. That doesn't sound like a good bet to me.
“城市那么大,看不到尽头。在哪里 ? 我能看到吗 ? 就连街道都已经数不清了,找一个女人,盖一间房子,买一块地,开辟一道风景,然后一起走向死路。太多的选择,太复杂的判断了,难道你不怕精神崩溃吗 ? 陆地,太大了,他像一艘大船,一个女人,一条长长的航线,我宁可舍弃自己的生命,也不愿意在一个找不到尽头的世界生活,反正,这个世界现在也没有人知道我。我之所以走到一半停下来,不是因为我所能见,而是我所不能见。”
“键盘有始有终,你确切知道 88 个键就在那儿,错不了。它并不是无限的,而音乐,才是无限的。你能在键盘上表现的音乐是无限的,我喜欢这样,我能轻松应对,而你现在让我走过跳板,走到城市里,等着我的是一个没有尽头的键盘,我又怎能在这样的键盘上弹奏呢 ? 那是上帝的键盘啊 ! ”
“All that city. You just couldn't see the end to it. The end? Please? You please just show me where it ends? It was all very
fine on that gangway. And I was grand too, in my overcoat. I cut quite a figure. And I was getting off. Guaranteed. There
was no problem. It wasn't what I saw that stopped me, Max. It was what I didn't see. You understand that? What I didn't
see. In all that sprawling city there was everything except an end. There was no end. What I did not see was where the
whole thing came to an end. The end of the world... ”
“所有那些城市,你就是无法看见尽头。尽头?拜托!拜托你给我看它的尽头在哪?当时,站在舷梯向外看还好。我那时穿着大衣,感觉也很棒,觉得自己前途无量,然后我就要下船去。放心!完全没问题!可是,阻止了我的脚步的,并不是我所看见的凯猛东西,而是我所无法看见的那些东盯拍桥西。你明白么?我看不见的那些。在那个无限蔓延的城市里,什么东西都有,可惟独没有尽头。根本就没有尽头。我看不见的是这一切的尽头,世界的尽头。”
“Take a piano. The keys begin, the keys end. You know there are eightyeight of them, nobody can tell you any different.
They are not infinite. You are infinite. And on these keys the music that you can make is infinite. I like that. That I can
live by. ”
“拿一部钢琴来说,从琴键开始,又结束。你知道钢琴只有88个键,随便什么琴都没差。它们不是无限的。你才是无限的,在琴键上制作出的音乐是无限的。我喜欢这样,我活的惯。”
“You get me up on that gangway and you're rolling out in front of me a keyboard of millions of keys, millions and billions
of keys that never end, and that's the truth, Max. That they never end. That keyboard is infinite. And if that keyboard is
infinite, then on that keyboard there is no music you can play. You're sitting on the wrong bench. That's God's piano. ”
“你把我推到舷梯上然后扔给我一架有百万琴键的钢琴,百万千万的没有尽头的琴键,那是事实,max,它们没有尽头。那键盘是无限延伸的。然而如果琴键是无限的,那么在那架琴上就没有你能弹奏的音乐,你坐错了地方,那是上帝的钢琴。”
“Christ! Did, did you see the streets? Just the streets… There were thousands of them! And how do you do it down there?
How do you choose just one? One woman, one house, one piece of land to call your own, one landscape to look at, one
way to die... ”
“天啊!你……你看过那些街道吗?仅仅是街道,就有上千条!你下去该怎么办?你怎么选择其中一条来走?怎么选择“属于你自己的”一个女人,一栋房子,一块地,或者选择一道风景欣赏,选择一种方法死去。 ”
“All that world is weighing down on me, you don't even know where it comes to an end, and aren't you ever just scared of breaking apart at the thought of it? The enormity of living it? ”
“那个世界好重,压在我身上。你甚至不知道它在哪里结束,你难道从来不为自己生活在无穷选择里而害怕得快崩溃掉吗?”
“I was born on this ship, and the world passed me by, but two thousand people at a time. And there were wishes here,
but never more than fit between prow and stern. You played out your happiness, but on a piano that was not infinite. I
learned to live that way. ”
“我是在这艘船上出生的,整个世界跟我并肩而行,但是,行走一次只携带两千人。这里也有欲望,但不会虚妄到超出船头和船尾。你用钢琴表达你的快乐,但音符不是无限的。我已经习惯这么生活。”
“Land? Land is a ship too big for me. It's a woman too beautiful; it's a voyage too long, a perfume too strong. It's a music I don't know how to make. I could never get off this ship. At best, I can step off my life. After all, I don't exist for anyone.
You're an exception, Max, you're the only one who knows I'm here. You're a minority, and you better get used to it.
Forgive me, my friend, but I'm not getting off.”
“陆地?陆地对我来说是一艘太大的船,一个太漂亮的女人,一段太长的旅行,一瓶太刺鼻的香水,一种我不会创作的音乐。我永远无法放弃这艘船,不过幸好,我可以放弃我的生命。反正没人记得我存在过,而你是例外,max,你是唯一一个知道我在这里的人。你是唯一一个,而且你最好习惯如此。原谅我,朋友,我不会下船的。”
我可以在有限的钢琴键中创造出无限的旋律,但我无法在无限的城市中,无尽的街道间找到属于我的空间。
这是个秘密,秘密是不应该被公开的
令我恐惧的不是我所见,而是我所未见。
All that city. You just couldn’t see an end to it.
The end? Please? You please just show me where it ends?
It was all very fine on that gangway.
And I was grand too, in my overcoat.
I cut quite a figure.
And I was getting off. Guaranteed.
There was no problem.
It wasn't what I saw that stopped me, Max. It was what I didn't see.
You understand that? What I didn't see.
In all that sprawling city there was everything except an end.
There was no end.
What I did not see was where the whole thing came to an end.
The end of the world...
Take a piano.
The keys begin. The keys end.
You know there are 88 of them. Nobody can tell you any different.
They’re not infinite. You’re infinite.
And on those keys, the music that you can make is infinite.
I like that. That I can live by.
You get me up on that gangway and you're rolling out in front of me a keyboard of millions of keys,
millions and billions of keys that never end, and that's the truth, Max.
That they never end. That keyboard is infinite.
And if that keyboard is infinite, then on that keyboard there is no music you can play.
You're sitting on the wrong bench.
That's God's piano.
Christ! Did, did you see the streets?
Just the streets… There were thousands of them!
And how do you do it down there? How do you choose just one?
One woman, one house, one piece of land to call your own, one landscape to look at, one way to die...
All that world is weighing down on me, you don't even know where it comes to an end,
and aren't you ever just scared of breaking apart at the thought of it?
The enormity of living it?
I was born on this ship.
And the world passed me by.
But 2000 people at a time and there’re old wishes here .
But nevermore that fit between prow and stern..
You played out your happiness bit on a piano that was not
infinite.
I learned to live that way.
Land?
Land is a ship too big for me,
It’s a woman too beautiful, a bridge too long, perfume to
strong, music I don’t know how to play.
I can never get off this ship.
At best, I didn’t step off my life.
After all, I don’t exist for anyone.
You're an exception, Max,
you're the only one who knows I'm here.
You're a minority, and you better get used to it.
Forgive me, my friend, but I'm not getting off.
“整座城市……那么大,一眼望不到尽头。无穷无尽!麻烦你告诉我,它的尽头在哪里?走上舷梯的时候一切都很好,我穿着你送的大衣,信心百倍,看上去也一定很帅气。对于下船毫无疑问,毫无问题。使我停下的,不是我所见,而是我所未见的。你能体会吗?那些我看不清的东西,在那绵延不断的城市中,我能看到一切,可就是看不到尽头。什么都有,就是没有尽头,尽头,正是我所未见,世界的尽头。 比如说这个钢琴,琴键有开始,也有终结。傻瓜也知道只有88个琴键,它们是有限的,而你却是无限的。在这有限的88个琴键上,你可以弹奏出无穷无尽的音乐,我就喜欢这样,我也只能这样生存。但你们把我送上舷梯,把我推向一架有无数个琴键的钢琴,真的,由无数个键,没有尽头。可如果琴键是无穷的,我又该怎么演奏呢?我只能说,我坐错了地方,那是上帝才能弹奏的钢琴。老天啊,你有没有看到那些街道?那千万条街道,怎样才能从中选一个?选一个女人,一栋房子,选一块属于自己的土地,选一片属于自己的风景,选一种自己的活法,沉重的世界压在你的肩头,黢黑的却看不到头,要你离开这里,到哪个陌生而无穷的世界,你难道就不感到害怕?我在船上出生,“世界”在船上来来往往,可每次也就2000来人,船上也可以充满期望,但都限定在船的范围内,从船头到船尾那么大,你可以在有限的钢琴键上弹奏出无穷的欢乐,我从小就学会了这种生活。陆地,对我来说,是一艘过大的船,是一个过于漂亮的女人,是一次太长的旅行,是一种太浓郁的香水,是一曲我弹不出的音乐,我不能下船,我不愿放弃我的生活。毕竟,我从来没有为任何人存在过,不是么”