
急!跪求英语高人翻译这篇文章,汉译英,不胜感激!加分~ 20
我的同学BEN,在他很小的时候就开始画画一直到17岁,当他在学校第一次接触到艺术设计时,便对此产生了浓厚的兴趣。他意识到自己必须要在绘画和设计之间作出选择,于是,进入大学...
我的同学BEN ,在他很小的时候就开始画画一直到17岁,当他在学校第一次接触到艺术设计时,便对此产生了浓厚的兴趣。他意识到自己必须要在绘画和设计之间作出选择,于是,进入大学以后他选择了她最感兴趣的专业——视觉传达。
在学校学习了两年设计以后 他对此有了更全面的认识,慢慢形成了自己的独特观点。
他认为一件好的作品首先要能打动人,其次是别管你表达的内容是什么,一定要有想法。其次,不能太罗嗦,好的作品一定会很简洁而且表现力很强 。最后 ,颜色要很美,一定要给人一种特别轻松的感觉。当他创作一件作品的时候,首先想出一个想法,其余的工作:如构图,排版,用色,装裱等等都是在此基础上有感而发的,不会太多的去考虑规律或理论上的东西,更多的是感觉。
他不喜欢大家都喜欢的东西, 因为即使是最高雅的东西喜欢的人多了这件作品就变得和世俗很大众化了但是看起来这和自己学的专业却是恰恰相反的。他认为当下中国的装潢虽然有了很大的进步,但是仍旧太死板,缺乏更宏观上的包容性。各个领域的作品太少,缺乏个性。虽然有些东西具有原创性但是相比较起来还是很古老 ,现代人应当发觉现代中国特有的东西 ,不能抱着老祖宗的东西不放
对于以后他暂时没有太多打算,他说要边走边看,但是绝不会离开这个专业,他不想开公司,那样太过于商业——他把设计看作是一种艺术而不是商品。他也知道,这很不现实,这是个商业化的社会,他要养活自己,但是又不想受太多束缚,所也他考虑是不是做一个自由设计师。 展开
在学校学习了两年设计以后 他对此有了更全面的认识,慢慢形成了自己的独特观点。
他认为一件好的作品首先要能打动人,其次是别管你表达的内容是什么,一定要有想法。其次,不能太罗嗦,好的作品一定会很简洁而且表现力很强 。最后 ,颜色要很美,一定要给人一种特别轻松的感觉。当他创作一件作品的时候,首先想出一个想法,其余的工作:如构图,排版,用色,装裱等等都是在此基础上有感而发的,不会太多的去考虑规律或理论上的东西,更多的是感觉。
他不喜欢大家都喜欢的东西, 因为即使是最高雅的东西喜欢的人多了这件作品就变得和世俗很大众化了但是看起来这和自己学的专业却是恰恰相反的。他认为当下中国的装潢虽然有了很大的进步,但是仍旧太死板,缺乏更宏观上的包容性。各个领域的作品太少,缺乏个性。虽然有些东西具有原创性但是相比较起来还是很古老 ,现代人应当发觉现代中国特有的东西 ,不能抱着老祖宗的东西不放
对于以后他暂时没有太多打算,他说要边走边看,但是绝不会离开这个专业,他不想开公司,那样太过于商业——他把设计看作是一种艺术而不是商品。他也知道,这很不现实,这是个商业化的社会,他要养活自己,但是又不想受太多束缚,所也他考虑是不是做一个自由设计师。 展开
3个回答
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是挺多的 。下面是译文
我的同学BEN ,在他很小的时候就开始画画一直到17岁,当他在学校第一次接触到艺术设计时,便对此产生了浓厚的兴趣。他意识到自己必须要在绘画和设计之间作出选择,于是,进入大学以后他选择了她最感兴趣的专业——视觉传达。
My classmate, Ben, started painting when he was very young, and then he continued his paiting untill he was seventeen. However,when he had his first touch with art design in his colledge, he took a great interest in it. He realized he must make a choice between painting and art design. Thus, he optioned the most interested major after entering colledge---- vision communition.
在学校学习了两年设计以后 他对此有了更全面的认识,慢慢形成了自己的独特观点。
after his two year's learning in college,he had a more comprehensive knowledge of art design and gradually developed his own unique conception for it.
他认为一件好的作品首先要能打动人,其次是别管你表达的内容是什么,一定要有想法。其次,不能太罗嗦,好的作品一定会很简洁而且表现力很强 。最后 ,颜色要很美,一定要给人一种特别轻松的感觉。当他创作一件作品的时候,首先想出一个想法,其余的工作:如构图,排版,用色,装裱等等都是在此基础上有感而发的,不会太多的去考虑规律或理论上的东西,更多的是感觉。
He believes that a good piece of work, firstly, must be touching;and secondly, it must convey ideas, whatever its author wants to express.In additon, good works can not be too wordy, it must be brief and expressive.Lastly,its color must be beautiful, be comfortable to read. When he is trying to create a piece of work, at first he must have his own idea, all the odd tasks such as composing, editing,colorring and framing are created on the basis of his idea; therefore, he would make much consideration on feelings,rather than rules or theories.
他不喜欢大家都喜欢的东西, 因为即使是最高雅的东西喜欢的人多了这件作品就变得和世俗很大众化了但是看起来这和自己学的专业却是恰恰相反的。他认为当下中国的装潢虽然有了很大的进步,但是仍旧太死板,缺乏更宏观上的包容性。各个领域的作品太少,缺乏个性。虽然有些东西具有原创性但是相比较起来还是很古老 ,现代人应当发觉现代中国特有的东西 ,不能抱着老祖宗的东西不放
He doesn't like what everyone likes, because he thinks works that everybody likes would become popularized and common even if it is the most exquisite one.However, such thought seems to be contary to what is in his major.He consider that although the present Chinese upholster have improved a lot, it is still too hidebound and lacks compatiblity in a more microscopial scale. Each field has too little works, and the works has no uniqueness. Some pieces are original, but still, comparablely antique. Modern people should dig out what modern China has in its own, we should not still cling to what belongs to our ancestors.
对于以后他暂时没有太多打算,他说要边走边看,但是绝不会离开这个专业,他不想开公司,那样太过于商业——他把设计看作是一种艺术而不是商品。他也知道,这很不现实,这是个商业化的社会,他要养活自己,但是又不想受太多束缚,所也他考虑是不是做一个自由设计师。
About the futer he hasn't made too much planning, he said he would go on while contining his life, however, he would not drop his major. He didn't expect to run a cmpany--- that seems too commercial--- he would take his design as an art instead of commodity. He knows that his thoughts is unrealistic in such an commercialized society, He must make his living .However, he would not like to be bound by too much, what he is considering now is whether he should be a free designer.
我根据文章整体翻译的,不当之处自己看着修改吧。
不过说真的,你的这篇文章挺长的,花了我近50分钟。
我的同学BEN ,在他很小的时候就开始画画一直到17岁,当他在学校第一次接触到艺术设计时,便对此产生了浓厚的兴趣。他意识到自己必须要在绘画和设计之间作出选择,于是,进入大学以后他选择了她最感兴趣的专业——视觉传达。
My classmate, Ben, started painting when he was very young, and then he continued his paiting untill he was seventeen. However,when he had his first touch with art design in his colledge, he took a great interest in it. He realized he must make a choice between painting and art design. Thus, he optioned the most interested major after entering colledge---- vision communition.
在学校学习了两年设计以后 他对此有了更全面的认识,慢慢形成了自己的独特观点。
after his two year's learning in college,he had a more comprehensive knowledge of art design and gradually developed his own unique conception for it.
他认为一件好的作品首先要能打动人,其次是别管你表达的内容是什么,一定要有想法。其次,不能太罗嗦,好的作品一定会很简洁而且表现力很强 。最后 ,颜色要很美,一定要给人一种特别轻松的感觉。当他创作一件作品的时候,首先想出一个想法,其余的工作:如构图,排版,用色,装裱等等都是在此基础上有感而发的,不会太多的去考虑规律或理论上的东西,更多的是感觉。
He believes that a good piece of work, firstly, must be touching;and secondly, it must convey ideas, whatever its author wants to express.In additon, good works can not be too wordy, it must be brief and expressive.Lastly,its color must be beautiful, be comfortable to read. When he is trying to create a piece of work, at first he must have his own idea, all the odd tasks such as composing, editing,colorring and framing are created on the basis of his idea; therefore, he would make much consideration on feelings,rather than rules or theories.
他不喜欢大家都喜欢的东西, 因为即使是最高雅的东西喜欢的人多了这件作品就变得和世俗很大众化了但是看起来这和自己学的专业却是恰恰相反的。他认为当下中国的装潢虽然有了很大的进步,但是仍旧太死板,缺乏更宏观上的包容性。各个领域的作品太少,缺乏个性。虽然有些东西具有原创性但是相比较起来还是很古老 ,现代人应当发觉现代中国特有的东西 ,不能抱着老祖宗的东西不放
He doesn't like what everyone likes, because he thinks works that everybody likes would become popularized and common even if it is the most exquisite one.However, such thought seems to be contary to what is in his major.He consider that although the present Chinese upholster have improved a lot, it is still too hidebound and lacks compatiblity in a more microscopial scale. Each field has too little works, and the works has no uniqueness. Some pieces are original, but still, comparablely antique. Modern people should dig out what modern China has in its own, we should not still cling to what belongs to our ancestors.
对于以后他暂时没有太多打算,他说要边走边看,但是绝不会离开这个专业,他不想开公司,那样太过于商业——他把设计看作是一种艺术而不是商品。他也知道,这很不现实,这是个商业化的社会,他要养活自己,但是又不想受太多束缚,所也他考虑是不是做一个自由设计师。
About the futer he hasn't made too much planning, he said he would go on while contining his life, however, he would not drop his major. He didn't expect to run a cmpany--- that seems too commercial--- he would take his design as an art instead of commodity. He knows that his thoughts is unrealistic in such an commercialized society, He must make his living .However, he would not like to be bound by too much, what he is considering now is whether he should be a free designer.
我根据文章整体翻译的,不当之处自己看着修改吧。
不过说真的,你的这篇文章挺长的,花了我近50分钟。
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哇~~这么多~~怕怕~~
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I have a classmate with the name of Ben.He started to draw pitures when he was a little boy until 17.这只是前两句,后面的等我回来再说吧.
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