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前言爱情,是人类永恒的话题,而在西方宗教的禁欲主义压制下,爱情每每带有悲剧色彩。《巴黎圣母院》、《红字》、《荆棘鸟》三篇小说都写到了神职人员的爱情,写出了“人性”与“神性...
前 言
爱情,是人类永恒的话题,而在西方宗教的禁欲主义压制下,爱情每每带有悲剧色彩。《巴黎圣母院》、《红字》、《荆棘鸟》三篇小说都写到了神职人员的爱情,写出了“人性”与“神性”的冲突,其中一个重在写追求“人性”的过程中对“人性”的扭曲,一个写内心处境与外在处境的抗争中的毁灭,另一个则写险些抗争胜利后结局的失败,但在充满悲剧的追求中所表现的无所顾忌的勇气和不屈不挠的精神必然令人振奋,使人的形象变得崇高伟大起来,从而赋予了宗教下的爱情悲剧美的内涵。在西方文学作品关于神职人员的爱情的描写中,便有了“人性”与“神性”的抗争。本文试从三部作品诠释西方宗教下的爱情悲剧。 展开
爱情,是人类永恒的话题,而在西方宗教的禁欲主义压制下,爱情每每带有悲剧色彩。《巴黎圣母院》、《红字》、《荆棘鸟》三篇小说都写到了神职人员的爱情,写出了“人性”与“神性”的冲突,其中一个重在写追求“人性”的过程中对“人性”的扭曲,一个写内心处境与外在处境的抗争中的毁灭,另一个则写险些抗争胜利后结局的失败,但在充满悲剧的追求中所表现的无所顾忌的勇气和不屈不挠的精神必然令人振奋,使人的形象变得崇高伟大起来,从而赋予了宗教下的爱情悲剧美的内涵。在西方文学作品关于神职人员的爱情的描写中,便有了“人性”与“神性”的抗争。本文试从三部作品诠释西方宗教下的爱情悲剧。 展开
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Foreword love is the eternal topic of mankind, and in Western religious asceticism suppressed, often with tragic love color. "Notre Dame de Paris" and "The Scarlet Letter" and "The Thorn Birds" wrote three novels are the clergy of love, write that "human nature" and the "god" of the conflict, One focuses on the pursuit of writing the "human face" of the process of the "human face" of distortions, write an inner and external situation of the situation of resistance against the destruction and the other was in danger of ending struggle after the victory of the failure But in the pursuit of full tragedy has shown the courage and unscrupulous indomitable spirit inevitable exciting, people become the image of the great noble, thereby conferring a religion of love tragedy of the U.S. connotations. In Western literature on the clergy description of love, it will have a "human face" and the "god" of protest. This paper works from the three Western interpretation of the religion of love tragedy.
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