很急!!!请大家帮帮忙翻译一下此文,关于旗袍的,感激不禁!!!
TheessentialfactorsoftheQipao'sdesignItisundetstoodthattheaestheticsoffashiondesignsh...
The essential factors of the Qipao's design
It is undetstood that the aesthetics of fashion design should be a kind of comprehensive art equipped with not only aesthetic value, but is also, feadibility, economic value as well as creativity. It is also a kind of overall design science with many variations, extensive materials, and also numerous techniques and skills. Therefore, it includes factors from many aspects such as forms, coloring, decorative features, application of materials, functional techniques, rules of artistic formation, uisual misconception and tenets of separation.
The Qipao is not only a comprehensive artistic creation combining national culture together with feasibility and functional nature, but is also an imcluding the above-men-tioned aesthetic factors which have even more profoundly embodied a perfect combination of form and content.
1. Model forms. Whether in ancient or present times, in our own or foreign countries, garments can be divided into four categories according to silhouettes: first, △,second,▽,third, and fourth . The Qipao has been involved in three of these categories, which are the first, the third and the fourth. At the beginning stage Qipao mainly focused its shape on triangrlar silhouette, slightly tending to have a narrow upper part and wide lower part; and in the middle stage on the rectangrlar silhouette, with upper part and lower part connected as a tube-shaped body ;while in the latter stage it changed to a curved silhorette.From these three stages of development of the Qipao's silhouette, one can catch a glimpse of its development:
(1) Gradual development towards simplicity and practicality;
(2) Gradual development towards interationlization;
(3) Gradual development towards becoming more scientific.
It is a qualitative leap that the Chinese-style Qipao's shape has altered from a spatial spreading style to one of extreme contraction, which is a transformation from traditional conservation to modern opening. This comes from an ideology of reform, a breakthrorghin creative thinking, which could be said to be a fashion reform after the 1911 Revolution. Around the 20th century,Qipao started to display the human figure, and tailoring also gained from the new technique of ironing. 展开
It is undetstood that the aesthetics of fashion design should be a kind of comprehensive art equipped with not only aesthetic value, but is also, feadibility, economic value as well as creativity. It is also a kind of overall design science with many variations, extensive materials, and also numerous techniques and skills. Therefore, it includes factors from many aspects such as forms, coloring, decorative features, application of materials, functional techniques, rules of artistic formation, uisual misconception and tenets of separation.
The Qipao is not only a comprehensive artistic creation combining national culture together with feasibility and functional nature, but is also an imcluding the above-men-tioned aesthetic factors which have even more profoundly embodied a perfect combination of form and content.
1. Model forms. Whether in ancient or present times, in our own or foreign countries, garments can be divided into four categories according to silhouettes: first, △,second,▽,third, and fourth . The Qipao has been involved in three of these categories, which are the first, the third and the fourth. At the beginning stage Qipao mainly focused its shape on triangrlar silhouette, slightly tending to have a narrow upper part and wide lower part; and in the middle stage on the rectangrlar silhouette, with upper part and lower part connected as a tube-shaped body ;while in the latter stage it changed to a curved silhorette.From these three stages of development of the Qipao's silhouette, one can catch a glimpse of its development:
(1) Gradual development towards simplicity and practicality;
(2) Gradual development towards interationlization;
(3) Gradual development towards becoming more scientific.
It is a qualitative leap that the Chinese-style Qipao's shape has altered from a spatial spreading style to one of extreme contraction, which is a transformation from traditional conservation to modern opening. This comes from an ideology of reform, a breakthrorghin creative thinking, which could be said to be a fashion reform after the 1911 Revolution. Around the 20th century,Qipao started to display the human figure, and tailoring also gained from the new technique of ironing. 展开
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旗袍设计的要素 美学服装设计应该是一种美学， 不仅体现审美价值,但也体现了实用性,经济价值以及创造力. 它也是一种整体设计科学,富于变化，用料广泛，做工精巧.
因此,影响它包括的因素来自多方面,如形式,色彩,装饰,材料的应用,实用技术, 规则的艺术形成, 图案产生的幻象和分离.
旗袍的不仅是一个综合性艺术创作相结合的民族可行性和功能性文化, 同时也是上面提到的各个审美因素的融合,而更深刻地体现了形式和内容的完美结合 。 1 . 模型形式. 无论是在古代还是当今时代,在本国或外国, 服装可分为四类据剪影:第一,△,第二▽,第三和第四位. 旗袍的已涉及3个类别,分别为第一,第三和第四阶段。 在开始阶段,以旗袍为主的形状三角背影, 上窄下宽; 而在中间阶段就正放心背影, 与上部和下部连接成筒状体; 在后期则变成了弧形背影。从这三个阶段发展,人们可以瞥见它的发展趋势: ( 1 )逐渐走向简单化和实用性; ( 2 )逐渐走向国际化 ; ( 3 )逐渐走向变得更加科学合理. 中国旗袍,从多种样式到集中一种样式的改变，是
一个质的飞跃。也是一个转型,由保守传统走向现代开放.
这是因为从意识形态的改革, 创造性思维的突破, 这可以说是继1911年革命后的时尚革命. 大约20世纪,旗袍开始以展示人体傲人的形态,裁缝还得益于熨烫的新技术. （ 您提供的材料中错字百出，已为您更正，第三四类中，原文无图形！）
因此,影响它包括的因素来自多方面,如形式,色彩,装饰,材料的应用,实用技术, 规则的艺术形成, 图案产生的幻象和分离.
旗袍的不仅是一个综合性艺术创作相结合的民族可行性和功能性文化, 同时也是上面提到的各个审美因素的融合,而更深刻地体现了形式和内容的完美结合 。 1 . 模型形式. 无论是在古代还是当今时代,在本国或外国, 服装可分为四类据剪影:第一,△,第二▽,第三和第四位. 旗袍的已涉及3个类别,分别为第一,第三和第四阶段。 在开始阶段,以旗袍为主的形状三角背影, 上窄下宽; 而在中间阶段就正放心背影, 与上部和下部连接成筒状体; 在后期则变成了弧形背影。从这三个阶段发展,人们可以瞥见它的发展趋势: ( 1 )逐渐走向简单化和实用性; ( 2 )逐渐走向国际化 ; ( 3 )逐渐走向变得更加科学合理. 中国旗袍,从多种样式到集中一种样式的改变，是
一个质的飞跃。也是一个转型,由保守传统走向现代开放.
这是因为从意识形态的改革, 创造性思维的突破, 这可以说是继1911年革命后的时尚革命. 大约20世纪,旗袍开始以展示人体傲人的形态,裁缝还得益于熨烫的新技术. （ 您提供的材料中错字百出，已为您更正，第三四类中，原文无图形！）
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