Question

翻译语篇要求通顺

Even while calling Zola "the great French realist," she complained that he took life "too clumsily and seriously." She objected to the "rampant sentimentality" of his Lourdes, and also to the gloom and lack of humor in Hardy's Jude the Obscure. She objected to Zola's "mass of prosaic data" and his design to instruct, and she saw Hardy's characters as "so plainly constructed with the intention of illustrating the purposes of the author, that they do not for a moment convey any impression of reality." To her, true art was incompatible with a thesis and with a zeal for reform. She was impatient with Hamlin Garland, who declared in Crumbling Idols that he preferred "actualities" to the literary master-works of the past and "sociological" themes to such a subject as love. "Human impulses do not change," Kate Chopin retorted, and when Aeschylus is true today, one reason is that he does not deal with local color or with "social problems which by their very nature are mutable."请把人名也译出，语句通顺。

Answer 1

甚至每当提起“伟大的法国现实主义者”左拉，她抱怨他所展现的生活“非常糟糕”。她抱怨他笔下罗德丝暴虐的脾气，也抱怨在哈代的作品《无名的裘德》中表现出的忧郁、没有幽默感。她反对左拉那些平乏无味的作品和他设计的情节。她认为哈代的特点是“最直接地表达作者的意图”，她可以不必费力去理解作品中传达出的现实印象。真实的艺术与理论以及热切的变革是不能相容的。她不能忍受哈姆林·加兰在《破碎的偶像》中声称他更喜欢以前文学著作中的现实性和爱情主题的社会性。“人性的脉搏没有改变”凯特·肖邦反驳道。即使埃斯库罗斯回到当代，其中一个原因就是他不能处理当代社会问题的复杂，对于他的淳朴来说这些太善变了。

Answer 2

甚至当呼叫 Zola" 棒的法国现实主义者 "的时候，她控诉他 "过于笨拙和严重地． " 采取生活 她反对了他的 Lourdes 的 " 猖獗的多感情 "，以及对在努力地犹太书微暗者中的幽默的忧郁和缺乏。她反对了 Zola 的 " 散文数据的块 " 和他的设计教，而且她当做 "如此清楚地以举例说明作家的目的的意图构造，以致于他们不一会儿传达任何对真实的印象． " 努力地看见个性 对她，真实的艺术是不相容一个论题和与热中为改革。 她对在崩溃偶像他喜欢 " 实在 " 胜过文学主人－作品方面宣布的 Hamlin 花环感到不耐烦这越过和对一个主题如爱的 " 社会学的 " 主题。 " 人类的冲动不改变 " ，凯特萧邦反驳，而且当希腊的悲剧诗人今天是真实的时，一个理由是他不处理地方色彩或者 " 藉着他们的最天性是易变的社会的问题 " 。