Question

求翻译 好心人帮忙翻译一下 谢谢啊

Westwood was also inspired by 18th century paintings, ceramics and literature and spent time studying the paintings of the Wallace Collection and the Victoria & Albert Museum’s archive in London. In Portrait (1990-1), Westwood used a photographic print of Francois Boucher’s Shepherd Watching a Sleeping Shepherdess on corsets and shawls. Always On Camera (1992-3) contained the Gainsborough Blouse which mimicked the delicate brushstrokes of the 18th century British portraitist’s work. Her considered reinterpretation of tradition came through again in Anglomania (1993-94). Westwood created her own clan (the traditional extended family and social unit of Scottish society) and tartan (the woven wool check identified with that unit), MacAndreas, named after her third husband and collaborator, Andreas Kronthaler. That McAndreas is displayed at Lochcarron Museum of Tartan in Scotland alongside time-honored traditional tartans is a very significant accolade to be bestowed on a contemporary designer.

Answer 1

韦斯特伍德的灵感也是来自于第十八世纪的绘画，陶瓷和文学和花时间学习绘画的华勒斯和维多利亚与艾伯特博物馆的档案在伦敦。在肖像（1990-1），韦斯特伍德使用摄影打印弗朗索瓦鲍彻的牧羊人注视牧羊女在胸衣和披肩。总是在相机（1992-3）载有庚斯博罗上衣，模仿的细腻笔触的第十八世纪英国肖像画家的作品。她认为重新解释传统再展（1993 - 1994年）。韦斯特伍德开创了自己的家族（传统的大家庭和社会单位的苏格兰社会）和格子（机织羊毛检查确定该单位），macandreas，命名后，她的第三个丈夫和合作者，安德烈亚斯克隆塔勒。这mcandreas显示在洛赫卡伦博物馆苏格兰悠久的传统苏格兰格子旁边是一个非常重要的荣誉授予当代设计师。