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LndustrialDesignI’ddesignanalarmclockwithamovingsnoozebuttonthatwouldbeaneasytargetth...
Lndustrial DesignI’d design an alarm clock with a moving snooze button that would be an easy target the first time I hit it. Then it becomes harder to locate after each attempt, so that it would keep ringing until I’m fully awake.As industrial designers, our job is to design products-anything and everything that’s mass-produced, from Ferraris to We dream up products through drawings, sketches, even doodles, presenting to the manufacturing client their vision of what a certain product should look like.One of our goals as a profession is to make the product attractive. The inside of an industrial designer’s sketchbook usually looks like some kind with doodles of various types of products. We industrial designers also create ideas with our hands, using studio materials like clay and modeling foam to show what a product should feel like. Michelangelo “discovered” his sculptures find the shape of the latest Walkman inside a chunk of clay, or foam, or occasionally with the help of computer software. Whatever the studio material may be, designers it, holding it, carving and recarving the lines that will soon be an actual working product, touched and held by millions of users. When you take a brand-new product out of the box and touch it, the designer’s hands and eyes have already run over the surface, in one way or another, hundreds of times.We also try not to make the product a pain in the neck. Some products may look cool and work well-a wonderful collection of objects that subtly enhance your life, while other products may have annoying qualities that nearly outweigh their usefulness, like coffee tables with corners that draw blood and remote controls that look like maps of Manhattan. The difference is in the way they’re designed, in the way they look and feel. And it’s industrial design that makes all that difference.
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