Question

帮忙翻译，谢谢！

Whoever has so far formed his taste, as to be able to relish and feel the beauties of the great masters, has gone a great way in his study; for, merely from a consciousness of this relish of the right, the mind swells with an inward pride, and is almost as powerfully affected, as if it had itself produced what it admires. Our hearts, frequently warmed in this manner by the contact of those whom we wish to resemble, will undoubtedly catch something of their way of thinking; and we shall receive in our own bosoms some radiation at least of their fire and splendour. That disposition, which is so strong in children, still continues with us, of catching involuntarily the general air and manner of those with whom we are most conversant; with this difference only, that a young mind is naturally pliable and imitative; but in a more advanced state it grows rigid, and must be warmed and softened before it will receive a deep impression.
From these considerations, which a little of your own reflection will carry a great way further, it appears, of what great consequence it is, that our minds should be habituated to the contemplation of excellence; and that, far from being contented to make such habits the discipline of our youth only, we should, to the last moment of our lives, continue a settled intercourse with all the true examples of grandeur. Their inventions are not only the food of our infancy, but the substance which supplies the fullest maturity of our vigour…
Nor, whilst I recommend studying the Art from Artists, can I be supposed to mean that Nature is to be neglected; I take this study in aid, and not in exclusion of the other. Nature is and must be the fountain which alone is inexhaustible, and from which all excellencies must originally flow.
The great use of studying our predecessors is, to open the mind, to shorten our labour, and to give us the result of the selection made by those great minds of what is grand or beautiful in Nature; her rich stores are all spread out before us; but it is an art, and no easy art, to know how or what to choose, and how to attain and secure the object of our choice.
Thus the highest beauty of form must be taken from nature; but it is an art of long deduction and great experience to know how to find it.
We must not content ourselves with merely admiring and relishing; we must enter into the principles on which the work is wrought: these do not swim on the superficies, and consequently are not open to superficial observers.
Art in its perfection is not ostentatious; it lies hid and works its effect, itself unseen. It is the proper study and labour of an artist to uncover and find out the latent cause of conspicuous beauties, and from thence form principles for his own conduct; such an examination is a continual exertion of the mind; as great, perhaps, as that of the Artist whose works he is thus studying.

Answer 1

翻译结果；

谁有了自己的品味，并能欣赏和感受美丽的大师们，已经一个伟大的方式在他的研究；为，仅仅从这一意识的权利津津有味，心中充满自豪，而且几乎是有力的影响，因为如果它本身产生什么钦佩。我们的心温暖，经常以这种方式联系我们想模仿的对象，无疑会捕捉到他们的思维方式；我们应该接受我们的内心辐射至少有灵感的火花。性格，这是如此的强烈，在儿童，仍继续与我们，不知不觉的神情和举止那些我们最亲近的人；与此不同的是，一个年轻的心灵自然柔软和模仿；但在更先进的国家发展和刚性，必须加热和软化方它会得到一个深刻的印象。

从这些考虑，这一点你自己的思考将携带一个伟大的方式，此外，它的出现，极大的后果是什么，我们应该习惯于卓越的沉思；而且，远远不能满足使这种习惯纪律我们的青春，我们应该，到最后此刻我们的生活，继续解决性交与所有真正伟大的例子。他们的发明不仅是我们的婴儿食品，但物质供应充分成熟的活力…

也不是，而我建议学习艺术的艺术家，我应该说是被忽视；我把这项研究的援助，而不是排斥其他。自然是必须的喷泉是无穷无尽的，从所有优点的发源。

伟大的使用学习前人，开启心智，缩短劳动，并给我们的结果选择了这些伟大的思想是什么大或美丽的性质；她丰富的商店都展现在我们的面前；但它是一门艺术，并没有简单的技术，以知道什么或如何选择，如何实现和保障对象的选择。

因此，最高形式的美必须采取从性质；但它是一个艺术的长期实践和经验，知道如何找到它。

我们不能仅仅欣赏和品味的内容；我们必须进入原则的工作是：这些不是漂浮在表面，因而是不公开的，肤浅的观察者。

完美的艺术不是炫耀的；它是藏了起来，其作品的影响，自己看不见的。它是适当的研究和艺术家发现和找出潜在的原因，突出的美人，由此形成原理自己行为；这种考试是一个持续的发挥思想；作为伟大的，也许，因为这对艺术家的作品是他学习。

Answer 2

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