Question

求高手翻译！

求高手翻译！不要翻译软件翻译的~跪谢
上面探讨了绝对忠实不可能的一般原因，接下来文章要结合诗词具有的自身特点，来分析一下为什么诗词的翻译不可能恪守忠实性。
茅盾说过："文学翻译是用另一种语言，把原作的艺术意境传达出来，使读者在读译文的时候能够像读原作时一样得到启发、感动和美的感受。"而诗词作为最集中、最精炼的一种文学样式，对语言艺术有特别严格的要求。如果说一般文学翻译，要达到艺术性水平，必须解决如何用本国语言传达原文风格的问题，那么诗词翻译，除此之外，还必须解决如何运用和原著同样最精炼的语言、最富于音乐性的语言，来驾驭严格约束语言的韵文形式的问题，由此可见其难。除此之外，笔者认为诗词翻译的艰巨性还表现在以下两个特点上：1、诗词翻译要再现原作的艺术美。诗词是运用特殊的语言和艺术手法创造的艺术品，具有形象性、艺术性，表达了某种情节内容、思想感情，体现了作家独特的艺术风格，并且具有引人入胜的艺术境界。翻译诗词，光传意（即做到意义上的忠实）是远远不够的，还要注意保存原作的感情、韵味、意境的风格，要把原诗创造的艺术意境传达出来。
2、诗词翻译是一种创造性的活动。诗词翻译采用的文学艺术手段，具有鲜明的主体性和创造性。在翻译过程中，译者既是原作艺术美的欣赏和接受者，同时又是它的表现者。从欣赏到表现，有一个重要环节，即译者的审美再创造，或者叫心灵的再创造，情感形式的再创造。这种再创造的关键是要抓住蕴含在原作中作者的思想感情，在此基础上不妨甩开原文形式，选用最佳的词句结构、表现手法，把原文（不仅仅是内容，而且还包括情感、意境、韵味和风格）重新表达出来。例如英国诗人菲茨杰拉德（Edward Fitz Gerald）译波斯诗人莪玛（Omar Khayyam）的"鲁拜集"（Rubaiyat）是传诵诗坛的名作。他不拘泥于原诗的词句，而是吸取灵感再创作，既有英国诗的音韵之美，又传达了原诗的意境，堪称一绝。
正是由于诗词翻译具有以上两个方面的特点，它决定了我们翻译诗词时不必受取限于忠实性（形似或意似）的桎梏，译者应享受更多的自由发挥空间。西方译者，尤其是有创作能力的翻译家，总喜欢抛开原作自行其事，去追求译文的优美。例如英国十六世纪著名作家德莱登就主张翻译要摆脱原作语言形式的束缚，不必力求忠实。

Answer 1

Mao Dun said: "the literature translation is in another language, to convey the original artistic conception, so that readers can read the original like as inspiration, touched and in reading the time feeling. "And the poetry as a literature style most centralized, refining, there are particularly stringent requirements on the language art. If the literature translation, to achieve the artistic level, must solve the problem of how to convey the original style in their own language, as in poetry translation, in addition, also must solve how to use and the original as well as the most refined language, the musical language, to harnessing strict constraint language verse form, it's difficult to. In addition, the author thinks that the difficulty of poetry translation is also reflected in the following two characteristics: 1, the artistic beauty of poetry translation should reproduce the. Poetry is the use of special language and artistic creation, image, artistic expression, a plot content, thoughts and feelings, show his unique artistic style, and its artistic realm. The translation of poetry, optical communication (i.e. do sense of faithful) is far from enough, but also pay attention to preserve the original flavor, feelings, artistic style, to create the artistic conception of the original poem conveys. 2, poetry translation is a creative activity. Poetry translation by artistic means, with distinct subjectivity and creativity. In the process of translation, the translator is the original art of beauty appreciation and the receiver, and its performance. From appreciate, there is an important link, i.e. the translator's aesthetic re creation, to create or soul, then create emotional form. The key to this re creation is to grasp the implied author in the original thoughts and feelings, then might as well take the form of words, structure, selection of best practices, to the original (and not just the content, but also includes the emotion, mood, style and style) to express. For example, the British poet Fitzgerald (Edward Fitz Gerald) translation of the Persian poet Goma (Omar Khayyam) "Rubaiyat" (Rubaiyat) is widely read poetry works. He does not rigidly adhere to the original poem words, but draw inspiration and creation, both British poetry rhyme beauty, to convey the original artistic conception of the poem, can be called a must. It is because of the characteristics of poetry translation with the above two aspects, it determines our translation of poetry without taking limited fidelity (form or meaning) shackles, the translator should enjoy more freedom of play space. Western translators, especially creative translator, always like to set aside the original themselves, to pursue the beautiful. For example, the British in sixteenth Century the famous writer Drvden claimed the translation to get rid of the original language form, it doesn't need to be faithful.
祝学习进步，望采纳。

Answer 2

才能成方案给余uuyugyu幸福工程湖北hv年后噢己擦ijo
朝鲜队，。