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Allwritersdreamofsuccess.Yetsomewritersturntheirbackonsuccessthemomentitcomesalong.J....
All writers dream of success. Yet some writers turn their back on success the moment it comes along. J.D. Salinger, the American author, is a good example.
On the face of it, the future did not look promising for the teenage Salinger. He seems always to have been running away from something. First it was school, then he dropped out of New York University. Finally, after failing to find a career in his father’s food import business and dropping out of yet another college he decided that his destiny was to be a writer. In the same year he joined a writing class at Columbia University which was taught by Whit Burnett, founder and editor of a magazine called Story. The March-April issue contained a story written by Salinger entitled ‘The Young Folks’. In it there are early versions of the moody, selfish youths that appear in his later fiction. Soon, his stories were appearing in various mass-circulation magazines but it was the famous New Yorker which he dreamed of, believing that publication within its covers would indicate his future potential as a serious writer.
Salinger has a huge reputation around the world yet it rests mainly on just one novel, The Catcher in the Rye. Published in 1951, it soon became highly popular with teenagers who identified with the hero’s powerful sense of dissatisfaction. Its success made Salinger a public figure. Most writers, of course, would welcome this. Salinger, however, hated it and refused it. He moved to a small house in Cornish, New Hampshire, where he lived away from society until his death in 2010 at the age of 91.
For Salinger, fame and artistic honesty were not the same thing. Some people become writers because they wish their works to speak for themselves. Salinger appears to have been disgusted by the idea that he had become the spokesman for a generation. In death he has perhaps achieved his highest goal: to be out of the spotlight, represented only by his work.
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On the face of it, the future did not look promising for the teenage Salinger. He seems always to have been running away from something. First it was school, then he dropped out of New York University. Finally, after failing to find a career in his father’s food import business and dropping out of yet another college he decided that his destiny was to be a writer. In the same year he joined a writing class at Columbia University which was taught by Whit Burnett, founder and editor of a magazine called Story. The March-April issue contained a story written by Salinger entitled ‘The Young Folks’. In it there are early versions of the moody, selfish youths that appear in his later fiction. Soon, his stories were appearing in various mass-circulation magazines but it was the famous New Yorker which he dreamed of, believing that publication within its covers would indicate his future potential as a serious writer.
Salinger has a huge reputation around the world yet it rests mainly on just one novel, The Catcher in the Rye. Published in 1951, it soon became highly popular with teenagers who identified with the hero’s powerful sense of dissatisfaction. Its success made Salinger a public figure. Most writers, of course, would welcome this. Salinger, however, hated it and refused it. He moved to a small house in Cornish, New Hampshire, where he lived away from society until his death in 2010 at the age of 91.
For Salinger, fame and artistic honesty were not the same thing. Some people become writers because they wish their works to speak for themselves. Salinger appears to have been disgusted by the idea that he had become the spokesman for a generation. In death he has perhaps achieved his highest goal: to be out of the spotlight, represented only by his work.
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所有作家成功的梦想。然而,一些作家把他们在成功的时刻出现。塞林格,美国作家,是一个很好的例子。表面上看来,未来不看好的少女塞林格。他似乎总是在逃避些什么。首先是学校,然后他在纽约大学。最后,在没有找到职业生涯在他的父亲的食品的进口业务和辍学的另一个大学,他决定他的命运是成为一个作家。在同一年,他参加了一个写作班在哥伦比亚大学教授的伯内特,创始人和主编的杂志叫故事。在3月至4月发行包含由塞林格写的故事题为'的年轻人。它有早期版本的喜怒无常,自私的年轻人出现在他后来的小说。很快,他的故事出现在各种杂志的发行,但它是著名的纽约人,他梦想,相信出版其涵盖范围内表明自己的未来作为一个潜在的严重的作家。塞林格有一个巨大的世界各地的声誉,但它主要依赖于一个新的,麦田里的守望者。在1951出版,它很快成为高度流行的青少年谁确定英雄的强烈不满。它的成功使塞林格一个公众人物。大多数作家,当然,也欢迎这。塞林格,然而,恨它,拒绝它。他搬到了一个小房子在康沃尔,新罕布什尔州,在那里他住在远离社会直到去世,在2010到91岁。塞林格,名誉和艺术诚实是不一样的东西。一些人因为他们希望成为作家的作品为自己说话。塞林格似乎已厌恶的想法,他已成为一代的代言人。死亡也许是他实现了他的最高目标:是的聚光灯,只占了他的工作。
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