Question

求英语高手翻译啊~~英译汉···感激不尽啊 要语句通顺·~不要在线翻译的~~谢谢

Disney is renowned for its cleanliness. As CEO Michael Eisner is once quoted as saying, "I stepped from the chill and gloom of an Easter winter into the sunny glow of Main street, a place so clean that it seemed you could eat right off the sidewalk" (Bright, 1987, p. 17). Every inch of counter, floor, wall and window is constantly cleaned. The streets are scoured nightly with high-powered steam jets, and many of the high traffic areas are touched up each night with new paint, grass and soil.
However, within this cleanliness lies a sanitized and unrealistic view of the world. In Disney there is no sign of decay, crime, confusion, discontent, pain, poverty, or struggle (Van Mannen, 1992). There is no sign of the blood, sweat and sacrifice that was required to construct the world (Rapping, 1995). Not only is evidence of work hidden, employees are coached to appear as though their work is play. Evidence of the impact of high levels of visitation upon employees, and upon the location, is carefully hidden. Indeed, every attempt is made to hide the human hand of maintenance. For example, the vast infrastructure of service tunnels, employee changing rooms, trash removal viaducts and food preparation rooms is hidden underground. The impression created is one where there is no mess, no waste, and little labor involved.
Much of the maintenance and re-construction is deliberately carried on outside of park hours. Visitors become passive consumers, neither actively engaged in the construction of their experience, nor particularly aware of the high degree of manipulation and inlfux of capital required to maintain the experience. Nature may be relentlessly evoked at Disney, but it is not always apparent that it is a nature that has been reworked and transformed (Wilson, 1992). Because the constructed version of nature is so satisfactory, there is little motivation to look for, or notice, the hidden hand of the human designer.
The Hollywood View of the World
Disney’s manipulation of environment and experience is heavily influenced by its Hollywood heritage. The level of technological control, the suspension of belief, and the use of linear narratives are all familiar tools of the film and television industry from which Disney evolved. But, this tradition also includes an approach that wanted to ‘improve’ upon the natural and cultural heritage it was appropriating for entertainment purposes. "The Disney approach is that of a packaged tour where the packaging is the message — how things are packaged take emotional and intellectual precedence over the actual content" (Johnson, 1981, p. 163). The hidden manipulations have proven fertile ground for analysis of the agendas, assumptions, and moral stances of the Disney corporation. These values, too, become the norm of how things should be.

Answer 1

【手工翻译】
迪士尼的清洁举世闻名。根据首席执行官迈克尔·依斯勒的引述所言，“我从寒冷和昏暗的复活节冬天走到阳光下的一条主要街道，这里干净得你可以马上在人行道边坐下吃东西。”(1987年布莱特第17页)。每一寸计数器、地板、墙壁和窗户都时常被清洁。每个夜晚，每一条街道都被高性能蒸汽喷流冲刷，每个交通流量大的地区都被新油漆、青草和土壤重新润色。
然而,在这背后是一种被“消毒”过的不切实际的世界观。在迪士尼乐园，没有任何衰退、犯罪、混乱、不满、疼痛、贫穷或斗争的迹象（1992年范曼），也没有构建美好世界所需要的流血、流汗，甚至牺牲的痕迹（1995年饶舌歌）。不仅是工作的证据被隐藏起来，员工也被指导要表现得好像他们的工作如同玩乐。对员工、对特定地点的高标准视察都经过精心隐藏。事实上，所有人工维护的痕迹被全力抹去。例如，巨大的基础设施服务通道、员工更衣室、垃圾高架通道和食物准备房间都被隐藏在地下。这里给人带来的印象是一个毫无杂乱、毫无浪费和不需工作的乐园。
大部分的维修和重建刻意安排在公园开放的小时外进行。游客成为被动的消费者，既不积极参与他们游乐体验的建设，也不太了解维持他们乐趣所要求的高度人工控制和投入的大量资金流。大自然也许是在无情地引诱迪斯尼公司，但大自然被重建和转换的痕迹似乎并不明显（1992年威尔逊）。因为鬼斧神工的自然界是如此令人满意，人们很少会有意去寻找或关注人类设计师隐藏其间的手。

好莱坞的世界观
迪斯尼的操作环境和经验在很大程度上受到了好莱坞电影的影响。技术控制的水平，信仰的悬浮和线性叙事的使用都是影视中熟悉工具，而迪斯尼便是从中演化而来的。但是，这种传统也包括一种“改进”自然和文化遗产而使之适用于娱乐目的的方法。“迪斯尼的方法是一种由旅行社包装的包办旅游，而这包装就是信息--包装的手法在于人的理智与情感比实际的内容更加重要”(1981年约翰逊第163页)。被隐藏的人工控制已经证明了迪士尼公司是一片分析议程、信念和道德要求自由生长的沃土。这些价值观也成为迪士尼处事的常态。

【里面的长句子很难翻啊意思也很难理解有误差的多包涵【擦汗】】

Answer 2

Disney is renowned for its cleanliness.
迪士尼是闻名的清洁。
As CEO Michael Eisner is once quoted as saying, "I stepped from the chill and gloom of an Easter winter into the sunny glow of Main street, a place so clean that it seemed you could eat right off the sidewalk" (Bright, 1987, p. 17).
作为首席执行官迈克尔·依斯勒是一次引述说,“我走到从冷冻和昏暗的冬天到阳光下一个复活节的主要街道,发光的地方似乎非常清楚,你可以吃马上人行道”(明亮,1987,p。17)。
Every inch of counter, floor, wall and window is constantly cleaned.
每一寸计数器、地板、墙壁和窗户经常清洗。
The streets are scoured nightly with high-powered steam jets, and many of the high traffic areas are touched up each night with new paint, grass and soil.
街头的夜间通过高性能蒸汽喷流冲刷,而且很多的交通流量高的地区都被感动了,每个夜晚,新油漆,草和土壤。
However, within this cleanliness lies a sanitized and unrealistic view of the world.
然而,在这背后是一个消毒清洁和不切实际的世界观。
In Disney there is no sign of decay, crime, confusion, discontent, pain, poverty, or struggle (Van Mannen, 1992).
在迪士尼乐园,没有任何迹象表明衰退、犯罪、混乱、不满、疼痛、贫穷或斗争(范万念,1992)。There is no sign of the blood, sweat and sacrifice that was required to construct the world (Rapping, 1995).
也没有迹象表明流的血,汗,和牺牲,这是需要构建世界(饶舌歌,1995)。
Not only is evidence of work hidden, employees are coached to appear as though their work is play.
不仅是工作的证据隐藏、员工执导,表现得好像他们的工作就是玩。
Evidence of the impact of high levels of visitation upon employees, and upon the location, is carefully hidden.
证据的影响在高水平的访问员工,在位置,是经过精心隐藏的。
Indeed, every attempt is made to hide the human hand of maintenance.
事实上,每一次失败的尝试都是由人类的手藏在维护工作量。
For example, the vast infrastructure of service tunnels, employee changing rooms, trash removal viaducts and food preparation rooms is hidden underground.
例如,巨大的基础设施服务隧道、员工更衣室,杂质清除viaducts和准备食物房间隐藏在地下。
The impression created is one where there is no mess, no waste, and little labor involved.
鼓吹的是当一个人没有糟,没有浪费,和小劳动参与。
Much of the maintenance and re-construction is deliberately carried on outside of park hours.大部分的维修和重建故意进行公园外的小时。
Visitors become passive consumers, neither actively engaged in the construction of their experience, nor particularly aware of the high degree of manipulation and inlfux of capital required to maintain the experience.
游客成为被动的消费者,也积极参与建设的经验,也不太了解inlfux高度的操作和需要投入的资金来维持的经验。
Nature may be relentlessly evoked at Disney, but it is not always apparent that it is a nature that has been reworked and transformed (Wilson, 1992).
大自然也许是无情地诱发在迪斯尼公司,但它并不总是很明显的,它是一种天然,都有被重新制作,转变(威尔逊,1992)。
Because the constructed version of nature is so satisfactory, there is little motivation to look for, or notice, the hidden hand of the human designer.
因为所构造的版本的自然界是如此令人满意的,很少有动机去寻找,或通知,隐性的手人类的设计师。
The Hollywood View of the World
好莱坞的世界观
Disney’s manipulation of environment and experience is heavily influenced by its Hollywood heritage.
迪斯尼的操作环境和经验在很大程度上受到了好莱坞电影遗产。
The level of technological control, the suspension of belief, and the use of linear narratives are all familiar tools of the film and television industry from which Disney evolved.
工艺控制的水平,悬架的信仰,并利用线性叙事的工具都是熟悉的影视迪斯尼演化而来的。
But, this tradition also includes an approach that wanted to ‘improve’ upon the natural and cultural heritage it was appropriating for entertainment purposes.
但是,这个传统也包括一种途径,也就是要“提高”在自然遗产和文化遗产是挪用娱乐的目的。
"The Disney approach is that of a packaged tour where the packaging is the message — how things are packaged take emotional and intellectual precedence over the actual content" (Johnson, 1981, p. 163).
“迪斯尼的方法是一个包装在包装设计是旅游消息——事情怎么被设计成在食品包装带情感和智力优于实际内容”(约翰逊,1981,p)。
The hidden manipulations have proven fertile ground for analysis of the agendas, assumptions, and moral stances of the Disney corporation.
隐藏的手法已经证明了肥沃的土壤分析议程,信念和道德要求的迪士尼公司。
These values, too, become the norm of how things should be.
这些价值观也成为一种标准的事情应该怎样。

大部分的维修和重建故意进行公园外的小时。游客成为被动的消费者,也积极参与建设的经验,也不太了解inlfux高度的操作和需要投入的资金来维持的经验。大自然也许是无情地诱发在迪斯尼公司,但它并不总是很明显的,它是一种天然,都有被重新制作,转变(威尔逊,1992)。因为所构造的版本的自然界是如此令人满意的,很少有动机去寻找,或通知,隐性的手人类的设计师。
好莱坞的世界观
迪斯尼的操作环境和经验在很大程度上受到了好莱坞电影遗产。工艺控制的水平,悬架的信仰,并利用线性叙事的工具都是熟悉的影视迪斯尼演化而来的。但是,这个传统也包括一种途径,也就是要“提高”在自然遗产和文化遗产是挪用娱乐的目的。“迪斯尼的方法是一个包装在包装设计是旅游消息——事情怎么被设计成在食品包装带情感和智力优于实际内容”(约翰逊,1981,p)。隐藏的手法已经证明了肥沃的土壤分析议程,信念和道德要求的迪士尼公司。这些价值观也成为一种标准的事情应该怎样。

Answer 3

Disney is renowned for its cleanliness. As CEO Michael Eisner is once quoted as saying, "I stepped from the chill and gloom of an Easter winter into the sunny glow of Main street, a place so clean that it seemed you could eat right off the sidewalk" (Bright, 1987, p. 17). Every inch of counter, floor, wall and window is constantly cleaned. The streets are scoured nightly with high-powered steam jets, and many of the high traffic areas are touched up each night with new paint, grass and soil.
迪士尼是闻名的清洁。作为首席执行官迈克尔·依斯勒是一次引述说,“我走到从冷冻和昏暗的冬天到阳光下一个复活节的主要街道,发光的地方似乎非常清楚,你可以吃马上人行道”(明亮,1987,p。17)。每一寸计数器、地板、墙壁和窗户经常清洗。街头的夜间通过高性能蒸汽喷流冲刷,而且很多的交通流量高的地区都被感动了,每个夜晚,新油漆,草和土壤。
However, within this cleanliness lies a sanitized and unrealistic view of the world. In Disney there is no sign of decay, crime, confusion, discontent, pain, poverty, or struggle (Van Mannen, 1992). There is no sign of the blood, sweat and sacrifice that was required to construct the world (Rapping, 1995). Not only is evidence of work hidden, employees are coached to appear as though their work is play. Evidence of the impact of high levels of visitation upon employees, and upon the location, is carefully hidden. Indeed, every attempt is made to hide the human hand of maintenance. For example, the vast infrastructure of service tunnels, employee changing rooms, trash removal viaducts and food preparation rooms is hidden underground. The impression created is one where there is no mess, no waste, and little labor involved.
然而,在这背后是一个消毒清洁和不切实际的世界观。在迪士尼乐园,没有任何迹象表明衰退、犯罪、混乱、不满、疼痛、贫穷或斗争(范万念,1992)。也没有迹象表明流的血,汗,和牺牲,这是需要构建世界(饶舌歌,1995)。不仅是工作的证据隐藏、员工执导,表现得好像他们的工作就是玩。证据的影响在高水平的访问员工,在位置,是经过精心隐藏的。事实上,每一次失败的尝试都是由人类的手藏在维护工作量。例如,巨大的基础设施服务隧道、员工更衣室,杂质清除viaducts和准备食物房间隐藏在地下。鼓吹的是当一个人没有糟,没有浪费,和小劳动参与。
Much of the maintenance and re-construction is deliberately carried on outside of park hours. Visitors become passive consumers, neither actively engaged in the construction of their experience, nor particularly aware of the high degree of manipulation and inlfux of capital required to maintain the experience. Nature may be relentlessly evoked at Disney, but it is not always apparent that it is a nature that has been reworked and transformed (Wilson, 1992). Because the constructed version of nature is so satisfactory, there is little motivation to look for, or notice, the hidden hand of the human designer.
大部分的维修和重建故意进行公园外的小时。游客成为被动的消费者,也积极参与建设的经验,也不太了解inlfux高度的操作和需要投入的资金来维持的经验。大自然也许是无情地诱发在迪斯尼公司,但它并不总是很明显的,它是一种天然,都有被重新制作,转变(威尔逊,1992)。因为所构造的版本的自然界是如此令人满意的,很少有动机去寻找,或通知,隐性的手人类的设计师。
The Hollywood View of the World
好莱坞的世界观
Disney’s manipulation of environment and experience is heavily influenced by its Hollywood heritage. The level of technological control, the suspension of belief, and the use of linear narratives are all familiar tools of the film and television industry from which Disney evolved. But, this tradition also includes an approach that wanted to ‘improve’ upon the natural and cultural heritage it was appropriating for entertainment purposes. "The Disney approach is that of a packaged tour where the packaging is the message — how things are packaged take emotional and intellectual precedence over the actual content" (Johnson, 1981, p. 163). The hidden manipulations have proven fertile ground for analysis of the agendas, assumptions, and moral stances of the Disney corporation. These values, too, become the norm of how things should be.
迪斯尼的操作环境和经验在很大程度上受到了好莱坞电影遗产。工艺控制的水平,悬架的信仰,并利用线性叙事的工具都是熟悉的影视迪斯尼演化而来的。但是,这个传统也包括一种途径,也就是要“提高”在自然遗产和文化遗产是挪用娱乐的目的。“迪斯尼的方法是一个包装在包装设计是旅游消息——事情怎么被设计成在食品包装带情感和智力优于实际内容”(约翰逊,1981,p)。隐藏的手法已经证明了肥沃的土壤分析议程,信念和道德要求的迪士尼公司。这些价值观也成为一种标准的事情应该怎样。

Answer 4

迪士尼闻名以其清洁度。作为首席执行官迈克尔艾斯纳是引述说，“我从寒冷和黑暗的冬天的阳光灿烂的光芒复活节到大街，地方干净，看来你可以吃了人行道”（明，1987，17页）。每英寸计数，地板，墙壁和窗户不断清理。街道是以高性能蒸汽射流冲刷的夜间，与很多高交通领域是感动了每个晚上，新油漆，草和土壤。

然而，这是一个内清洁消毒和不现实的世界观。在迪士尼毫无征兆的衰减，犯罪，混乱，不满，痛苦，贫穷，或斗争（范万念，1992）。没有任何迹象的血液，汗水和牺牲，被要求建立世界（说唱，1995）。不仅是工作的证据隐藏，员工培训显得好像他们的工作是游戏。证据的影响，高层次的探视时员工，及后的位置，是精心隐藏。事实上，每一个试图使隐藏人类之手的维护。例如，大型基建服务隧道，员工更衣室，清除垃圾食品的制备室高架桥是隐藏在地下。留下的印象是一个没有混乱，没有浪费，并没有涉及劳动。

大部分的维修和重建是故意进行外公园时间。游客成为被动的消费者，也积极参与建设的经验，也没有特别意识到高程度的操纵和inlfux资本需要维护经验。自然会被无情地诱发迪士尼，但它并不总是很明显，这是一个性质，已被重新设计和改造（威尔逊，1992）。由于建造版本自然是令人满意的，很少有动机寻找，或通知，隐藏的手的设计师。

好莱坞的世界观

迪士尼的操作环境和经验是严重影响其好莱坞。科技水平控制，悬挂的信仰，并利用线性叙事都是熟悉的工具的电影和电视业，迪士尼演变。但是，这个传统还包括一个方法，希望改善的自然和文化遗产，它是适合娱乐的目的。”迪士尼的办法是，在包装是包装旅游信息-如何打包带情感和智力比实际的内容”（约翰逊，1981，163页）。隐藏的操纵已经证明了肥沃的土壤分析的议程，假设，和道德立场的迪士尼公司。这些价值观，太，成为规范的事情应该如何