Question

谁有<<人鬼情未了>>的英文影评？？有急用先谢谢了

Answer 1

人鬼情未了》是我最喜爱影片之一，我曾在寂静的夜晚捧杯绿茶，缩在沙发的角落里，独自品味，一遍又一遍地陶醉在那感人至深的画面之中。它虽然没有跌宕起伏的故事情节，也没有精彩激烈的打斗场景，但那种穿越生死壁垒的爱情，那颗为爱而执着的灵魂深深地震撼着我。影片中男女主人公深夜相拥制作陶器的画面更是成为经典一刻定格在我的脑海，我的心，一次次地被这纯美而执着的爱所感动。
影片演绎的是一个混合了奇幻，灵韵和惊悚的浪漫爱情故事。故事的主人公萨姆与未婚妻美莉忙着结婚前的准备。一天晚上他们看戏归来，受到了歹徒的抢劫，在搏斗中萨姆中枪身亡，美莉悲痛欲绝。森的灵魂一直在人间游荡，不肯离去，他千方百计想与美莉联系，可惜人鬼殊途。这时萨姆发现朋友卡尔是谋害他的主谋，目的是为了窃取银行的巨款。如今卡尔又对美莉展开了追求。为了保护美莉，惩罚凶手，萨姆在巫师的帮助下，凭借着他对摩莉的爱，对卡尔展开了报复。完成了心愿的萨姆终即将前往天堂。在消失之前，美莉终于见到了显出身形的萨姆。两人紧紧地相拥……。故事在经典的主题曲《人鬼情未了》中结束，森的灵魂也最终随着天堂之光慢慢地游离人间……
每每看到此时我的泪就情不自禁地掉下来，为着这段无法逾越的鸿沟，为着这对坚贞的爱人，为了歌中所唱的：oh，my love，my darling，l need your love，wait for me wait for me……
缺撼才是绝美，《人鬼情未了》体现了爱情的最高境界：男女双方深情相恋，转眼间阴阳两隔，人鬼殊途。这令人柔肠寸断的穿越生死的爱恋啊，怎不让人心碎，情醉。

Answer 2

By Desson Howe
Washington Post Staff Writer
July 13, 1990

Director:
Jerry Zucker

Cast:
Patrick Swayze;
Demi Moore;
Whoopi Goldberg;
Tony Goldwyn

Oscars:Supporting Actress; Original Screenplay

Make no mistake about Paramount's "Ghost." It's formula-packed business as usual. In fact, it's double-packed, triple-packed, more: There's the afterlife love affair between recently deceased Patrick Swayze and earthly girlfriend Demi Moore. There's the beyond-the-grave odd-buddy-buddying between Swayze and spiritualist Whoopi Goldberg. It's also a tearjerker, along the sappy lines of "Field of Dreams." It's a murder thriller . . . .

And strangely enough, it's not that bad.

Now, hold it right there. I refer you to the low-light critical tariff one must apply to Hollywood's summer fare. In this artistically devalued summer of schlockbusters ("Days of Total RoboCop III"), it means Jerry Zucker's movie (he made "Airplane!" and "Ruthless People") is surprisingly entertaining and goes along nicely with the theater's air conditioning.

"Ghost" starts off in the kind of cheesy way that Paramount seems so peculiarly proud of. We're subjected to True Love Moments between Swayze and Moore, as she tells him she loves him and he says, wait for it, "Ditto." (This is what screenwriters commonly refer to as a "hook" and is important for later.)

But as soon as the couple is confronted by a gunman, the thriller elements of the movie kick in and the movie gets . . . interesting. A lot of plot elements can't be given away, but suffice it to say, when Swayze's spirit comes back from the dead, he finds out Moore is in great danger.

Unable to be seen by the living, Swayze finds out he can communicate aurally with Goldberg, a common-variety spiritual charlatan who discovers to her ESP horror that she is the real thing. Swayze has to enlist Goldberg to thwart the dangerous mystery man and pass the amorous word on to Moore -- words like "ditto," for instance.

Along the way, Swayze also learns, with the help of subway-haunting spirit Vincent ("One Flew Over the Cuckoo's Nest") Schiavelli, that ghosts can concentrate their psychic power into moving physical objects: making objects fly around the room, slapping bad guys around, that sort of thing.

Only in the leanest of movie-acting years would Swayze or Moore ever find themselves clutching Oscars, but they're very competent performers, certainly good enough to get through this mystery plot (decently scripted by Bruce Joel Rubin) without getting in your way. The best screen work comes from Goldberg, who puts spiritual oomph into an otherwise strained tea-reading role. Since her memorable performance in "The Color Purple," she's been mired in macho formula. But this movie, though it's still studio-ready stuff, may augur well for her future.