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本文所期望达到的预期目标是通过对周作人30年代的文学与思想进行线性因果式的梳理,从而获得这一时期周作人文学选择与思想内核的初步了解,体认其在30年代中国文学史上的独特性。... 本文所期望达到的预期目标是通过对周作人30年代的文学与思想进行线性因果式的梳理,从而获得这一时期周作人文学选择与思想内核的初步了解,体认其在30年代中国文学史上的独特性。据此,本文正文由四部分组成。第一章,沉潜:来自时代的推力。将对周作人20年代末的退隐从社会政治、文学潮流、家庭遭际三个方面进行多角度分析。第二章,逆势而行:理论的萌动与成熟。本章将以30年代的主流文学——左翼文学为对立参照,对周作人在沉潜时期内对“诗言志”理论体系的发生契机、初步建构与理论论争进行论述。第三章,人情物理下的历史民间诉说:创作的勃发。本章将对周作人创作恢复后,即1934年《夜读抄》之后的创作进行简要论述,主要涉及方面有周氏的人情物理观与历史、民间两条创作维度,以及在此维度下的次维度写作视点及其代表作品研读。第四章,启蒙与启蒙之“苦”。此章是对支配周作人整个30年代理论及创作的思想背景的介绍,论及此期周作人启蒙思想的延续与变化以及在此与周作人自身性格与文化结构影响下所流露出的“苦涩”情感。
周作人30年代的文学道路与思想选择发蒙于20年代末特殊的时代背景与思想危机之下,又在与“载道”性质的左翼文学的对立下通过理论的思考、创作的努力来发展、成熟,自成一系,继续发扬其自“五四”以来一以贯之的启蒙精神,并随着外部世界与内部世界日益变化而做出自我的调整,在显示着文学特有的悖论性特征的同时又蕴涵了启蒙与救亡的内在同一逻辑。
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离水的鱼呀
2012-06-12
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The expected goal is expected by 30 s of zhou zuoren literature and thoughts of the linear causal type comb, to get this period zhou zuoren literature choice and thought core of the preliminary understanding, experience in the s the uniqueness of Chinese history of literature. Thus, this article text consists of four parts. The first chapter, revive your prospects: from age thrust. Zhou zuoren 20 s to retire from the social politics, literature tide, family 'three aspects of the multiple perspectives analysis. The second chapter, contrarian and row: theory and the mature, however. This chapter will to the mainstream literature of the '30 s-left-wing literature for opposing the reference, revive your prospects of zhou zuoren in period "poetry express will" the happening of the theoretical system, preliminary construction and opportunity theory discusses the debate. The third chapter, and the history of physics tell folk: the creation of the world. This chapter will creation of zhou zuoren after recovery, or 1934 years after the night reading copy of the creation of the paper briefly, mainly involving the have zhou human physical view and history, folk two creative dimension, and the dimension of time dimension and representative works of study writing viewpoint. The fourth chapter, the enlightenment and the enlightenment of the "bitter". This chapter is to control the whole 30 s zhou theory and his creative thought background introduction, deals with this period of the continuation of zhou zuoren enlightenment thoughts and change and here with their own personality and zhou culture structure under the influence of the "bitter" show emotion.

Zhou zuoren 30 s road and thought of literature FaMeng choice in 20 s special background and ideas under the crisis, and in the "carry a way" with the nature of the left-wing literature under the opposition by thinking about the theory of the creation, the effort to develop, mature and developed a department, continue to carry forward its since the "may fourth movement" up since the enlightenment of the spirit, and with the external world and the internal changes day by day and make the adjustment of the self, in the literature that the paradox of the special features, at the same time, contains the enlightenment and the same logical saving within.
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折子戏mm
2012-06-12 · 超过12用户采纳过TA的回答
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In this paper, to achieve the desired goal is through to the Zhou Zuoren 30's literature and thought of linear causal order, thus obtained during this period Zhou Zuoren Literature Choice and the core idea of preliminary understanding, recognition in the30's the history of Chinese literature is unique. Accordingly, Motomoon Jungwen is composed of four parts. The first chapter, dive: the times from the thrust. Zhou Zuoren will be the20 time end of the retreat from social politics, literature trend, family circumstances three aspects were analyzed. Chapter second, bucked the trend: the germinating and mature theory. This chapter will be the30 time the mainstream literature -- left-wing literature as opposed to reference, Zhou Zuoren in the silent period of the" poetry expressing ideals" theory system occurs, initial construction and theoretical debate of opportunity were discussed. The third chapter, human physical history under the folk saying: the creation of blooming. This chapter will be the creation of Zhou Zuoren after the restoration,1934"" copy" after the creation are briefly discussed, mainly involving with Zhou human physical concept and history, folk two creating dimensions, and the dimension of time dimension writing perspective and their representative work study. The fourth chapter, enlightenment and Enlightenment of" bitter". This chapter is on the control of Zhou Zuoren throughout the 30's theory and creation of the thought background introduction, and this period of Zhou Zuoren's Enlightenment thought continuation and change as well as here with Zhou Zuoren its own personality and culture structure under the influence of showing" bitter" emotion.Zhou Zuoren's 30road of literature and thought to choose first in the late 20's special time background and ideological crisis, and with" contained" nature of the left-wing literature under the opposition through theoretical thinking, creative effort to develop, mature, a separate department, continue to carry forward its since "five four" the one principle runs through it all. The spirit of the enlightenment, and with the external world and the internal world is changing and readjust itself, in the show 's unique literary paradox characteristics and implication of the enlightenment and of the same logic.
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掌芮佳rA
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his article aims at achieving the desired goal of the week for the 30 s literature and thinking of a linear causal-comb to get around this period literature selection for people with ideas for the kernel of the product, in the 30s on the Chinese literature. Accordingly, this body consists of 4 pieces. The first chapter, sunken submarine: from the era. For those who will be the end of the 20 s retirement from social, political, and literary trends and family were more than 3 in perspective in the analysis. CHAPTER 2, counter-trend line: theory of the buds and mature. In this chapter, we will in the 1930s left-wing mainstream literature - literature, for opposing with reference to the sunken submarine for the period of the "poem" system of theory, the initial momentum in the building with the theoretical debates. In Chapter 3 of the physics, and human history of the civil complained about: creativity blossoms. This chapter will be the week after the recovery, and those who works in 1934, the night after reading the copy of a brief discussion on creative process, the main of a week's personal history, physical and creative civil two dimensional, as well as in the Time dimension, dimensional writing point of view and read their work. CHAPTER 4 of the Enlightenment, enlightenment and the "bitter". This chapter is for a person of a dominant week throughout the 30 s theory and creative presentation of the ideological background of the period, and this week's enlightenment ideas of continuity and change, as well as those who made this week with its own personality and culture structures under the influence of the exudes a "bitter" emotions.
Week 30 for a person of literary ideas and choose the road, in the end 20 s special background and the ideological and crisis, and under the "Download" nature of the opposition of the left-wing literary theory through the reflection, creative efforts to develop, mature, and in a class of its own, and continue to build on its own since the ' 54" a consistent spirit of the Enlightenment, and with outside world and the internal world of changing self-adjustment in the literature specific to the characteristics of the paradox of implication and the Enlightenment and salvation in the same logic.
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