求《泰坦尼克号》简要剧情
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剧情简介:
为了寻找1912年在大西洋沉没的泰坦尼克号和船上的珍贵财宝-价值连城的“海洋之心”,寻宝探险家布洛克从沉船上打捞起一个锈迹斑斑的保险柜,不料其中只有一幅保存完好的素描-一位佩戴着钻石项链的年轻女子。这则电视新闻引起了一位百岁老妇人的注意,老人激动不已,随即乘直升飞机赶到布洛克的打捞船上。原来她名叫露丝•道森,正是画像上的女子。
看着画像,往事一幕幕重新浮现在老人的眼前:1912年4月12日,准备首航的泰坦尼克号停泊在港口,码头上人山人海,争相目睹人类有史以来最庞大、最豪华的轮船。露丝,一位美丽漂亮而又不乏气质的贵族小姐与她的母亲及未婚夫-钢铁大王之子卡尔·霍利一同登上了泰坦尼克号的头等舱。与此同时,影片的另一位主人公——年轻的流浪画家杰克·道森靠赌博幸运地赢到了三等舱的船票,高喊着“我们是世界上最幸运...”的他在最后一刻登上了巨轮。泰坦尼克号启航了,早春的大西洋上风和日丽,碧波万里,杰克和他的伙伴站在船头眺望前方,高声欢呼:“我们是世界之王”,兴奋不已,仿佛此时世界已属于他们。
露丝在上层社会的交际圈中生活,早已厌倦了贵族们的虚伪做作,感觉自己无异于笼中之鸟,她愁眉不展地来到甲板上眺望远方,排遣愁情。杰克一看到露丝,就被她的气质所深深吸引。夜幕降临,又一场灯红酒绿之后,露丝对未来和婚姻感到万分无奈;她冲向甲板,试图跳入大海结束一生。杰克及时发现并且在关键时刻以自己的真诚和独到的幽默说服了露丝。尽管卡尔很不情愿,但为答谢杰克的救妻之恩,他只好邀请杰克到头等舱里进餐。卡尔本想借机寒碜杰克一番,没想到杰克在餐桌前的坦诚之言竟博得满堂喝彩。杰克和露丝两人从此相识并开始了解对方,露丝向杰克吐露心中郁闷:"我觉得这一生不外如此,就象已经活了一辈子似的。无数的宴会、舞会、游艇赛、马球赛,能接触到的都是思想狭隘、有口无心的人。我感觉就象站在悬崖边,没人拉我回来,没人关心,甚至无人理会。”在杰克的开导和陪伴下,露丝找回了失去已久的快乐,灿烂的笑容终于重新洋溢在她的脸庞。
露丝的未婚夫卡尔发现了杰克和罗丝的来往之后,心中十分不快,他送给露丝一条价值连城的钻石项链“海洋之心”,并对她表白了自己的心迹意图博得罗丝的欢心。然而在露丝的眼里,卡尔只是一个十足的势利小人,她从心底里不愿嫁给他。可是在母亲与未婚夫的压力之下,露丝不得不有意回避杰克的感情,可正因为这样露丝才意识到自己已经深深的爱上了杰克。
从相知到相爱,虽然只是短短几天时间,露丝和杰克已经无法分开。在卧室中,罗丝戴上了“海洋之心”,由杰克绘出了那张令她永生难忘的画像。露丝决定无视家庭和礼数的压力在泰坦尼克号靠岸后与杰克一起生活,幸福似乎距离这对情侣仅咫尺之遥。
白星航运公司经理布鲁斯·伊斯梅为了让泰坦尼克号超过奥林匹克号的首航速度记录,不顾潜在的冰山威胁暗示船长史密斯提高船速。14日夜晚,海面出奇的平静,泰坦尼克号仍然全速行驶。了望台发现正前方的冰山后立刻通知了驾驶舱和大副,可是惯性极大的轮船已来不及躲避, 船体右舷被冰山割裂,五个水密舱进水。号称“永不沉没”的泰坦尼克号将在两小时内沉没。而此时船上的救生艇只够一半乘客使用,船上陷入一片恐慌。
不料,这时杰克却被霍利以偷窃钻石之名栽赃陷害,并被关在下层船舱。不明真相的露丝随众人一起在甲板上等候救生艇,可她终究还是相信杰克是无辜的。露丝不顾一切回到空无一人的船舱寻找杰克,并在紧要关头找来救生斧救出他。两人来到甲板,露丝在杰克的劝说下上了救生艇。救生艇徐徐放下,罗丝神情恍惚,突然她放弃了也许是最后的逃生机会跳回泰坦尼克号,这对情侣紧紧地拥抱在一起。
“梦幻之船”泰坦尼克号开始缓缓下沉,一幕悲剧开始上演。漆黑的海洋和天空连成一片,无情的吞噬着绝望的乘客。杰克带着露丝跑到船尾,爬上栏杆(也就是他们爱情开始的地方)坚持到最后,直到泰坦尼克号沉没。两人全力挣扎出巨大的漩涡之后,杰克将露丝推上一块漂浮的木板,自己却浸泡在冰冷的海水里。
几分钟之后,救生艇返回救起了奄奄一息的露丝,而此时早已冻僵的杰克却被冰海无情的吞没。露丝信守对杰克许下的诺言,勇敢地活着。
八十四年后,罗丝又来到泰坦尼克号沉没的地方,将“海洋之心”抛入海中,以告杰克在天之灵……
为了寻找1912年在大西洋沉没的泰坦尼克号和船上的珍贵财宝-价值连城的“海洋之心”,寻宝探险家布洛克从沉船上打捞起一个锈迹斑斑的保险柜,不料其中只有一幅保存完好的素描-一位佩戴着钻石项链的年轻女子。这则电视新闻引起了一位百岁老妇人的注意,老人激动不已,随即乘直升飞机赶到布洛克的打捞船上。原来她名叫露丝•道森,正是画像上的女子。
看着画像,往事一幕幕重新浮现在老人的眼前:1912年4月12日,准备首航的泰坦尼克号停泊在港口,码头上人山人海,争相目睹人类有史以来最庞大、最豪华的轮船。露丝,一位美丽漂亮而又不乏气质的贵族小姐与她的母亲及未婚夫-钢铁大王之子卡尔·霍利一同登上了泰坦尼克号的头等舱。与此同时,影片的另一位主人公——年轻的流浪画家杰克·道森靠赌博幸运地赢到了三等舱的船票,高喊着“我们是世界上最幸运...”的他在最后一刻登上了巨轮。泰坦尼克号启航了,早春的大西洋上风和日丽,碧波万里,杰克和他的伙伴站在船头眺望前方,高声欢呼:“我们是世界之王”,兴奋不已,仿佛此时世界已属于他们。
露丝在上层社会的交际圈中生活,早已厌倦了贵族们的虚伪做作,感觉自己无异于笼中之鸟,她愁眉不展地来到甲板上眺望远方,排遣愁情。杰克一看到露丝,就被她的气质所深深吸引。夜幕降临,又一场灯红酒绿之后,露丝对未来和婚姻感到万分无奈;她冲向甲板,试图跳入大海结束一生。杰克及时发现并且在关键时刻以自己的真诚和独到的幽默说服了露丝。尽管卡尔很不情愿,但为答谢杰克的救妻之恩,他只好邀请杰克到头等舱里进餐。卡尔本想借机寒碜杰克一番,没想到杰克在餐桌前的坦诚之言竟博得满堂喝彩。杰克和露丝两人从此相识并开始了解对方,露丝向杰克吐露心中郁闷:"我觉得这一生不外如此,就象已经活了一辈子似的。无数的宴会、舞会、游艇赛、马球赛,能接触到的都是思想狭隘、有口无心的人。我感觉就象站在悬崖边,没人拉我回来,没人关心,甚至无人理会。”在杰克的开导和陪伴下,露丝找回了失去已久的快乐,灿烂的笑容终于重新洋溢在她的脸庞。
露丝的未婚夫卡尔发现了杰克和罗丝的来往之后,心中十分不快,他送给露丝一条价值连城的钻石项链“海洋之心”,并对她表白了自己的心迹意图博得罗丝的欢心。然而在露丝的眼里,卡尔只是一个十足的势利小人,她从心底里不愿嫁给他。可是在母亲与未婚夫的压力之下,露丝不得不有意回避杰克的感情,可正因为这样露丝才意识到自己已经深深的爱上了杰克。
从相知到相爱,虽然只是短短几天时间,露丝和杰克已经无法分开。在卧室中,罗丝戴上了“海洋之心”,由杰克绘出了那张令她永生难忘的画像。露丝决定无视家庭和礼数的压力在泰坦尼克号靠岸后与杰克一起生活,幸福似乎距离这对情侣仅咫尺之遥。
白星航运公司经理布鲁斯·伊斯梅为了让泰坦尼克号超过奥林匹克号的首航速度记录,不顾潜在的冰山威胁暗示船长史密斯提高船速。14日夜晚,海面出奇的平静,泰坦尼克号仍然全速行驶。了望台发现正前方的冰山后立刻通知了驾驶舱和大副,可是惯性极大的轮船已来不及躲避, 船体右舷被冰山割裂,五个水密舱进水。号称“永不沉没”的泰坦尼克号将在两小时内沉没。而此时船上的救生艇只够一半乘客使用,船上陷入一片恐慌。
不料,这时杰克却被霍利以偷窃钻石之名栽赃陷害,并被关在下层船舱。不明真相的露丝随众人一起在甲板上等候救生艇,可她终究还是相信杰克是无辜的。露丝不顾一切回到空无一人的船舱寻找杰克,并在紧要关头找来救生斧救出他。两人来到甲板,露丝在杰克的劝说下上了救生艇。救生艇徐徐放下,罗丝神情恍惚,突然她放弃了也许是最后的逃生机会跳回泰坦尼克号,这对情侣紧紧地拥抱在一起。
“梦幻之船”泰坦尼克号开始缓缓下沉,一幕悲剧开始上演。漆黑的海洋和天空连成一片,无情的吞噬着绝望的乘客。杰克带着露丝跑到船尾,爬上栏杆(也就是他们爱情开始的地方)坚持到最后,直到泰坦尼克号沉没。两人全力挣扎出巨大的漩涡之后,杰克将露丝推上一块漂浮的木板,自己却浸泡在冰冷的海水里。
几分钟之后,救生艇返回救起了奄奄一息的露丝,而此时早已冻僵的杰克却被冰海无情的吞没。露丝信守对杰克许下的诺言,勇敢地活着。
八十四年后,罗丝又来到泰坦尼克号沉没的地方,将“海洋之心”抛入海中,以告杰克在天之灵……
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泰坦尼克号剧情简介
1912年4月15日,载着1316号乘客和891名船员的豪华巨轮“泰坦尼克号”与冰山相撞而沉没,这场海难被认为是20世纪人间十大灾难之一。1985年,“泰坦尼克号”的沉船遗骸在北大西洋两英里半的海底被发现。美国探险家洛维特亲自潜入海底在船舱的墙壁上看见了一幅画,洛维持的发现立刻引起了一位老妇人的注意。已经是102岁高龄的罗丝声称她就是画中的少女。在潜水舱里,罗丝开始叙述她当年的故事。
1912年4月10日,被称为“世界工业史上的奇迹”的“泰坦尼克号”从英国的南安普顿出发驶往美国纽约。富家少女罗丝与母亲及未婚夫卡尔一道上船,另一边,不羁的少年画家杰克靠在码头上的一场赌博赢到了船票。罗丝早就看出卡尔是个十足的势利小人,从心底里不愿嫁给他,甚至打算投海自尽。关键时刻,杰克一把抱住了少女罗丝,两个年轻人由此相识。
为排解少女心中的忧愁,杰克带罗丝不断发现生活的快乐之处。很快,美丽活泼的罗丝与英俊开朗的杰克相爱了,罗丝脱下衣服,戴上卡尔送她的项链,让杰克为她画像,以此作为他们爱情的见证。当他俩做爱时,“泰坦尼克号”撞上了冰山。
惨绝人寰的悲剧发生了,泰坦尼克号上一片混乱,在危急之中,人类本性中的善良与丑恶、高贵与卑劣更加分明。杰克把生存的机会让给了爱人罗丝,自己则在冰海中被冻死。
老态龙钟的罗丝讲完这段哀恸天地的爱情之后,把那串价值连城的珠宝沉入海底,让它陪着杰克和这段爱情长眠海底。
1912年4月15日,载着1316号乘客和891名船员的豪华巨轮“泰坦尼克号”与冰山相撞而沉没,这场海难被认为是20世纪人间十大灾难之一。1985年,“泰坦尼克号”的沉船遗骸在北大西洋两英里半的海底被发现。美国探险家洛维特亲自潜入海底在船舱的墙壁上看见了一幅画,洛维持的发现立刻引起了一位老妇人的注意。已经是102岁高龄的罗丝声称她就是画中的少女。在潜水舱里,罗丝开始叙述她当年的故事。
1912年4月10日,被称为“世界工业史上的奇迹”的“泰坦尼克号”从英国的南安普顿出发驶往美国纽约。富家少女罗丝与母亲及未婚夫卡尔一道上船,另一边,不羁的少年画家杰克靠在码头上的一场赌博赢到了船票。罗丝早就看出卡尔是个十足的势利小人,从心底里不愿嫁给他,甚至打算投海自尽。关键时刻,杰克一把抱住了少女罗丝,两个年轻人由此相识。
为排解少女心中的忧愁,杰克带罗丝不断发现生活的快乐之处。很快,美丽活泼的罗丝与英俊开朗的杰克相爱了,罗丝脱下衣服,戴上卡尔送她的项链,让杰克为她画像,以此作为他们爱情的见证。当他俩做爱时,“泰坦尼克号”撞上了冰山。
惨绝人寰的悲剧发生了,泰坦尼克号上一片混乱,在危急之中,人类本性中的善良与丑恶、高贵与卑劣更加分明。杰克把生存的机会让给了爱人罗丝,自己则在冰海中被冻死。
老态龙钟的罗丝讲完这段哀恸天地的爱情之后,把那串价值连城的珠宝沉入海底,让它陪着杰克和这段爱情长眠海底。
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Short of climbing aboard a time capsule and peeling back eight and one-half decades, James Cameron's magnificent Titanic is the closest any of us will get to walking the decks of the doomed ocean liner. Meticulous in detail, yet vast in scope and intent, Titanic is the kind of epic motion picture event that has become a rarity. You don't just watch Titanic, you experience it -- from the launch to the sinking, then on a journey two and one-half miles below the surface, into the cold, watery grave where Cameron has shot never-before seen documentary footage specifically for this movie.
In each of his previous outings, Cameron has pushed the special effects envelope. In Aliens, he cloned H.R. Giger's creation dozens of times, fashioning an army of nightmarish monsters. In The Abyss, he took us deep under the sea to greet a band of benevolent space travelers. In T2, he introduced the morphing terminator (perfecting an effects process that was pioneered in The Abyss). And in True Lies, he used digital technology to choreograph an in-air battle. Now, in Titanic, Cameron's flawless re-creation of the legendary ship has blurred the line between reality and illusion to such a degree that we can't be sure what's real and what isn't. To make this movie, it's as if Cameron built an all-new Titanic, let it sail, then sunk it.
Of course, special effects alone don't make for a successful film, and Titanic would have been nothing more than an expensive piece of eye candy without a gripping story featuring interesting characters. In his previous outings, Cameron has always placed people above the technological marvels that surround them. Unlike film makers such as Roland Emmerich and Dean Devlin, Cameron has used visual effects to serve his plot, not the other way around. That hasn't changed with Titanic. The picture's spectacle is the ship's sinking, but its core is the affair between a pair of mismatched, star-crossed lovers.
Titanic is a romance, an adventure, and a thriller all rolled into one. It contains moments of exuberance, humor, pathos, and tragedy. In their own way, the characters are all larger-than- life, but they're human enough (with all of the attendant frailties) to capture our sympathy. Perhaps the most amazing thing about Titanic is that, even though Cameron carefully recreates the death of the ship in all of its terrible grandeur, the event never eclipses the protagonists. To the end, we never cease caring about Rose (Kate Winslet) and Jack (Leonardo DiCaprio).
Titanic sank during the early morning hours of April 15, 1912 in the North Atlantic, killing 1500 of the 2200 on board. The movie does not begin in 1912, however -- instead, it opens in modern times, with a salvage expedition intent on recovering some of the ship's long-buried treasure. The expedition is led by Brock Lovett (Bill Paxton), a fortune hunter who is searching for the mythical "Heart of the Ocean", a majestic 56 karat diamond which reputedly went down with the ship. After seeing a TV report about the salvage mission, a 101-year old woman (Gloria Stuart) contacts Brock with information regarding the jewel. She identifies herself as Rose DeWitt Bukater, a survivor of the tragedy. Brock has her flown out to his ship. Once there, she tells him her version of the story of Titanic's ill-fated voyage.
The bulk of the film -- well over 80% of its running time -- is spent in flashbacks. We pick up the story on the day that Titanic leaves Southampton, with jubilant crowds cheering as it glides away from land. On board are the movie's three main characters: Rose, a young American debutante trapped in a loveless engagement because her mother is facing financial ruin; Cal Hockley (Billy Zane), her rich-but-cold-hearted fianc? and Jack Dawson, a penniless artist who won his third-class ticket in a poker game. When Jack first sees Rose, it's from afar, but circumstances offer him the opportunity to become much closer to her. As the voyage continues, Jack and Rose grow more intimate, and she tries to summon up the courage to defy her mother (Frances Fisher) and break off her engagement. But, even with the aid of an outspoken rich women named Molly Brown (Kathy Bates), the barrier of class looms as a seemingly-insurmountable obstacle. Then, when circumstances in the Rose/Cal/Jack triangle are coming to a head, Titanic strikes an iceberg and the "unsinkable" ship (that term is a testament to man's hubris) begins to go down.
By keeping the focus firmly on Rose and Jack, Cameron avoids one frequent failing of epic disaster movies: too many characters in too many stories. When a film tries to chronicle the lives and struggles of a dozen or more individuals, it reduces them all to cardboard cut-outs. In Titanic, Rose and Jack are at the fore from beginning to end, and the supporting characters are just that -- supporting. The two protagonists (as well as Cal) are accorded enough screen time for Cameron to develop multifaceted personalities.
As important as the characters are, however, it's impossible to deny the power of the visual effects. Especially during the final hour, as Titanic undergoes its death throes, the film functions not only as a rousing adventure with harrowing escapes, but as a testimony to the power of computers to simulate reality in the modern motion picture. The scenes of Titanic going under are some of the most awe-inspiring in any recent film. This is the kind of movie that it's necessary to see more than once just to appreciate the level of detail.
One of the most unique aspects of Titanic is its use of genuine documentary images to set the stage for the flashback story. Not satisfied with the reels of currently-existing footage of the sunken ship, Cameron took a crew to the site of the wreck to do his own filming. As a result, some of the underwater shots in the framing sequences are of the actual liner lying on the ocean floor. Their importance and impact should not be underestimated, since they further heighten the production's sense of verisimilitude.
For the leading romantic roles of Jack and Rose, Cameron has chosen two of today's finest young actors. Leonardo DiCaprio (Romeo + Juliet), who has rarely done better work, has shed his cocky image. Instead, he's likable and energetic in this part -- two characteristics vital to establishing Jack as a hero. Meanwhile, Kate Winslet, whose impressive resume includes Sense and Sensibility, Hamlet, and Jude, dons a flawless American accent along with her 1912 garb, and essays an appealing, vulnerable Rose. Billy Zane comes across as the perfect villain -- callous, arrogant, yet displaying true affection for his prized fianc? The supporting cast, which includes Kathy Bates, Bill Paxton, Frances Fisher, Bernard Hill (as Titanic's captain), and David Warner (as Cal's no-nonsense manservant), is flawless.
While Titanic is easily the most subdued and dramatic of Cameron's films, fans of more frantic pictures like Aliens and The Abyss will not be disappointed. Titanic has all of the thrills and intensity that movie-goers have come to expect from the director. A dazzling mix of style and substance, of the sublime and the spectacular, Titanic represents Cameron's most accomplished work to date. It's important not to let the running time hold you back -- these three-plus hour pass very quickly. Although this telling of the Titanic story is far from the first, it is the most memorable, and is deserving of Oscar nominations not only in the technical categories, but in the more substantive ones of Best Picture, Best Director, Best Actor, and Best Actress.
In each of his previous outings, Cameron has pushed the special effects envelope. In Aliens, he cloned H.R. Giger's creation dozens of times, fashioning an army of nightmarish monsters. In The Abyss, he took us deep under the sea to greet a band of benevolent space travelers. In T2, he introduced the morphing terminator (perfecting an effects process that was pioneered in The Abyss). And in True Lies, he used digital technology to choreograph an in-air battle. Now, in Titanic, Cameron's flawless re-creation of the legendary ship has blurred the line between reality and illusion to such a degree that we can't be sure what's real and what isn't. To make this movie, it's as if Cameron built an all-new Titanic, let it sail, then sunk it.
Of course, special effects alone don't make for a successful film, and Titanic would have been nothing more than an expensive piece of eye candy without a gripping story featuring interesting characters. In his previous outings, Cameron has always placed people above the technological marvels that surround them. Unlike film makers such as Roland Emmerich and Dean Devlin, Cameron has used visual effects to serve his plot, not the other way around. That hasn't changed with Titanic. The picture's spectacle is the ship's sinking, but its core is the affair between a pair of mismatched, star-crossed lovers.
Titanic is a romance, an adventure, and a thriller all rolled into one. It contains moments of exuberance, humor, pathos, and tragedy. In their own way, the characters are all larger-than- life, but they're human enough (with all of the attendant frailties) to capture our sympathy. Perhaps the most amazing thing about Titanic is that, even though Cameron carefully recreates the death of the ship in all of its terrible grandeur, the event never eclipses the protagonists. To the end, we never cease caring about Rose (Kate Winslet) and Jack (Leonardo DiCaprio).
Titanic sank during the early morning hours of April 15, 1912 in the North Atlantic, killing 1500 of the 2200 on board. The movie does not begin in 1912, however -- instead, it opens in modern times, with a salvage expedition intent on recovering some of the ship's long-buried treasure. The expedition is led by Brock Lovett (Bill Paxton), a fortune hunter who is searching for the mythical "Heart of the Ocean", a majestic 56 karat diamond which reputedly went down with the ship. After seeing a TV report about the salvage mission, a 101-year old woman (Gloria Stuart) contacts Brock with information regarding the jewel. She identifies herself as Rose DeWitt Bukater, a survivor of the tragedy. Brock has her flown out to his ship. Once there, she tells him her version of the story of Titanic's ill-fated voyage.
The bulk of the film -- well over 80% of its running time -- is spent in flashbacks. We pick up the story on the day that Titanic leaves Southampton, with jubilant crowds cheering as it glides away from land. On board are the movie's three main characters: Rose, a young American debutante trapped in a loveless engagement because her mother is facing financial ruin; Cal Hockley (Billy Zane), her rich-but-cold-hearted fianc? and Jack Dawson, a penniless artist who won his third-class ticket in a poker game. When Jack first sees Rose, it's from afar, but circumstances offer him the opportunity to become much closer to her. As the voyage continues, Jack and Rose grow more intimate, and she tries to summon up the courage to defy her mother (Frances Fisher) and break off her engagement. But, even with the aid of an outspoken rich women named Molly Brown (Kathy Bates), the barrier of class looms as a seemingly-insurmountable obstacle. Then, when circumstances in the Rose/Cal/Jack triangle are coming to a head, Titanic strikes an iceberg and the "unsinkable" ship (that term is a testament to man's hubris) begins to go down.
By keeping the focus firmly on Rose and Jack, Cameron avoids one frequent failing of epic disaster movies: too many characters in too many stories. When a film tries to chronicle the lives and struggles of a dozen or more individuals, it reduces them all to cardboard cut-outs. In Titanic, Rose and Jack are at the fore from beginning to end, and the supporting characters are just that -- supporting. The two protagonists (as well as Cal) are accorded enough screen time for Cameron to develop multifaceted personalities.
As important as the characters are, however, it's impossible to deny the power of the visual effects. Especially during the final hour, as Titanic undergoes its death throes, the film functions not only as a rousing adventure with harrowing escapes, but as a testimony to the power of computers to simulate reality in the modern motion picture. The scenes of Titanic going under are some of the most awe-inspiring in any recent film. This is the kind of movie that it's necessary to see more than once just to appreciate the level of detail.
One of the most unique aspects of Titanic is its use of genuine documentary images to set the stage for the flashback story. Not satisfied with the reels of currently-existing footage of the sunken ship, Cameron took a crew to the site of the wreck to do his own filming. As a result, some of the underwater shots in the framing sequences are of the actual liner lying on the ocean floor. Their importance and impact should not be underestimated, since they further heighten the production's sense of verisimilitude.
For the leading romantic roles of Jack and Rose, Cameron has chosen two of today's finest young actors. Leonardo DiCaprio (Romeo + Juliet), who has rarely done better work, has shed his cocky image. Instead, he's likable and energetic in this part -- two characteristics vital to establishing Jack as a hero. Meanwhile, Kate Winslet, whose impressive resume includes Sense and Sensibility, Hamlet, and Jude, dons a flawless American accent along with her 1912 garb, and essays an appealing, vulnerable Rose. Billy Zane comes across as the perfect villain -- callous, arrogant, yet displaying true affection for his prized fianc? The supporting cast, which includes Kathy Bates, Bill Paxton, Frances Fisher, Bernard Hill (as Titanic's captain), and David Warner (as Cal's no-nonsense manservant), is flawless.
While Titanic is easily the most subdued and dramatic of Cameron's films, fans of more frantic pictures like Aliens and The Abyss will not be disappointed. Titanic has all of the thrills and intensity that movie-goers have come to expect from the director. A dazzling mix of style and substance, of the sublime and the spectacular, Titanic represents Cameron's most accomplished work to date. It's important not to let the running time hold you back -- these three-plus hour pass very quickly. Although this telling of the Titanic story is far from the first, it is the most memorable, and is deserving of Oscar nominations not only in the technical categories, but in the more substantive ones of Best Picture, Best Director, Best Actor, and Best Actress.
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1985年,“泰坦尼克号”的沉船遗骸被发现。美国探险家洛维特在船舱里看见了一幅画,102岁高龄的罗丝声称她就是画中的少女,罗丝开始叙述她当年的故事。1912年4月10日,被称为“世界工业史上的奇迹”的“泰坦尼克号”从英国的南安普顿出发驶往美国纽约。富家少女罗丝与母亲及未婚夫卡尔一道上船,另一边,不羁的少年画家杰克靠在码头上的一场赌博赢到了船票。罗丝不愿嫁给卡尔,打算投海自尽,被杰克抱住。很快,美丽活泼的罗丝与英俊开朗的杰克相爱了。惨绝人寰的悲剧发生了,泰坦尼克号与冰山相撞。杰克把生存的机会让给了爱人罗丝,自己则在冰海中被冻死。老态龙钟的罗丝讲完这段爱情后,把那串价值连城的珠宝沉入海底,让它陪着杰克和这段爱情长眠海底
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一个小伙子通过赌博得到的船票,在泰坦尼克上和一个富家女相爱,后来船撞冰山沉了,小伙子死了,女孩终身未嫁。
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