请各位英文高手帮帮忙! 翻译一下.....

科幻极客们常常尴尬地发现,技术进步并没有让读者更完整地理解他们苦心孤诣制造的预言,相反,这些未来主义的警告要么被看做极端技术忧虑分子的自说自话,要么就被好莱坞等大众流行文... 科幻极客们常常尴尬地发现,技术进步并没有让读者更完整地理解他们苦心孤诣制造的预言,相反,这些未来主义的警告要么被看做极端技术忧虑分子的自说自话,要么就被好莱坞等大众流行文化工厂拿去重新炮制为无深度消费品。尼尔·盖曼的《阿纳斯男孩》卖出了10万册,然而并不说明主流青少年能够深切理解它,他们把《阿纳斯男孩》解读为哈利·波特和蜘蛛侠的大杂烩。杰雷德·赫斯导演的《大人物拿破仑》更被肤浅地理解为青春校园喜剧,亚特兰大说唱歌手克瑞斯(MC Chris)的,热门金曲《Fett's Vette》,其灵感则来自《星球大战三部曲》,而《捉鬼者巴菲》以及《天使》、《萤火虫》的主创导演乔斯·威登则痛心地发现他的《冲出宁静号》变成了一部不间断的电脑特技秀。

请各位英文高手帮忙翻译一下 ! 谢谢 。。。
请不要使用翻译器~要原创的~ 谢谢
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Sci-fi geeks are often embarrassed to discover that technological progress does not make the reader get a more complete understanding of their painstaking manufacture of prophecy, on the contrary, these futuristic warning are either seen as self-talking of extreme technical geeks who worry about the future, or to be made as no-depth consumer goods by popular culture factory such as Hollywood. Anansi Boys written by Neil Gaiman are sold for 100,000 copies, however, this is not saying that the mainstream of youth can understand it deeply, they consider Anansi Boys as a hodgepodge of Harry Potter and Spiderman. Napoleon Dynamite, directed by Jared Hess, is superficially noticed as a youth campus comedy. Fett's Vette, by Atlanta rapper MC Chris, takes its inspiration from the Star Wars, and Joss Whedon, who has directed the Buffy the Vampire Slayer, Angel and Firefly, is sad to find that his Serenity becomes an uninterrupted computer stunt show .

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