Question

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The same is true of Robert Stone’s Converse in Dog Soldiers,written a hundred years later—expect that Converse is slogging around in the muck of the American drug culture of the 1970s.The characters are similar,but they not Xerox copies.They are similar because traits in both homo sapiens and homo fictus tend to”lump”together.
If you find a soft-spoken intellectual ,an expect on ,say medieval morality plays, he will probably not be a greedy businessman or a shark at three-corner billiards. We expect cute young girls noe to be interested in fascist politics. Kindly old grandmothers who like knitting and baking cookies are probably not making bombs in the basement. Expectations about characters in the reader’s mind are based on conventions such as these and are signaled by clues authors givr about the characters. When you see a black-hatted gun fighter come on the screen in a western, you say to yourself, “Ah, the bad guy.” If you see a handsome, boyish, clean-shaven fella, a flower in his holster instead of a gun, a lasso twirling at his side, you say to youself, “Ah, the good guy.”

Answer 1

同样是罗伯特·斯通的匡威犬兵，写了一百年的真实后，想到的是匡威的苦读周围都是类似的1970s.The人物，美国毒品文化的渣土，但他们并不施乐copies.They相似因为在这两种智人和同质fictus特质倾向于“坨”在一起。
如果你找到一个轻声细语的知识分子，预计上说，中世纪的道德剧，他可能不会成为一个贪婪的商人或鲨鱼在三个角台球。我们期待可爱的年轻女孩NOE有兴趣的法西斯政治。慈祥的老祖母谁喜欢编织和烘烤饼干可能不是制造原子弹的地下室。大约在读者的脑海人物的期望是基于公约，如这些和线索作者givr关于字符信号。当你看到一个黑盔战士的枪来，在西方在屏幕上，你对自己说“啊，坏人。”如果你看到一个英俊，孩子气，胡子刮得干干净净的小伙子，在他的皮套花代替，枪，套索捻转在他的身边，你说啊，“啊，好人。”