英文版150字读后感

最好是书虫里的猴爪... 最好是书虫里的 猴爪 展开
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typicalvirgo
2013-07-17 · TA获得超过319个赞
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Reality and truth are at the forefront of The Monkey's Paw, the story of a man dealing with fatherhood, over a backdrop of extreme neurosis. The Characters of Mike and Tish are among the most developed of the Festival, with their internal struggles being opened up in each scene.
The play floats back and forth through time, flashing back to certain moments when the couple's child was "still around." Mike's fear of germs is the manifestation of his fear of intimacy. Since the loss of her child, Tish has been living in denial, refusing to leave their house because she fears missing their son if he returns.
The reality of the situation was confusing. Mike comes across like a Howard Hughes of the upper middle class. His life is filled with such intense guilt over the loss of his son, which mirrors he relationship with his own father and left him without the ability to express or feel love.
At times the confusion of the characters gets in the way of the piece. The depth of the story is barely explored. You are left wondering if the son was murdered by Mike or if he carelessly let him die. You don't even know if anyone else ever new they had a son. That is the sense of reality that you never get, but that is what I believe was intended.
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翻译后语序不同用词不当
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借鉴了一些观后感,我稍加改变,下面是出的成品, 肯定符合你要求。

The Monkey's Paw" is a short story which moves around the edges of a ghost story and the uncanny.
In general terms, the narration immerses the reader into a frightening atmosphere in which the reader can realise that there are certain elements that make the reading something more than a spooky tale; for example the way time is treated in the structure of the story. It is peculiar the way the authur manages to create a rather concrete story by making the reader fill so many gaps. In our opinion, that is due to the fact that there is a complete focus on the development of the story since the arrival of the monkey's paw, and that there are several omissions of facts in the beginning and in the end of the story, which is no coincidence.
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