Question

我需要这些电影的英文简介!

1 a space odyssey
2 a clockwork orange
3 annie hall
4 bonnie and clyde
5 brief encounger
6 chariotes of fire
7 chinatown
我要已经搜出来的,不要网站 谢谢

Answer 1

　　1 a space odyssey
　　Director:Stanley Kubrick
　　Writers:Stanley Kubrick (screenplay) &
　　Arthur C. Clarke (screenplay)
　　more
　　Release Date:6 April 1968 (USA) more
　　Keir Dullea ... Dr. Dave Bowman
　　Gary Lockwood ... Dr. Frank Poole
　　William Sylvester ... Dr. Heywood R. Floyd
　　Daniel Richter ... Moon-Watcher
　　Leonard Rossiter ... Dr. Andrei Smyslov
　　Margaret Tyzack ... Elena
　　Robert Beatty ... Dr. Ralph Halvorsen
　　Sean Sullivan ... Dr. Bill Michaels
　　Douglas Rain ... HAL 9000 (voice)
　　Frank Miller ... Mission controller (voice)
　　Bill Weston ... Astronaut
　　Ed Bishop ... Aries-1B Lunar shuttle captain (as Edward Bishop)

　　Glenn Beck ... Astronaut
　　Alan Gifford ... Poole's father
　　Ann Gillis ... Poole's mother
　　英文评论
　　Instead of writing a paragraph, I'll give four good reasons why 2001 is the greatest cinema experience of all time: 1) It is a visual Odyssey that could only be told on the big screen. The special effects that won Kubrick his only Oscar are the most stunning effects before that age of Jurassic Park and T2. They allow Kubrick to give an accurate (or at least are the most accurate) depiction of space travel to date. The silence that fills the space scenes not only serves its purpose as accurate science, but also adds to the mood of the film (to be discussed in a later point with HAL). The fact that Kubrick shot the moon scenes before the Apollo landing is a gutsy yet fulfilling move. Many have said that upon its original release, it was a favorite "trip" movie. I can think of no other movie that has such amazing visuals for its time and even of all time (sorry Phantom Menace fans!) 2) Kubrick's directing style is terrific. As in all his films, Kubrick likes to use his camera as means to delve into the psychology of his characters and plots. His camera is not as mobile as other greats, such as Scorsese, but instead sits and watches the narrative unfold. Faces are the key element of a Kubrick film. Like classic movies, such as M and Touch of Evil, Kubrick focuses on the characters' faces to give the audience a psychological view-point. Even he uses extreme close-ups of HAL's glowing red "eye" to show the coldness and determination of the computerizd villain. I could go on, but in summation Kubrick is at the hieght of his style. 3) HAL 9000 is one of the most villainous characters in film history. I whole-heartedly agree with the late Gene Siskle's opinion of HAL 9000. Most of this film takes place in space. Through the use of silence and the darkness of space itself, a mood of isolation is created. Dave and his crewmen are isolated between earth and jupiter, with nowhere to escape. Combine this mood with the cold, calculated actions of HAL 9000 and you have the most fearful villain imaginable. I still, although having see this film several times, feel my chest tighten in a particular scene. 4) The controversial ending of 2001 always turns people away from this film. Instead of trying to give my opinion of the what it means and what my idea of 2001's meaning in general is, I'd like to discuss the fact that the ending serves to leave the movie open-ended. Kubrick has stated that he inteded to make 2001 open for discussion. He left its meaning in the hands of the viewer. By respecting the audience's intelligence, Kubrick allowed his movie to be the beginning, not the end, of a meaningful discussion on man's past, present, and future. The beauty of 2001 is that the ending need not mean anything deep, it can just be a purely plot driven explanation and the entire movie can be viewed as an entertaining journey through space. No other movie, save the great Citizen Kane, leaves itself open to discussion like 2001. It is truly meant to be a surreal journey that involves not only the eye but the mind. Instead of waiting in long lines for the Phantom Menace, rent a widescreen edition of 2001 and enjoy the greatest cinematic experience.

　　2 a clockwork orange

　　Director:Stanley Kubrick

　　Writers:Stanley Kubrick (screenplay)
　　Anthony Burgess (novel)

　　Release Date:2 February 1972 (USA) more
　　Genre:Crime | Drama | Thriller more

　　Malcolm McDowell ... Alex
　　Patrick Magee ... Mr. Alexander
　　Michael Bates ... Chief Guard
　　Warren Clarke ... Dim
　　John Clive ... Stage Actor
　　Adrienne Corri ... Mrs. Alexander
　　Carl Duering ... Dr. Brodsky
　　Paul Farrell ... Tramp
　　Clive Francis ... Lodger
　　Michael Gover ... Prison Governor
　　Miriam Karlin ... Catlady
　　James Marcus ... Georgie

　　Aubrey Morris ... Deltoid
　　Godfrey Quigley ... Prison Chaplain
　　英文评论
　　Stanely Kubrick's "A Clockwork Orange" is one of the first movies that proved that cinema can be the most enlightening and amazing art form around. Movies have always been a true love for me, but it wasn't until this film challenged me that I fell deeply in love. The first viewing left me speechless, unable to describe how weird and terrible I felt. I thought it was the film that left me in this mood, so of course that was the easy target to blame. It was just a bad movie, overrated and stupid and a waste of time. But upon further thought, I realised the film did exactly what it was supposed to. It showed how the world can be a weird and horrible place, and how this young man who goes around torturing people and being a wicked person ultimately doesn't have to pay for what he does. And it's funny too. So this film brilliantly satirises this world, showcasing pure evil and people who ordinarily do not perform such evil are forced to laugh and observe what we all hate to admit is the truth. It's sick, but at the same time brilliant. And when one gets down to the core, you can't really explain it. It just is what it is. It's real. No one really sees it very often, but it is out there and everyone knows. And no one does anything about it. In essence, "A Clockwork Orange" is the ultimate satire, and one of the ultimate film experiences. It's art, it's life, and in a funky way, it's entertaining.

　　3 annie hall

　　Director:Woody Allen

　　Writers:Woody Allen (written by) and
　　Marshall Brickman (written by)

　　Release Date:20 April 1977 (USA) more
　　Genre:Comedy | Romance more

　　Woody Allen ... Alvy Singer

　　Diane Keaton ... Annie Hall
　　Tony Roberts ... Rob

　　Carol Kane ... Allison
　　Paul Simon ... Tony Lacey

　　Shelley Duvall ... Pam
　　Janet Margolin ... Robin
　　Colleen Dewhurst ... Mrs. Hall

　　Christopher Walken ... Duane Hall (as Christopher Wlaken)
　　Donald Symington ... Mr. Hall
　　Helen Ludlam ... Grammy Hall

　　Mordecai Lawner ... Mr. Singer

　　评论
　　Woody Allen's masterpiece will always be "Annie Hall." What is most remarkable today about this film is the way Allen presents it. It's a movie about a relationship. But rather than taking a linear approach, Allen plays with time. We see the middle, the begining, and the end. And not always in that order. Allen also breaks the fourth wall a lot and has many dream sequences and asides which add to the complexity of the characters. This is a highly autobiographical film and Allen pulls no punches. This movie is not about romance in the way that "Breakfast at Tiffany's" is. Rather, "Annie Hall" is a deconstruction of a romance. At times it is funny and heartbreaking and always classic. "Love fades," indeed.

　　4 bonnie and clyde
　　Arthur Penn

　　Writers:David Newman (written by) &
　　Robert Benton (written by)
　　more
　　Release Date:13 August 1967 (USA) more
　　Genre:Action | Biography | Crime | Drama | Romance more

　　Warren Beatty ... Clyde Barrow

　　Faye Dunaway ... Bonnie Parker

　　Michael J. Pollard ... C.W. Moss

　　Gene Hackman ... Buck Barrow
　　Estelle Parsons ... Blanche
　　Denver Pyle ... Frank Hamer
　　Dub Taylor ... Ivan Moss
　　Evans Evans ... Velma Davis

　　Gene Wilder ... Eugene Grizzard

　　评论
　　First of all, let me say that I'm appalled by the real life Bonnie and Clyde. They were two psychopathic thrill killers from Dallas who had a special hatred for law enforcement officers. I must admit that I do feel sorry for the way they were killed, but like the old axiom goes, "If you live by the sword, you die by the sword."

　　That said, the movie "Bonnie and Clyde" was a groundbreaking film. It was the first time that we the audience were allowed inside the killers minds, and could see what made them tick. This is perhaps the first film that takes a somewhat objective look at crime; we the audience don't have "FBI Seal of Approval" morality shoved down our throats, but we still can tell by the actions of the characters that they are evil, whether they know it or not.

　　The story is of two Texas young adults who, bored with their lives and the prospects of going nowhere in the world, decide to live out their dreams of stardom by going on a crime spree. They fancy themselves a sort of "Romeo and Juliet" couple, and think of their robberies as harmless fun. They start out small by knocking over grocery stores and gas stations, but soon graduate to banks when they need more money to accommodate their lifestyle. Soon they have a simple minded gas clerk named C.W. and Clyde's brother and wife in the gang, and the duo goes down into history.

　　Then the fun and games are over. With law enforcement officials now looking for Bonnie and Clyde, they become targets of bounty hunters, unethical cops and other greedy persons who wish to make a name for themselves, and they lose a part of their childish innocence as the escalation of their crimes makes them become more and more violent. When death finally comes for Bonnie and Clyde, it comes with a vengeance.

　　Warren Beatty and Faye Dunaway have never been better. Beatty, who plays Clyde Barrow as an impotent, ne'er do well country boy who seems to be sowing his wild oats, is in top form. He makes Clyde likable, with a goofy smile perpetually pasted on his face, even when sticking up a bank with two guns in his hands. Dunaway is the ultimate femme fatale as Bonnie Parker, a sweet natured Southern belle who likes the feel of a .38 in her hands as she politely asks for all the money. It's absurd, it's unrealistic, but hey, it's Hollywood. And the film works.

　　But most importantly, Bonnie and Clyde are in love. It's a kind of love that only few films afterward have been able to equal. There is a genuine feeling of giddy romance between the two no matter what the scene, be it a bank robbery or family get-together away from the reaches of society.

　　Arthur Penn was obviously a man on a mission when he directed this film. You could sense with every frame that he knew of the importance of this movie; a cinematic masterpiece that dares to make its audience evoke pathos for what would have been banned just a few years earlier.

　　The finale is still to this day a triumph of audience manipulation. The two bandits, finally captured and unable to escape, are dealt with in a fashion that will haunt you days after viewing. It's sad, it's disgusting, but it brings closure to the lives of two individuals whose works and existence could not be tolerated by the powers that be.

　　The movie "Bonnie and Clyde" inspired a generation of film makers to look at cinema in a different light. Actions movies were allowed to be funny from this point; funny movies could get away with violence. On the negative side, however, the film changed the morals of Hollywood by allowing murder to be dealt with in such a nonchalant fashion.

　　Sure, Claude is obviously shaken up after his first kill, as are Bonnie and C.W., but from that point on violence against law officials is no longer a problem. The police in this film are rather like the way gangsters used to be portrayed; a collection of stupid, soulless individuals who only want to ruin Bonnie and Clyde's fun.

　　In the end, this in an excellent film about Depression era gangsters. Most ironically, however, is that it seems dedicated to the two real life robbers who don't deserve such an honor of having a film legacy created in their names.

　　10 stars. Innovative, fresh, and hey, it helped pave the way for "Dillinger", my favorite movie in the robber-gangster genre

　　5 brief encounger

　　Director:David Lean

　　Writers:more
　　Release Date:24 August 1946 (USA) more
　　Genre:Romance | Drama more

　　Celia Johnson ... Laura Jesson
　　Trevor Howard ... Dr. Alec Harvey
　　Stanley Holloway ... Albert Godby
　　Joyce Carey ... Myrtle Bagot
　　Cyril Raymond ... Fred Jesson
　　Everley Gregg ... Dolly Messiter
　　Marjorie Mars ... Mary Norton
　　Margaret Barton ... Beryl Walters, Tea Room

　　评论
　　There's not a lot to say. Like many classics this film is simply constructed with all the elements in balance so that none stands out. Everything in it contributes something essential; the lighting, the unromantic railway station sets, the minor characters and of course the music, the ultra-romantic Rachmaninov Piano Concerto no 2. The emotional rollercoaster of the illicit affair has seldom been better portrayed. Perhaps it is a little understated for transatlantic tastes but no-one viewing this movie would not appreciate that the English can be as passionate as the rest of us.

　　Celia Johnson as Laura and Trevor Howard as Alec are perfect together. It being 1945, they do not get to bed – that would have ruined the audience's sympathy for them in those rather more censorious times. It's all in their minds but their faces give the game away – to each other and to the bystanders. Nothing happens to drag anyone near the awful divorce courts, but you are left wondering whether Celia will ever feel quite the same about her dull, comfortable, patronising and boring husband. As for Alec, he professes he will love her forever but then, he's a man.

　　Noel Coward produced this film from a short play of his from 1935 (the war and post-war shortages are absent), and his dulcet tones may be recognised in the railway station announcements. David Lean directed, and it is a remarkable collaboration. The action is opened out a little – a row on the lake, a drive in the country - but the scenes from the play set entirely in the railway refreshment rooms still remain the centre of the story. The parallel relationship between Albert the station guard (Stanley Holloway), and Myrtle the refreshment room attendant (Joyce Carey), is an interesting counterpoint to the angst-ridden middle class would-be adulterers. Surely Noel old boy you weren't suggesting that the working class handles this sort of thing better? We see things largely from Laura's point of view and perhaps Alec didn't feel quite so guilty, but their consciences are going to make them pay. A gem of a movie.

　　6 chariotes of fire

　　Hugh Hudson

　　Writer:Colin Welland (original screenplay)

　　Release Date:9 October 1981 (USA) more
　　Genre:Drama | History | Sport more
　　Nicholas Farrell ... Aubrey Montague
　　Nigel Havers ... Lord Andrew Lindsay
　　Ian Charleson ... Eric Liddell

　　Ben Cross ... Harold Abrahams

　　Daniel Gerroll ... Henry Stallard

　　Ian Holm ... Sam Mussabini

　　John Gielgud ... Master of Trinity (as Sir John Gielgud)
　　Lindsay Anderson ... Master of Caius
　　Nigel Davenport ... Lord Birkenhead
　　Cheryl Campbell ... Jennie Liddell
　　Alice Krige ... Sybil Gordon
　　Dennis Christopher ... Charles Paddock
　　评论
　　I watched this again last night. I had forgotten just how beautifully done it was - both a character study of two very different men and a gripping plot of their attempts to succeed - partly through athletics. the writer and director so well convey both Cambridge and the Edinburgh Presbyterian missionary disciples, in the early 1920s so very well.

　　The acting is superb - I had never seen a character presented like Eric Liddell in movies - how fine Ian Charleson was in this role, the softness of his voice, his ease and joy in running competitively (especially in contrast with the tense tortured Harold Abrahams). I also loved the more supporting roles - I've read a biography of F.E. Smith and Nigel Davenport is exactly how I would imagine him. The actor who played the Prince of Wales also seemed exactly right with his effortless charm, looks, and lack of imagination. Ian Holm, John Gielgud, Lindsay Anderson - all wonderful.

　　The actors weren't chosen for glamour either - Liddell and Abrahams are not Leni Riefenstahl images of athletic ideals, Liddell's sister is no beauty - and Abrahams' girlfriend is pretty but not stunning. It made them seem more real. (In nice contrast were the near-pretty boy looks of Nigel Havers as Lord Lindsay - it so suited his character).
　　he races are riveting - partly due to the music and sound effects.
　　So many small things are done so well - e.g., when Lord Lindsay has the confidence of his class to barge into a room containing the Prince of Wales, and three other lords (including Birkenhead and the head of the British Olympic Committee) and greets them by name - no need for introduction there (as there was for Liddell). It's small but seems quite real.
　　As an American, it was interesting and funny to see our Olympic team shown as the numerous, ominous, invulnerable "other"! (something like watching a Rocky movie with Rocky as the product of a Russian or East German success machine!). In fact, the one scene that seemed a bit off was the scene of the American track athletes warming up for the Games - all heavy music, machine like athletes, ferocious coach yelling with a megaphone into people's ears. It pounded too hard on the "these are the scary almighty inhuman opponents" theme in contrast to the cheerful British boys running along the beach.

　　Something I had forgotten about the movie was how stubborn BOTH protagonists are - Liddell fully as much as Abrahams. Liddell is not overly deferential or bashful when dealing with the Prince of Wales - but instead straightforward and very firm.
　　I truly can't understand anyone not liking this movie - it is very exciting even on the basic level of "will they win?" and so much more. (For example, Ian Holm's character's reaction to success after 30 years is very moving). Those who write to say that "Reds" deserved the Oscar more - are simply wrong. (Reds was so simplistic that it felt like watching the movie "The Hardy Boys Go to the Russian Revolution"). Those who say they cannot differentiate among the boys or between the Scottish and English accents - well, it sounds like some political statement to me.

　　Do watch it - it's very fine, very moving, very exciting.

　　字数太多，可去网站上自己查询

Answer 2

1、A Space Odyssey
The film is Kubrick spent four years time the production is full of philosophical proposition chapter of the Che-hung giant system. Blackstone set in a large prehistoric humans before, they had just begun to realize tools, access to the evolution of the milestone. Blackstone is also the same number in the universe, they stood on the moon, floating in space, with a mysterious implication.
Now is the time in 2001, Blackstone, in order to find the root causes of human conduct a Jupiter landing plan. The spacecraft has three hibernating astronauts, Captain David (Kaierdula played by Keir Dullea), Frank pilot (played by Kaili Luo Ke Wude Gary Lockwood), also called a "HAL9000" the highly intelligent computer . HAL in space flight in the course of disorder, so that Frank and three officers were killed hibernation, and the remaining Perlman this computer operations.
Online back from the dead David Yiqizhixia switch off the mastermind of the system, HAL complete failure. Now, the vast universe, only one David to the towards Jupiter. Gui vary across the spectacular Star Gate, David seemed to go to a strange time and space, where human endless cycle of life and death and the ultimate knowledge of the universe……

2 a clockwork orange

Arliss (Malcolm McDowell • Seoul) is an evil of the juvenile, his special preference while listening to Beethoven's Symphony-raped women, a time he entered a villa after a robbery, a remnant of the The owner of the villa - a novelist, and the use of special preferences ravaged his wife. Later, as a single woman was killed, Arliss imprisonment and accept a special personality treatment after release, he Yinyue things have thoroughly fed up.
But when Arliss returned home, the crowd around him did not change the old view, in all kinds of discrimination under the weight, he went to a suburban villa to Chuankou Qi, the villa is not that he had been robbed of novelist By that. As a leader of the anti-government organization of the novelist to achieve a certain purpose, under house arrest Arliss. When this matter was arrested when exposed novelist, his order to confront the government, and threatened to Arliss restore the original character, completely ignoring the side of Arliss shouting "I fully well."

3 annie hall
Dramatist Avian • Singh (• Woody Allen Woody Allen played) is such a person: mind their very Jewish origin since a childhood that shadow, saw psychologists Meixian 16 years has been better pay See; a bit of Ah Q spirit, but life is full of negative; like to have been speaking silly joke. It is precisely because of their nervous nature, Ivey has experienced two failed marriages.
Ivey met Annie (Diane - played by Diane Keaton-Dayton) - have been dreaming of becoming a singer of the girls, the two gradually falling in love. Anne Ivey with the help of the singing skills rapidly improved, but her parents opposed her and Avian between.
Anne has been music to the attention of Tony, was invited to Hollywood recorded, Ivey went to Hollywood to follow Anne marry him.

4 bonnie and clyde

The film is about a young man armed bank robbery and eventually died in the police and Luanqiang under the love story between them. It is based on the 1930s two of the robbers Bangnipake palpitation and clyde adaptation of the life. 1967 products, the director is Esepeien. The re-definition of a gangster film that has redefined the road of love and youth. Bangni and Clyde is not the main purpose for the money, the film is like inside of them for robbery and robbery, and their survival on the significance of such an act in itself. "They are young, they fall in love, they kill" is the theme of the movie.

5 brief encounger
Two High Court judges by the killer of murder, Faculty of Law of Ireland is over (• Julia Roberts, Julia Roberts played) then began investigating the case, the drafting of a case report, entitled "Tange report." Than to find a reporter's Grand (Denzel Washington • Denzel Washington played), because he is the last one to see one of the judges, he hopes to get the help investigate the case. Grand day who received a mysterious caller, who claimed to know who the perpetrators is the case, Grand track to this person, but he can not stopped.
At this point, the president secretly ordered not to intervene in the case related. Grand This Qiyi, and then to investigate the president and Markov groups close, but all evidence indicated that Markov and the death of two judges is inextricably linked to the relationship!

6 chariotes of fire
Story occurred in 1919. British Guizu Hua Institute of the University of Cambridge Kai Asi an examination into the Jewish students of Abraham. The young people by the bitterness of racial prejudice, bent on winning a gold medal in the Olympic 100-meter race the first Jews, in order to fight against racial prejudice, winning glory for our compatriots. Highland has a determination to win the gold medal in the Olympic 100-meter youth Li Deer. His father is the missionaries, I was a devout followers. He believes that athletes should have the strength of the will and dedication, and this is consistent with the teachings of Christ, since heaven-sent him a pair of quick legs, he is to win glory for God. 1920, Scotland and France track and field competition, Li Deer representatives to participate in Scotland. While highly competitive, Li Deer suddenly fell, but not discouraged, to catch up, finally reached the end of the first. Abraham, on the witness stand in this game will create a miracle, very excited. He earnestly request Musabini Italian coach guiding his practice. Musabini not agreed to. 1923, the National Games held in London, Li Deer and Abraham meet on the runway. Li Deer won two yards behind Abraham. His girlfriend, opera actor Xi Bier will be able to comfort his next over Li Deer, but Abraham said bitterly, his speed seems to have reached the limit, can no longer be increased. Italy coach to see the presence of the losers in this there is a desire on the spirit of hard work, decided to help him a hand, they said to him: "That two yards package to me! Musabini Abraham coach for the weakness of insufficient training, guidance He moves from the basic system to start training. Abraham gradually lost confidence in the restoration of confidence. 1924, 8 Olympic Games to be held in Paris. He then moves leave the British team, Li Deer will know in the 100-meter preliminaries will be held Sunday. By Christian, Sunday is the Sabbath, not to work. He considered again, the final decision to comply with doctrine, out of the race. States athletes gathered in Paris. British Prince Prince of Wales in Paris supervise operations. But the most wins in the hope that Lee's 100 meters Bechtel has abandoned the provisional competition, a team sincerely ask him for the honor of King participate in the competition. Li Deer only replied: "The state, and the king are all God created. "The two sides are at stalemate, the British team's 400 meters Lindsay Lord take the initiative themselves to participate in 400 meters competition the right to give the Li Deer, because the game is not on the Sabbath. Li Deer in the shortest possible time endurance training hard . Competitions, Li Deer not only won the 400 meters champion, but also broke the world record of the item. Audience cheered him, Bata Tai companions in the shoulder. Li Deer Hold hands raised high, to selflessly Chengquan His pay tribute to Lord Lindsay. Participate in the sprint Abraham Although not encountered Li Deer, but run forand his opponents are all famous American sprint. But at this time Abraham has been realized, not the obstacles in front of opponents, but their lack of confidence . He has overcome the psychological barriers and confident to participate in the 100-meter finals, finally won the championship.

7 chinatown
40 era of Los Angeles Chinatown, police officers Jack (Jack Nicholson • played by Jack Nicholson) here because of dissatisfaction with the dark, when the resignation from the private detective. That day, a woman claiming to Mola Lei wife to investigate her husband's extramarital affairs Jack, Jack gladly accepted. Jack found Mola Lei is the original chief engineer of the local water conservancy, is for the construction of dams and the local farmers dispute. It was subsequently proved to the Jack Mola Lei Touqing some of the photos, the next day, the real Mola Lei morning to find his wife has come to ask Jack to stop investigating Mola Lei.
Things become more and more blur, Jack determined to trace it. Unexpectedly soon, Mola Lei died at the home of the pond! Local police believe he died of suicide, the smart thing Jack feeling more and more simple. Through investigation, he found that the ground is very powerful rich Nora (John played by John Huston • Houston) and the original earlier Mola Lei shared reservoir of local ownership, Mola Lei also due to stand and water to the people and Connaught Pull a falling out, and even Mola Lei is the daughter of Nora!

Answer 3

在IMDb上的确实可以找到很多齐全的资料，但上面的剧情简介真的是不可恭维。我建议在www.wikipedia.org搜索，弹出来的东西会急你所需！2001: A Space Odyssey 必须输入完整。

Answer 4

这是全球最大的电影库网站 把这些打进去就直接出来了啊 不需要什么搜索的

看的条理都清楚一点

www.imdb.com