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ThehistoryofresponsestotheworkoftheartistSandroBotticelli(1444-1510)suggeststhatwides...
The history of responses to the work of the artist Sandro Botticelli(1444-1510)suggests that widespread appreciation by critcs is a relatively recent phenomenon.ur
Even when anti-academic are historians of the early nineteenth century rejected many of the standards of evaluation adopted by their predecessors,Botticelli's work remained outside of accepted taste.pleasing neither amateur observers nor connoisseurs.(Many of his best painting,however,remained hidden away in obscure churches and private homes.) 展开
Even when anti-academic are historians of the early nineteenth century rejected many of the standards of evaluation adopted by their predecessors,Botticelli's work remained outside of accepted taste.pleasing neither amateur observers nor connoisseurs.(Many of his best painting,however,remained hidden away in obscure churches and private homes.) 展开
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画家波提切利(1444年至1510年)的作品所受到的反响表明,由于批判家而得到广泛认可是一个相当新的现象.尽管反学术家者是十九世纪早期拒绝了许多他们的前辈所采用的评价标准历史先锋,波提切利的作品仍旧不被大众审美接受。既不能取悦业余观测者,也不能取悦鉴赏家。(然而,他许多顶级画作仍然隐藏在不起眼的教堂和私人住宅里。)
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The history
历史(历史事实的意思,翻译时省略,主语)
of responses to the work of the artist Sandro Botticelli(1444-1510)suggests(表明,谓语) that widespread appreciation by critics is a relatively recent phenomenon.(谓语后是宾语从句)
Even when anti-academic(主句主语) are(主句谓语) historians(主句宾语,从句主语) of the early nineteenth century rejected(从句谓语) many of the standards(从句宾语) of evaluation adopted by their predecessors,Botticelli's work(主语) remained(谓语) outside of accepted taste(表语),pleasing(并列谓语) neither amateur observers nor connoisseurs.(Many of his best painting(主语),however,remained(谓语) hidden away(表语) in obscure churches and private homes(表语补足语).)
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艺术家桑德罗·波提且利的作品引起反响的过程表明,他的作品直到近期才为评论家们广为接受。甚至在19世纪早期,他的作品也未获得反学术家们的认可,这些反学术家是一些当时已放弃沿用先贤审美标准的历史学家。那时桑德罗·波提且利的作品既迎合不了业余观赏者的口味儿,也不符合鉴赏家的审美标准。(于是,他的许多拔尖之作都在教堂和私人住宅里默默无闻地销声匿迹了。)你看看你的原句抄写错了没有,even when 后面有一些地方有错误。
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2013-08-29
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史上对于大艺术家桑德罗.波提切利(1444-1510)作品的回应说明一点,赢得评论家们广泛的关注只是近来的现象。即便是十九世纪早期的反学术艺术家们也否定了前辈们设置的许多改革标准。波提切利的作品依旧游离在时代品味之外,既不受业余观察者的喜爱也不受行家的青睐。(然而他的许多油画精品依然保存在鲜为人知的教堂和私宅里。)
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