跪求大神帮帮忙把下面这段话翻译成英文
《Valse》华尔兹快结婚的男主人公亚历山大（文森特·佩雷兹饰演），遇到了活泼开放，崇尚个性的女主人公舞蹈演员芳芳（苏菲·玛索饰演），无可救药地坠入情网。一向以来，亚历山...
《Valse》华尔兹
快结婚的男主人公亚历山大（文森特·佩雷兹饰演），遇到了活泼开放，崇尚个性的女主人公舞蹈演员芳芳（苏菲·玛索饰演），无可救药地坠入情网。一向以来，亚历山大都是生活在止水中，他未曾尝过爱情的惊涛骇浪。而童年时母亲留给他的阴影使长大的亚历山大，固执地认为有性的爱情不会长久，所以他下了一个决定，他要永远追求芳芳，却永不涉及情欲。亚历山大用法国式的浪漫，带领着芳芳在爱情的海洋中徜徉，在他们第一次烛光晚餐之后，亚历山大带领着芳芳，来到了一个模拟十八世纪维也纳的摄影棚，他们在那里梦回十九世纪，梦回维也纳，伴随着维也纳华尔兹的激情，亚历山大和芳芳开始了激情洋溢的华尔兹舞步。
作曲家尼古拉斯·乔里在这里运用了十九世纪的华尔兹圆舞曲，以配合影片情节。这首华尔兹采用ABABC曲式，音乐开始的前三十秒是一段以不协和和弦构筑的和声，并且带有交响乐的特点，音乐激情澎湃，一下子就把观众带回了十九世纪。不协和的小提琴和声制造了令人亢奋的乐思，让人产生了一种难以割舍的感情，而鼓的加入很好的加强了这种感情，这样的音乐正好配合着亚历山大和芳芳此时热烈的舞步。在这段激昂的乐思过后，芳芳突发奇想，与亚历山大来了一段即兴表演，亚历山大扮作一位国王，芳芳扮作一位被恋人抛弃的公主，二人相识相爱了；而这时作曲家尼古拉斯及时地转换了和声，以相对协和的和声，对前面产生的激情乐思作以平衡，这段协和的和声，音色柔美，舒缓，象征着甜蜜和幸福。在协和和声进行了大约四十秒左右后，音乐再次进入不协和和声，重复了音乐开头的A段，以作强调，而后，音乐再次回归到协和，并做了一些变奏处理。但是随着他们所饰演人物突然遇到了危险，和声转换，回到不协和，小提琴又制造了紧张和激烈的氛围；这样音乐与情节得到了很好的符合。
《Le Theme Du Piano 》钢琴主题曲
芳芳知道了亚历山大的决定后，万分苦恼，因为她也深深爱上了亚历山大，二人就像影片开头序幕的剪影所预示的那样，你来我往，若即若离，彼此伤害，却深爱着对方，最后芳芳知道了亚历山大的童年阴影，二人隔着一面玻璃墙，开始了心灵的交融，而此时导演也让影片的主题曲响起，音乐没有繁复的和弦，只是简约的大提琴和钢琴合奏，而这次是钢琴的主旋律，钢琴重奏了影片开头二人在一起时，电影所配的亚历山大和芳芳的大提琴主题曲。而这也似乎暗示了电影将圆满结局的情节，正如钢琴曲中所透露的感情，伤感，但却不失温暖。
最后芳芳帮助亚历山大走出了童年的阴影，打破了隔开二人的那扇玻璃墙，而此时亚历山大也终于勇敢地跨过了隔着二人象征着他们之间障碍的玻璃墙，将芳芳拥入怀中。
亚力山大是冷静沉默的，而芳芳是活泼多变的。像活在两个世界。其实芳芳和亚力山大有着很多相似之处：同样不可救药的浪漫，同样富有不羁的想象力，同样憧憬着爱情。只是，前者出于少女的自尊心，后者由于挥之不去的童年阴影，向往爱情又惧怕爱情，在患得患失之间，爱若即若离。当亚力终于打破那面单向镜，拥芳芳入怀后，我们不禁为之菀尔。 展开
快结婚的男主人公亚历山大（文森特·佩雷兹饰演），遇到了活泼开放，崇尚个性的女主人公舞蹈演员芳芳（苏菲·玛索饰演），无可救药地坠入情网。一向以来，亚历山大都是生活在止水中，他未曾尝过爱情的惊涛骇浪。而童年时母亲留给他的阴影使长大的亚历山大，固执地认为有性的爱情不会长久，所以他下了一个决定，他要永远追求芳芳，却永不涉及情欲。亚历山大用法国式的浪漫，带领着芳芳在爱情的海洋中徜徉，在他们第一次烛光晚餐之后，亚历山大带领着芳芳，来到了一个模拟十八世纪维也纳的摄影棚，他们在那里梦回十九世纪，梦回维也纳，伴随着维也纳华尔兹的激情，亚历山大和芳芳开始了激情洋溢的华尔兹舞步。
作曲家尼古拉斯·乔里在这里运用了十九世纪的华尔兹圆舞曲，以配合影片情节。这首华尔兹采用ABABC曲式，音乐开始的前三十秒是一段以不协和和弦构筑的和声，并且带有交响乐的特点，音乐激情澎湃，一下子就把观众带回了十九世纪。不协和的小提琴和声制造了令人亢奋的乐思，让人产生了一种难以割舍的感情，而鼓的加入很好的加强了这种感情，这样的音乐正好配合着亚历山大和芳芳此时热烈的舞步。在这段激昂的乐思过后，芳芳突发奇想，与亚历山大来了一段即兴表演，亚历山大扮作一位国王，芳芳扮作一位被恋人抛弃的公主，二人相识相爱了；而这时作曲家尼古拉斯及时地转换了和声，以相对协和的和声，对前面产生的激情乐思作以平衡，这段协和的和声，音色柔美，舒缓，象征着甜蜜和幸福。在协和和声进行了大约四十秒左右后，音乐再次进入不协和和声，重复了音乐开头的A段，以作强调，而后，音乐再次回归到协和，并做了一些变奏处理。但是随着他们所饰演人物突然遇到了危险，和声转换，回到不协和，小提琴又制造了紧张和激烈的氛围；这样音乐与情节得到了很好的符合。
《Le Theme Du Piano 》钢琴主题曲
芳芳知道了亚历山大的决定后，万分苦恼，因为她也深深爱上了亚历山大，二人就像影片开头序幕的剪影所预示的那样，你来我往，若即若离，彼此伤害，却深爱着对方，最后芳芳知道了亚历山大的童年阴影，二人隔着一面玻璃墙，开始了心灵的交融，而此时导演也让影片的主题曲响起，音乐没有繁复的和弦，只是简约的大提琴和钢琴合奏，而这次是钢琴的主旋律，钢琴重奏了影片开头二人在一起时，电影所配的亚历山大和芳芳的大提琴主题曲。而这也似乎暗示了电影将圆满结局的情节，正如钢琴曲中所透露的感情，伤感，但却不失温暖。
最后芳芳帮助亚历山大走出了童年的阴影，打破了隔开二人的那扇玻璃墙，而此时亚历山大也终于勇敢地跨过了隔着二人象征着他们之间障碍的玻璃墙，将芳芳拥入怀中。
亚力山大是冷静沉默的，而芳芳是活泼多变的。像活在两个世界。其实芳芳和亚力山大有着很多相似之处：同样不可救药的浪漫，同样富有不羁的想象力，同样憧憬着爱情。只是，前者出于少女的自尊心，后者由于挥之不去的童年阴影，向往爱情又惧怕爱情，在患得患失之间，爱若即若离。当亚力终于打破那面单向镜，拥芳芳入怀后，我们不禁为之菀尔。 展开
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"The Valse" waltz
Quick get married the hero Alexander (Vincent perez), met a lively open, advocating personality heroine dancer fangfang (Sophie Marceau), hopelessly in love. Since always, Alexander is life in the water, he has not tasted the waves of love. Mother and childhood to his shadow grew up to Alexander, stubbornly believe that sexual love is not long, so he is under a decision, he always pursue fangfang, lust is always involved. Alexander by French romantic, led fangfang roam in the ocean of love, after the first time they had dinner by candlelight, Alexander led fangfang, came to a ? simulation in the eighteenth century Vienna
Composer Nicholas Joe here in 19th century waltzes, to match the movie plot. This first waltz adopts ABABC melody, music began to 30 seconds before they are a dissonant chords to build harmony, and with the characteristics of the symphony music passion, suddenly the audience back to the 19th century. Dissonant violin harmonic produced vehicle's hyperactive, let a person produce a hard feelings, give up the drum to join good strengthened this kind of feeling, like music coincide with Alexander and fangfang passionate dance at this time. After an idea for a passionate, fangfang a whim, and Alexander came a period of improvisation, Alexander as a king, fangfang disguised as a lover
Le Theme Du Piano Piano Theme song
Fangfang know after Alexander's decision, very upset, because she is deeply in love with Alexander, they like the silhouette of prelude to indicate the beginning of the film, you come to me to, compromise, hurt each other, but love each other deeply, finally know fangfang, Alexander's childhood, separated by a glass wall, started the blend of mind, while the director also let the movie theme song rings, the chord of music not heavy and complicated, just contracted the cello and piano ensembles, and this is the main melody of the piano, piano doubled the beginning two people together, the film with Alexander and fangfang cello theme song. And it seems to imply that the plot of the film will be happy endings, ? as steel
Finally fangfang help Alexander out of the shadow of childhood, broke off the glass door of two people, at a time when Alexander also finally cross over the barriers between two people is a symbol of their walls of glass, hold fangfang in the bosom.
Alexander is calm silence while fangfang are diverse and lively. Like to live in two worlds. In fact fangfang and Alexander has many similarities: the same hopeless romantic, equally rich imagination, also look forward to love. Only, the former for girl's self-esteem, the latter due to the lingering childhood, yearning for love and fear, love between roll, love is compromise. When Alexander finally broke the surface of a one-way mirror, held fangfang in my arms, we can't help but to Wan ?
The hope can help you
Quick get married the hero Alexander (Vincent perez), met a lively open, advocating personality heroine dancer fangfang (Sophie Marceau), hopelessly in love. Since always, Alexander is life in the water, he has not tasted the waves of love. Mother and childhood to his shadow grew up to Alexander, stubbornly believe that sexual love is not long, so he is under a decision, he always pursue fangfang, lust is always involved. Alexander by French romantic, led fangfang roam in the ocean of love, after the first time they had dinner by candlelight, Alexander led fangfang, came to a ? simulation in the eighteenth century Vienna
Composer Nicholas Joe here in 19th century waltzes, to match the movie plot. This first waltz adopts ABABC melody, music began to 30 seconds before they are a dissonant chords to build harmony, and with the characteristics of the symphony music passion, suddenly the audience back to the 19th century. Dissonant violin harmonic produced vehicle's hyperactive, let a person produce a hard feelings, give up the drum to join good strengthened this kind of feeling, like music coincide with Alexander and fangfang passionate dance at this time. After an idea for a passionate, fangfang a whim, and Alexander came a period of improvisation, Alexander as a king, fangfang disguised as a lover
Le Theme Du Piano Piano Theme song
Fangfang know after Alexander's decision, very upset, because she is deeply in love with Alexander, they like the silhouette of prelude to indicate the beginning of the film, you come to me to, compromise, hurt each other, but love each other deeply, finally know fangfang, Alexander's childhood, separated by a glass wall, started the blend of mind, while the director also let the movie theme song rings, the chord of music not heavy and complicated, just contracted the cello and piano ensembles, and this is the main melody of the piano, piano doubled the beginning two people together, the film with Alexander and fangfang cello theme song. And it seems to imply that the plot of the film will be happy endings, ? as steel
Finally fangfang help Alexander out of the shadow of childhood, broke off the glass door of two people, at a time when Alexander also finally cross over the barriers between two people is a symbol of their walls of glass, hold fangfang in the bosom.
Alexander is calm silence while fangfang are diverse and lively. Like to live in two worlds. In fact fangfang and Alexander has many similarities: the same hopeless romantic, equally rich imagination, also look forward to love. Only, the former for girl's self-esteem, the latter due to the lingering childhood, yearning for love and fear, love between roll, love is compromise. When Alexander finally broke the surface of a one-way mirror, held fangfang in my arms, we can't help but to Wan ?
The hope can help you
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