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FacialExpressionandArtistsFacialexpressionhasattractedtheattentionofartistsforalongti...
Facial Expression and Artists
Facial expression has attracted the attention of artists for a long time. Leon Battista Alberti(阿尔伯蒂) wrote in on painting(1435), his famous handbook for artists, that a painting “will move the soul of the beholder when each man painted there clearly shows the movements of his own soul... we weep with the weeping, laugh with the laughing, and grieve with the grieving.” He advised artists to study carefully the facial expressions, saying,“who would ever believe who has not tried it how difficult it is to attempt to paint a laughing face, only to have it elude you so you make it more weeping than happy?”
Alberti’s comment nicely summarizes the two most important facts about the relationship between art and expression:(1)facial expression can have a decisive impact on the effect of a picture；(2)depicting precisely the effect you want can be very difficult. These facts are related in two days. Firstly, it is a short step from recognizing the facial expressions to actually drawing them. Secondly, since depictions of expressions can be so powerful and subtle, they can, by themselves, make or break a picture.
There are many stories about artists struggling to perfect a particular laugh or grimace. Leonardo Da Vinci （达芬奇）is said to have worded for years on the smile of his Mona Lisa. He employed some jugglers, musicians, and clowns to evoke that certain smile from his subject. While working in his sculpture Martydom of Saint Lawerence, Bernini （贝尔尼尼）is reported to have burned his own leg with a candle in order to study the expression of pain. 展开
Facial expression has attracted the attention of artists for a long time. Leon Battista Alberti(阿尔伯蒂) wrote in on painting(1435), his famous handbook for artists, that a painting “will move the soul of the beholder when each man painted there clearly shows the movements of his own soul... we weep with the weeping, laugh with the laughing, and grieve with the grieving.” He advised artists to study carefully the facial expressions, saying,“who would ever believe who has not tried it how difficult it is to attempt to paint a laughing face, only to have it elude you so you make it more weeping than happy?”
Alberti’s comment nicely summarizes the two most important facts about the relationship between art and expression:(1)facial expression can have a decisive impact on the effect of a picture；(2)depicting precisely the effect you want can be very difficult. These facts are related in two days. Firstly, it is a short step from recognizing the facial expressions to actually drawing them. Secondly, since depictions of expressions can be so powerful and subtle, they can, by themselves, make or break a picture.
There are many stories about artists struggling to perfect a particular laugh or grimace. Leonardo Da Vinci （达芬奇）is said to have worded for years on the smile of his Mona Lisa. He employed some jugglers, musicians, and clowns to evoke that certain smile from his subject. While working in his sculpture Martydom of Saint Lawerence, Bernini （贝尔尼尼）is reported to have burned his own leg with a candle in order to study the expression of pain. 展开
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面部表情和艺术家
面部表情，长期以来一直受到艺术家们的关注。列昂Battista Alberti（阿尔伯蒂）写在画（1435），他的著名绘画艺术家手册，即“将者的灵魂，当每个人有画清楚地表明自己的内心活动…我们哭的哭，笑与笑，伤心与悲痛。”他建议艺术家仔细研究的表情，说，“谁会相信谁没有尝试尝试画笑脸是多么困难的事，不仅有逃避你，所以你要哭泣高兴？“
作者的评论很好地总结了关于艺术和表达之间的关系最重要的两个事实：（1）面部表情可以对图像的效果产生决定性的影响；（2）描绘的正是你想要的效果可以是非常困难的。这些事实是在两天有关。首先，它是从面部表情识别真正吸引他们一步。其次，由于描写的表达可以如此强大而微妙的，他们可以，自己，使或打破一个图片。
有许多关于艺术家努力完善某一笑或鬼脸的故事。列奥纳多达芬奇曾在年对他的蒙娜丽莎的微笑。他雇用了一些艺人，音乐家，和小丑来唤起某些微笑从他的主题。而在他的雕塑martydom圣Lawerence工作，贝尔尼尼报告了自己的腿，一根蜡烛研究疼痛的表达。
面部表情，长期以来一直受到艺术家们的关注。列昂Battista Alberti（阿尔伯蒂）写在画（1435），他的著名绘画艺术家手册，即“将者的灵魂，当每个人有画清楚地表明自己的内心活动…我们哭的哭，笑与笑，伤心与悲痛。”他建议艺术家仔细研究的表情，说，“谁会相信谁没有尝试尝试画笑脸是多么困难的事，不仅有逃避你，所以你要哭泣高兴？“
作者的评论很好地总结了关于艺术和表达之间的关系最重要的两个事实：（1）面部表情可以对图像的效果产生决定性的影响；（2）描绘的正是你想要的效果可以是非常困难的。这些事实是在两天有关。首先，它是从面部表情识别真正吸引他们一步。其次，由于描写的表达可以如此强大而微妙的，他们可以，自己，使或打破一个图片。
有许多关于艺术家努力完善某一笑或鬼脸的故事。列奥纳多达芬奇曾在年对他的蒙娜丽莎的微笑。他雇用了一些艺人，音乐家，和小丑来唤起某些微笑从他的主题。而在他的雕塑martydom圣Lawerence工作，贝尔尼尼报告了自己的腿，一根蜡烛研究疼痛的表达。
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