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从工艺制作上来看,近代传统女上装图案可以说是一个从繁复、奢华、古板到简约、朴素、灵活的发展方向的过程。制作工艺从手工缝制逐渐过渡为机器缝制,传统镶、滚、绣等手工装饰工艺的...
从工艺制作上来看,近代传统女上装图案可以说是一个从繁复、奢华、古板到简约、朴素、灵活的发展方向的过程。制作工艺从手工缝制逐渐过渡为机器缝制,传统镶、滚、绣等手工装饰工艺的运用逐渐趋于简洁。
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End of Qing Dynasty Women, "re-decoration, light body" concept, with the formation of several thousand years of China's clothing aesthetic trend line will be clothes itself as an independent arts and crafts to enjoy. Applications in the pictorial history has inherited the traditional concept of aesthetic ideas and decorations. By the psychological structure of traditional culture implicitly, moderation thinking of the impact of the late Qing Dynasty Women attached particular importance to design decorative, rather than the body's shape. Especially in the succession of the Song and Ming dynasties decorative patterns on the basis of the Late Qing Dynasty decorative ornamentation reached the ultimate. Fashion design using symbolic expression method, Forna Chi-cheung, drive evil evil ideas, concepts, and through the homophony, Ideographic, metonymy, metaphor and other methods implicitly turns into a pattern applied to clothing, the icing on the cake to make clothing.
For example, the late Qing Dynasty costumes similar pattern emerged in many Western contemporary neo-classical features, manifested in the traditional style of combining style with the times, as well as unique clothing personality and unity of the diversity of cultural elements. For example, the performance of apparel and more rough, straight characteristics, and in the decorative fabric design details, as far as possible the performance of the song back, fine, so as to achieve the effect of human kindness.
End of Qing Dynasty Women in decoration design, color and composition are becoming more sophisticated, beautiful and complex, forming a specific decorative language. At the same time in the late Qing Dynasty, Manchu, Han two ladies patterns generated in the style of mutual integration of the United States, this article on the above issues have been studied and discussed.
For example, the late Qing Dynasty costumes similar pattern emerged in many Western contemporary neo-classical features, manifested in the traditional style of combining style with the times, as well as unique clothing personality and unity of the diversity of cultural elements. For example, the performance of apparel and more rough, straight characteristics, and in the decorative fabric design details, as far as possible the performance of the song back, fine, so as to achieve the effect of human kindness.
End of Qing Dynasty Women in decoration design, color and composition are becoming more sophisticated, beautiful and complex, forming a specific decorative language. At the same time in the late Qing Dynasty, Manchu, Han two ladies patterns generated in the style of mutual integration of the United States, this article on the above issues have been studied and discussed.
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Costumes change to reflect a change of time, as in modern times, one of the most important traditional costumes Ladie's Wear in this century in the process of evolution, of which clothing is a pattern worthy of in-depth examination. Over the years, many scholars studied modern Ladie's Wear, Ladie's Wear patterns, however, less research data, most of the work focused on historical documents or photos of the research, specifically on the kind of specific its own analysis of more than direct observation. In this paper, a number of museums, as well as some private collections of Modern traditional Ladie's Wear (272 total) to carry out detailed studies to explore the modern
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