Question

翻译，急求，拜托，翻译的好我会追加50分，非常感谢

从叙述结构论《摩尔•弗兰德斯》对资本主义个体价值的肯定
（一）分析18 世纪英国小说家丹尼尔•笛福的小说《摩尔•弗兰德斯》的叙事结构,阐述摩尔•弗兰德斯这一女性人物终生追求金钱实质上是对资本主义个体价值的肯定。因此,摩尔•弗兰德斯代表着新兴的资产阶级力量;她向整个法律和道德社会的冲击是对当时仍占主导地位的文化力量的否定。
18 世纪英国小说家丹尼尔•笛福的小说《摩尔•弗兰德斯》是他所创作的小说中堪与《鲁滨逊漂流记》相比的一部力作。如果说《鲁滨逊漂流记》表现了在资本原始积累时期处于上升阶段的资产阶级积极进取的精神,摩尔•弗兰德斯这一女性形象则从另一角度深化了笛福对资本主义个体价值的肯定。
(二)弗吉尼亚•伍尔芙在《普通读者》中称“《摩尔•弗兰德斯》和《罗克莎娜》属于伟大的英国小说中为数不多的、具有永恒魅力的杰作”[1 ] 。伊恩•瓦特在《小说的兴起》中评价道:“人们普遍认为《摩尔•弗兰德斯》代表着笛福小说创作的成就……它是探究笛福小说创作技巧、确定他在小说传统中地位的最佳作品。”[2 ] (P105) 继伊恩•瓦特之后,女性批评家麦德琳•康恩在论述18 世纪英国小说中的小说修辞和性别时进一步指出:“瓦特批评摩尔缺少女人味。她当然不单纯是个女人:她是一位男性作家使用的叙述技巧,她身上体现出的非女性气质的重要性不在于它们毁掉了女性叙述者的幻想,而是因此更引人注目。”[3 ] (P9) 伍尔芙和康恩都试图从女性批评视角给《摩尔•弗兰德斯》注入新意。康恩进一步将小说叙事分析与隐含的女性话语这一批评意识形态结合起来,既给叙述学的纯形式分析注入了生机,又探讨了男性叙述权威与小说文本中摩尔•弗兰德斯女性叙述声音间的张力。本节则立足于对《摩尔•弗兰德斯》叙述结构的分析来探讨作品中对资本主义个体价值的肯定。
首先从托多罗夫的叙事学理论来分析，托多罗夫的叙事结构分析类似于语言学的句法分析。他认为文本最基本的结构单位包括:人物、人物的行动和人物的属性。人物的行动相当于一个句子的谓项,而人物的属性则是指人物所处的某种状态或某个限定性因素。人物与某个行动或属性结合在一起形成一个叙事命题(proposition) 。一系列命题自成一体,构成一个叙事序列(故事) 。因此,一个叙事序列(sequence) 最基本的单位包括: (1) 属性; (2) 行动;(3) 属性。一个结构复杂的故事由许多叙事序列构成。
不要网上翻译软件翻译的东西，那个翻译的都不好

Answer 1

我绞尽脑汁翻译了前一段，给不给分你随便吧~
你这文章都没有主语，又都是专业术语，很难翻啊，为什么你不自己写啊，好懒~

From narrative structure, to see how Moll Flanders agrees with the individual value of capitalism.
(1) When we analyze the narrative structure of novel Moll Flanders, which was written by the 18th century British writer Daniel Defoe, we can see that the quest of money in Moll Flanders’s entire life, the main female main character in this novel, is substantially the affirmation of individual value of capitalism. The novel Moll Flanders, which was written by the 18th century British writer Daniel Defoe, is the work that can be mentioned with Robinson Crusoe at the same time among all his work.
If we say that Robinson Crusoe shows us the enterprising spirit of bourgeoisie at the Primitive accumulation of capital during the rising phase, we should say that the description of the female character Moll Flanders deepens the affirmation of the individual values of capitalism in Defoe’s opinion on the other side.

Answer 2

From the narrative structure of "Moore • Flanders" of capitalism, an affirmation of individual value
(1) Analysis of the 18th century English novelist Daniel Defoe's novel • "Moore • Flanders," the narrative structure, the Moore • Flanders the female characters are essentially life-long pursuit of money the individual value of capitalism sure. Therefore, Moore • Flanders represents the strength of the emerging bourgeoisie; her to the entire legal and moral impact on society at that time are still dominated by the negative cultural forces.
18th century English novelist Daniel Defoe's novel • "Moore • Flanders" is a creation of his novels worthy and "Robinson Crusoe" a masterpiece in comparison. If we say that "Robinson Crusoe" performance in the primitive accumulation of capital during the rise phase of the bourgeoisie in the entrepreneurial spirit of Moore • Flanders the female image from another perspective, the deepening of capitalism Defoe individual affirmation of the value.
(B) • Virginia Woolf in the "general reader" that "" Moore • Flanders "and"罗克莎娜"great English novels belong to one of the few, with the eternal charm of the masterpiece" [1]. • Ian Watt in "The Rise of the novel" in the comments: "People generally think," Moore • Flanders, "Defoe novels represent the achievements of ... ... it is Defoe novels explore techniques to identify him in the novel tradition the status of the best works. "[2] (P105), following after Ian Watt • female critics Madeline • Conn in the 18th century English novel discusses the novel rhetoric and gender, further pointed out:" Watt criticized Moore the lack of feminine. she of course is not simply a woman: she was a male writer to use the narrative techniques, her non-reflecting the importance of femininity do not is that they destroy the illusion of a female narrator, but it represents a more eye-catching. "[3] (P9) Woolf and Conn have tried to criticize from the female perspective to the" Moore • Flanders "inject new ideas. Conn further narrative analysis and the implied criticism of the ideological discourse of women to combine both to the study of pure forms of narrative analysis of injected fresh vigor, but also explored the male narrative authority and the novel version of Moore • Flanders female the tension between narrative voices. This section is based on "Moore • Flanders," the analysis of narrative structure to explore the works of capitalism, an affirmation of individual value.
First, from Todorov's narrative theory to analyze the study, Todorov's narrative structure similar to the linguistic analysis of syntactic analysis. He believes that the text of the most basic structural units include: characters, action figures and characters of property. Action figure is equivalent to a sentence that, while the figure refers to the property in which a certain state of character or a limiting factor. People with an action or combination of property to form a narrative proposition (proposition). Self-contained series of propositions to form a narrative sequence (the story). Thus, a narrative sequence (sequence) the basic unit include: (1) property; (2) action; (3) property. The story of a structurally complex sequence constituted by a number of narrative.

Answer 3

From the narrative structure of "Moore • Flanders" of capitalism, an affirmation of individual value.
(1) Analysis of the 18th century English novelist Daniel Defoe's novel • "Moore • Flanders," the narrative structure, the Moore • Flanders the female characters are essentially life-long pursuit of money the individual value of capitalism sure. Therefore, Moore • Flanders represents the strength of the emerging bourgeoisie; her to the entire legal and moral impact on society at that time are still dominated by the negative cultural forces.
18th century English novelist Daniel Defoe's novel • "Moore • Flanders" is a creation of his novels worthy and "Robinson Crusoe" a masterpiece in comparison. If we say that "Robinson Crusoe" performance in the primitive accumulation of capital during the rise phase of the bourgeoisie in the entrepreneurial spirit of Moore • Flanders the female image from another perspective, the deepening of capitalism Defoe individual affirmation of the value.
B) • Virginia Woolf in the "general reader" that "" Moore • Flanders "and"罗克莎娜"great English novels belong to one of the few, with the eternal charm of the masterpiece" [1]. • Ian Watt in "The Rise of the novel" in the comments: "People generally think," Moore • Flanders, "Defoe novels represent the achievements of ... ... it is Defoe novels explore techniques to identify him in the novel tradition the status of the best work. ". "[2] (P105), following after Ian Watt • female critics Madeline • Conn in the 18th century English novel discusses the novel rhetoric and gender, further pointed out:" Watt Moore criticized the lack of feminine. Of course she is not simply a woman: she was a male writer to use the narrative techniques, her non-reflecting the importance of femininity do not is that they destroy the illusion of a female narrator, but therefore more eye-catching. "
[3] (P9) Woolf and the Conn from the female critics are trying to give perspective, "Moore • Flanders" inject new ideas. Conn further narrative analysis and the implied criticism of the ideological discourse of women to combine both to the study of pure forms of narrative analysis of injected fresh vigor, but also explored the male narrative authority and the novel version of Moore • Flanders female the tension between narrative voices. This section is based on "Moore • Flanders," the analysis of narrative structure to explore the works of capitalism, an affirmation of individual value.

[First Todorov's narrative theory to analyze the study, Todorov's narrative structure similar to the linguistic analysis of syntactic analysis. He believes that the text of the most basic structural units include: characters, action figures and characters of property. Action figure is equivalent to a sentence that, while the figure refers to the property in which a certain state of character or a limiting factor.People with an action or combination of property to form a narrative proposition (proposition). Self-contained series of propositions to form a narrative sequence (the story). Thus, a narrative sequence (sequence) the basic unit include: (1) property; (2) action; (3) property. The story of a structurally complex sequence constituted by a number of narrative.

Answer 4

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