Question

翻译一篇英文 详见问题补充，谢谢！

Steer was among the leaders of British artists in his generation who looked to France for inspiration. One of the only few truly English Impressionist. He trained in Paris 1882-4 (around the time Sargent was reaching his height there) and revisiting France four times between 1887 and 1891. He was one of the founding members of the New English Art Club in 1886.
Steer had a strong art foundation with his father being the the portrait painter Philip Steer (1810-1871).
In 1892 the Anglo-Irish novelist George Moore wrote 'it is admitted that Mr Steer takes a foremost place in what is known as the modern movement' and around this time Steer was producing the beach scenes and seascapes that are regarded not only as his finest works but also as the best Impressionist pictures painted by an Englishman, which, on the whole, seemed to have missed, almost completely, the Impressionist movment outside the few within the New English Art Club.
His paintings played with the handling of light, experimenting with breaking up the colors such as what Monet was doing at this same time -- particularly in these series of summer holiday scenes painted on the East Coast, at Walberswick and Southwold in Suffolk -- until around the mid to late 1890's when he finally kowtowed to the ever present critics who continually howled incessantly at his paintings and his work started turning more and more towards conventional English style such as Turner, and Constable. Not all were against him. So typically in character, John Singer Sargent in 1900, served as chairman of a dinner given in honor of the Steer for what he and his art had been accomplishing whether realized by the critics or not.
During the WWI, he was recruited by Lord Beaverbrook, the Minister of Information, to paint pictures of the Royal Navy.
In the 1920s he turned increasingly to watercolors. He taught at the Slade School from 1893 to 1930 and in 1931 was awarded the Order of Merit. His sight began to fail in 1935 and he had stopped painting by 1940
不要网站的翻译呐...高手来啊

Answer 1

我来也，虽然我远非高手，不过我试试也应能聊胜于机器

Steer was among the leaders of British artists in his generation who looked to France for inspiration.
斯蒂尔（Steer 这只能是个人名）是他那个时代中，那些仰望法国以获得灵感的英国画家中的佼佼者。
One of the only few truly English Impressionist.
他是英国屈指可数的真正的几位印象派画家之一。
He trained in Paris 1882-4 (around the time Sargent was reaching his height there) and revisiting France four times between 1887 and 1891.
他于1882-1884年间在巴黎受训（大约在这一时期，萨金特在此地正冲击他艺术的顶峰<这个我是根据理解而意译了，既然是将艺术家的 我猜应该就是这个意思>）并且在1887-1891年间又重访此地4次。
He was one of the founding members of the New English Art Club in 1886.
他是在1886年建立的新英国艺术俱乐部的初始会员之一。
Steer had a strong art foundation with his father being the the portrait painter Philip Steer (1810-1871).
斯蒂尔有一个很强大的艺术基金会，而且他的父亲，菲利夫 斯蒂尔（1810-1871）也是一位肖像画家。
In 1892 the Anglo-Irish novelist George Moore wrote 'it is admitted that Mr Steer takes a foremost place in what is known as the modern movement'
在1892年一位居住于爱尔兰的英格兰籍小说家乔治 摩尔这样写道“对于斯蒂尔先生在为众人所知的现代运动中扮演的无上的重要地位已经得到承认”
and around this time Steer was producing the beach scenes and seascapes that are regarded not only as his finest works but also as the best Impressionist pictures painted by an Englishman,
而且就在这段时期左右，斯蒂尔正创作着他的那些以海滩海景为主题的作品，而这些作品，不只被认为是他自己最好的作品更是由英国人创作的最好的印象派作品，
which, on the whole, seemed to have missed, almost completely, the Impressionist movment outside the few within the New English Art Club.
但这些作品似乎完全地错过了那场在新英国艺术俱乐部之外的是声势浩大的印象派运动。
His paintings played with the handling of light, experimenting with breaking up the colors such as what Monet was doing at this same time
他的画善于处理光线，尝试着想同时期的莫奈一样去搅散那些颜色（这个是印象派画的基本技法）
-- particularly in these series of summer holiday scenes painted on the East Coast, at Walberswick and Southwold in Suffolk
特别是那些在东海岸，在Walberswick 和Suffolk的Southwold 所画的关于夏日假期的一系列风景画
-- until around the mid to late 1890's when he finally kowtowed to the ever present critics who continually howled incessantly at his paintings and his work started turning more and more towards conventional English style such as Turner, and Constable.
直到1890年代中期，他才向那些一直在其周边批评他的画的声音低头，以至于他的画风逐渐转向于传统的英国风格，就像特纳和Constable一样。
Not all were against him.
但并非所有人都反对他。
So typically in character, John Singer Sargent in 1900, served as chairman of a dinner given in honor of the Steer for what he and his art had been accomplishing whether realized by the critics or not.
正如这件事的特点是如此鲜明： John Singer Sargent在1900年举行的一场纪念斯蒂尔的晚宴上作为主持人，（赞颂了）斯蒂尔的那些艺术成就而不管其是否被批评界所认可。
During the WWI, he was recruited by Lord Beaverbrook, the Minister of Information, to paint pictures of the Royal Navy.
在一战期间，他被比夫布鲁克王征召入伍作为情报部长，为皇家海军制图（因为与战争有关了）。
In the 1920s he turned increasingly to watercolors.
在1920年代他又倾向于创作水彩画。
He taught at the Slade School from 1893 to 1930 and in 1931 was awarded the Order of Merit.
他在Slade学校由1893年任教至1930年，并在1931年被授予一等功。
His sight began to fail in 1935 and he had stopped painting by 1940
在1935年他的视力开始下降，并在1940年停止作画

希望你能满意

Answer 2

避免在英国艺术家的领导人在当时的世代是个完全人,观看到法国的灵感。只有很少的真正英语印象派的。在巴黎,他训练的时间1882-4(大约是在一个高度达到他的四倍)和(1887年,法国1891年之间。他是创始会员国之一的英语新艺术俱乐部于1886年。
避免有着强烈的艺术基金会与父亲的肖像画家的菲利普舵(1810-1871)。
在1892年,爱尔兰作家乔治·摩尔写道:“这是承认,需要一个最重要的地方避免被称为现代运动”,在这个时候带领生产海滩的场景和海景,不仅是他最好的作品,但也是最好的印象派画家的画,画的是英国人,但从总体上看,似乎已经失去了,几乎完全、印象派时还包含以外的一些新英语艺术俱乐部。
他的绘画与处理,用分手的颜色,如莫奈是什么做的与此同时——特别是在这一系列的暑假场景画在东海岸,在Walberswick和南萨福克郡——直到围绕热症1890年,当他最后的预先的批评家们不断地在他的绘画和咆哮他的工作开始转向更非常多,艺术设计多对传统英式如特纳,警官。并不是所有的人都是反对他。所以一般,约翰歌手一个1900年,担任主席,为避免对他的艺术已经完成,他是否意识到的批评。
第一次世界大战期间,他来到了耶和华,部长布鲁克信息,画画的皇家海军。
在20世纪20年代,他转过身,水彩。他在斯莱德学校从1893年到1930年,于1931年获得的优点。他的视力开始失败于1935年,他已经停止绘画到1940年