动画专业英语翻译,菜鸟勿扰啦!!急求!! 20
Characterswalkedtoa“beat”—rantoa“beat”—reactedonthe“beat”—punchedoneanothertothe“beat...
Characters walked to a “beat”—ran to a “beat”—reacted on the “beat”—punched one another to the “beat”—it was beat,beat,beat,beat and as people in the theater watched and listened,they unconsciously tapped their feet in sync,in the cartoon,sight and sound had joined forces and new horizons beckoned.FANTASIA,far ahead of its time and,to this day,still way out front,could well be considered the great acreative relationship of one to the other is unsurpassed,offering the audience a memorable experience in the fanciful and the dramatic.
Gradually we began to look to music to further enhance our pictures rather than to“control”them.We pulled away from the “beat”domination.With SNOW WHITE the animation,pushed to the front,right,as Stromboli would say:“In the public’s eye”,and with those drawings came a new and expressive use of music in our films,giving support and our story,adding new emotional pleasures and meaning to our pictures.And then came those wondeful moments when musical instruments inter-preted the personalities of our characters and the characters“did speak through music.”
In PETER AND THE WOLF the bassoon,you remember,was the personality and voice of the“Grandfather”.The oboe,melancholy in its sound,was Sascha’s friend,the“Duck”.The flute,with its pitch and note capabilities,was the nervous,explosive little “Sascha”.Each of the other characters,too,found his identity in an instrument and melody.In PETER AND THE WOLF,so closely were the instrumens and music related to the characters’personalities and actions that all musical notes in the score,where relevant to the scene,were copied onto the exposure sheet in proper place ,often in a diagonal way that would suggest the“upscale”or“down’scale”movement of the musical phrase,giving a positive“dialogue”inflection and interpretation.
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Gradually we began to look to music to further enhance our pictures rather than to“control”them.We pulled away from the “beat”domination.With SNOW WHITE the animation,pushed to the front,right,as Stromboli would say:“In the public’s eye”,and with those drawings came a new and expressive use of music in our films,giving support and our story,adding new emotional pleasures and meaning to our pictures.And then came those wondeful moments when musical instruments inter-preted the personalities of our characters and the characters“did speak through music.”
In PETER AND THE WOLF the bassoon,you remember,was the personality and voice of the“Grandfather”.The oboe,melancholy in its sound,was Sascha’s friend,the“Duck”.The flute,with its pitch and note capabilities,was the nervous,explosive little “Sascha”.Each of the other characters,too,found his identity in an instrument and melody.In PETER AND THE WOLF,so closely were the instrumens and music related to the characters’personalities and actions that all musical notes in the score,where relevant to the scene,were copied onto the exposure sheet in proper place ,often in a diagonal way that would suggest the“upscale”or“down’scale”movement of the musical phrase,giving a positive“dialogue”inflection and interpretation.
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人物走向一个“鼓”-ran到一个“鼓”-reacted“鼓”-punched上彼此“鼓”-是打,打,打,打我们,当人们在剧院看和听,他们不知不觉地拍拍他们的脚同步,在卡通、视觉和听觉已经加入了部队,“新视野”示意。幻想曲,远远超过了它的时间和,到了今天,仍出路前面,这很可能被认为是伟大的acreative关系的一个对另一个是无与伦比的,提供了观众一次难忘的经历在装饰性与戏剧性。
我们逐步开始看音乐来进一步提高我们的照片,而不是去“控制”他们。我们拿开的“击败”占统治地位。白雪公主动漫,与推到前面,就像Stromboli就会说:“在公众的眼睛”,并以那些图纸出现了一个新的,富于表现力的使用的音乐在我们的电影,给与支持,我们的故事,增加新的情感的乐趣和意义对我们的照片。再来就是那些wondeful乐器inter-preted这样的时刻,我们的角色的个性特点,通过音乐”一样说话。”
在彼得和狼的大管),你记得的,是人格特质及“祖父”的声音。双簧管,忧郁的声音,是Sascha在它的朋友,"鸭子"。长笛,与它的音调和注意的能力,是神经、易爆少”Sascha”。每年的其他角色也发现他的身份和旋律在一种乐器。在彼得和狼,如此紧密相关instrumens和音乐的特点和行为,都'personalities音符在得分,并作相应到现场时,被拷贝到板材的暴露在适当的地方,往往是在一个对角线的方式显示这个“高档的”或“低'scale”运动的音符,提供一个积极的“对话”与“拐点和解释。
我们逐步开始看音乐来进一步提高我们的照片,而不是去“控制”他们。我们拿开的“击败”占统治地位。白雪公主动漫,与推到前面,就像Stromboli就会说:“在公众的眼睛”,并以那些图纸出现了一个新的,富于表现力的使用的音乐在我们的电影,给与支持,我们的故事,增加新的情感的乐趣和意义对我们的照片。再来就是那些wondeful乐器inter-preted这样的时刻,我们的角色的个性特点,通过音乐”一样说话。”
在彼得和狼的大管),你记得的,是人格特质及“祖父”的声音。双簧管,忧郁的声音,是Sascha在它的朋友,"鸭子"。长笛,与它的音调和注意的能力,是神经、易爆少”Sascha”。每年的其他角色也发现他的身份和旋律在一种乐器。在彼得和狼,如此紧密相关instrumens和音乐的特点和行为,都'personalities音符在得分,并作相应到现场时,被拷贝到板材的暴露在适当的地方,往往是在一个对角线的方式显示这个“高档的”或“低'scale”运动的音符,提供一个积极的“对话”与“拐点和解释。
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