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无论何类画派的艺术家,他们都是借助其独特的语言形式来完成作品的情感体现的。从这个意义上讲,绘画语言的不同运用,则产生出不同风格的绘画作品。中国画崇尚文、意、趣,而这一切都...
无论何类画派的艺术家,他们都是借助其独特的语言形式来完成作品的情感体现的。从这个意义上讲,绘画语言的不同运用,则产生出不同风格的绘画作品。中国画崇尚文、意、趣,而这一切都是通过笔墨技巧来体现出来的。在这里,笔墨本身不是“具象”的,相对具体塑造的艺术形象来说,它是形式的因素,但却有着引起形象的联想和意趣的感受的功能。正如蓝色和红色能引起冷暖的视觉感受一样,在宣纸上粗糙的干笔能引起树干及老人似的苍老的视觉感受;水分饱满、行笔流畅的笔迹能引起春天般滋润的视觉感受;徐缓的用笔能引起持重含蓄的联想;流利灵活用笔能引起洒脱欢畅的联想;快速而多变的用笔引起蛇龙飞舞的联想。贺天健总结笔法有:“笔直中锋,卧笔中锋,倒笔卷上,倒笔提上,卧笔旋拖,放笔直下,仰笔伸缩滚擦,垂笔揩擦,侧锋听昕下笔重,仰笔剔掠,仰笔旋拖,卧笔拖搁,卧笔横拖战动。”墨法有:“烘、染、渲、破、飞、揉、积、渍。”实际上何止这许多,临池泼墨,变化万千,风雪晴雨,因人而异。中国笔墨这种形式因素,是画家的独特风格在艺术技巧方面的主要表现。艺术家们常“借笔墨以写天地”。通过构思构图,合理运用笔墨虚实,水韵,墨色和运笔而产生的肌理形成有个性的绘画语言。虚实处理,仍然是当代画家构成新的属于自己艺术语言的要素。虚实的表现,就是画者灵气的表现,是对画理的悟性。中国画家历来认为画必须有笔墨,无笔墨就不能与画。并且笔墨技巧还要与表现内容有机结合起来,才能产生好的作品。这种代代沿袭的艺术法则即所谓传统,已成为中国所独有的绘画语言。
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No matter what kind of artist's paintings, they are using their unique language to form the complete works of emotional expression. In this sense, painting using different language, have a different style of the paintings. Chinese paintings advocating text, Italy, Uzbekistan, and all this through the ink techniques embodied in the. Here, space is not "with an elephant", a relatively concrete molded in the image, it is the form factor, However, it has caused the image of the association and charm feelings function. As the blue and red to attract the well-being of visual feelings, Rough rice paper in the dry can cause tree trunks and the elderly appeared similar to the visual sense; With water, brushwork flowing handwriting can be like spring rain caused the visual sense; bradycardia the pen can draw pragmatic implicit association; fluent flexible pen can draw lovers elated association; Quick and changeable pen caused a snake winding Lung Association. Hetianjian summed up style : "straight center, the percentage of T center, taking T rolls, reversing put on the T, the percentage of T rotary trailers, straight up, Yang T extendable roller rubbing, T Jiaca vertical, oblique attack listen to heavy write Xin, Yang T tick ransacked, Yang T rotary trailers, trailers lying dormant T, Horizontal T Wang trailer War Mobilization. "Mexican law :" drying, dyeing, shading, breaking fly, blending, plot, the stain. "Actually addition to this, A pool traditional Chinese ink and change the mind of a snowstorm WEATHER, varies from person to person. Chinese ink this form factor is the painter's unique artistic style in the main performance. Artists often "use of ink to write earth." Composition idea through rational use of space to the street, water Scent, color and characters and the texture of the personality formation of a painting. Broken, is still contemporary artists constitute a new language of their own artistic elements. Judging by the performance of the artists is the spirituality of the performance of painting reasonable comprehension. China has always held that the artist must have painted brushwork, no ink paintings on not. And also with the free-content organic performance combine to produce good work. This generation followed the rules of the so-called arts tradition, has become China's unique artistic language.
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Regardless of He Leihua sends the artist, they all are draw supportfrom its unique language form to complete the work the emotion tomanifest. Says from this significance, drawing language differentutilization, then produces the different style drawing work.Traditional Chinese painting advocation article, Italy, interest, butall these are manifests through the words skill. In here, words itselfis not "the embodiment", relative specifically molds the artisticimage said that, it is the form factor, but actually has causes theimage association and the interest feeling function. Just like theblue color and is red can cause the changes in temperature visualfeeling to be same, the rough dry pen can cause the old visual feelingon the xuan paper which the bough and the old person resembles; Themoisture content is full, the good pen smooth handwriting can causethe visual feeling which the spring moistens; 徐缓 can cause theprudent implicit association with the pen; Fluent nimbly can cause thefree and easy elated association with the pen; Fast and is changeablethe association which causes with the pen 蛇龙 dances in the air. HeTian Jian summarizes the writing technique to include: "The verystraight center, lies the pen center, pours in the pen volume, poursthe pen to raise, lies the pen to turn on lathe tows, puts verystraightly under, the supine pen expands and contracts rollsscratches, hangs the pen to wipe scratches, leans the front to listen昕 to start writing heavily, Yang Biti plunders, Yang Bixuan tows,lies the pen to tow puts, lies the pen horizontally to tow the war tomove." The ink law includes: "Dries, dyes, washes with watercolors,broken, flies, rubs, accumulates, soaks." In fact these many,practices calligraphy splashes ink, is eternally changing, the windand snow clear rain, is different from person to person. The Chinesewords this kind of form factor, is painter's unique style in theartistic skillful aspect main performance. The artists often "borrowthe words to write the world". Through the idea composition,reasonably utilizes the words actual situation, the water rhyme, theblack color and wields the pen the skin texture which produces to formhas the individuality drawing language. The actual situationprocessing, still was the contemporary painter constitutes newlybelongs to the oneself art language the essential factor. The actualsituation performance, is the picture divine and wonderful spiritperformance, is to the picture principle perception. The Chinesepainters always thought the picture must have the words, does not havethe words not to be able and the picture. And the words skill alsomust with the performance content organic synthesis, the work whichcan produce. This kind of generation of follows the artistic principlenamely so-called tradition, has become the drawing language whichChina is in sole possession of.
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