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本人水平有限,软件翻译的错误很多,恳求英语高手帮帮忙(请不要用软件或在线翻译),翻译得通顺就可以了!谢谢啦~~~以下是需要翻译的内容:从现有的出土文物分析,在旧石器时代人...
本人水平有限,软件翻译的错误很多,恳求英语高手帮帮忙(请不要用软件或在线翻译),翻译得通顺就可以了!谢谢啦~~~
以下是需要翻译的内容:
从现有的出土文物分析,在旧石器时代人们对自然(包括日、月与动物)已经产生了敬畏,常把天地万物联系起来,神化万物,所以有了对万物的崇拜。鸟也被人神化,成为崇拜的对象。在新石器时代里,可以找到很多关于鸟纹的遗迹。尤其在彩陶上。由于时期早晚、生活环境、部族差异、社会结构等因素的不同,鸟纹的风格特点也不同。总的来说,新石器时代黄河流域彩陶上的鸟纹样大多经过是由写实向写意,由具象向抽象发展演变。 展开
以下是需要翻译的内容:
从现有的出土文物分析,在旧石器时代人们对自然(包括日、月与动物)已经产生了敬畏,常把天地万物联系起来,神化万物,所以有了对万物的崇拜。鸟也被人神化,成为崇拜的对象。在新石器时代里,可以找到很多关于鸟纹的遗迹。尤其在彩陶上。由于时期早晚、生活环境、部族差异、社会结构等因素的不同,鸟纹的风格特点也不同。总的来说,新石器时代黄河流域彩陶上的鸟纹样大多经过是由写实向写意,由具象向抽象发展演变。 展开
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原文:
从现有的出土文物分析,在旧石器时代人们对自然(包括日、月与动物)已经产生了敬畏,常把天地万物联系起来,神化万物,所以有了对万物的崇拜。鸟也被人神化,成为崇拜的对象。在新石器时代里,可以找到很多关于鸟纹的遗迹。尤其在彩陶上。由于时期早晚、生活环境、部族差异、社会结构等因素的不同,鸟纹的风格特点也不同。总的来说,新石器时代黄河流域彩陶上的鸟纹样大多经过是由写实向写意,由具象向抽象发展演变。
翻译:
From existingly sprout cultural object analysis, have already produced to hold in high esteem to the nature(include day, month and animal) at old stone age people, often get up world creation's contact, apotheosis creation, so had to the adoration of the creation.Bird drive also person's apotheosis, become adoring object.Can find out a lot of historic relic concerning bird lines in the new stone age.Particularly on the colourful pottery.Because period sooner or later, the dissimilarity of living environment, intertribal difference, social structure etc. factor, the style characteristics of bird line is also different.Total of to say, the bird line that is on neolithic yellow river river valley colourful pottery kind mostly passes by from realistic to comfortable, from have elephant to turn into toward the abstract development.
从现有的出土文物分析,在旧石器时代人们对自然(包括日、月与动物)已经产生了敬畏,常把天地万物联系起来,神化万物,所以有了对万物的崇拜。鸟也被人神化,成为崇拜的对象。在新石器时代里,可以找到很多关于鸟纹的遗迹。尤其在彩陶上。由于时期早晚、生活环境、部族差异、社会结构等因素的不同,鸟纹的风格特点也不同。总的来说,新石器时代黄河流域彩陶上的鸟纹样大多经过是由写实向写意,由具象向抽象发展演变。
翻译:
From existingly sprout cultural object analysis, have already produced to hold in high esteem to the nature(include day, month and animal) at old stone age people, often get up world creation's contact, apotheosis creation, so had to the adoration of the creation.Bird drive also person's apotheosis, become adoring object.Can find out a lot of historic relic concerning bird lines in the new stone age.Particularly on the colourful pottery.Because period sooner or later, the dissimilarity of living environment, intertribal difference, social structure etc. factor, the style characteristics of bird line is also different.Total of to say, the bird line that is on neolithic yellow river river valley colourful pottery kind mostly passes by from realistic to comfortable, from have elephant to turn into toward the abstract development.
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楼上的全都是翻译机翻的……最搞笑的是LS,手动的……手动用翻译机翻译的吧……
LZ看看我翻译的,绝对人工打造。如若不是……Er……我也想不出来啥辄来整自己~~
Analysising from the archaeological finds that have been discovered, the Paleolithic people have formed a kind of fear towards the Nature, including the sun, the moon and the animals.They often connected everything with each others and then apotheosised these things. Thus there existed the worship of everything. Even birds were apotheosised by human beings and became the objest of worship. From the Neolithic pirod, we can find plenty of vestiges of bird-shape veins, especially on the painted potteries. The style of the veins differs a lot because of the distinguishes of some factors, such as the period of time, the living circumstances, the differences between the tribes and the structure of societies. Generally speaking, the bird-shape veins on the Neolithic painted potteries found at the valley of the Yellow River evoluted from realistical to practical, at the same time from in-abstract to abstract.
LZ看看我翻译的,绝对人工打造。如若不是……Er……我也想不出来啥辄来整自己~~
Analysising from the archaeological finds that have been discovered, the Paleolithic people have formed a kind of fear towards the Nature, including the sun, the moon and the animals.They often connected everything with each others and then apotheosised these things. Thus there existed the worship of everything. Even birds were apotheosised by human beings and became the objest of worship. From the Neolithic pirod, we can find plenty of vestiges of bird-shape veins, especially on the painted potteries. The style of the veins differs a lot because of the distinguishes of some factors, such as the period of time, the living circumstances, the differences between the tribes and the structure of societies. Generally speaking, the bird-shape veins on the Neolithic painted potteries found at the valley of the Yellow River evoluted from realistical to practical, at the same time from in-abstract to abstract.
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From existingly sprout cultural object analysis, have already produced to hold in high esteem to the nature(include day, month and animal) at old stone age people, often get up world creation's contact, apotheosis creation, so had to the adoration of the creation.Bird drive also person's apotheosis, become adoring object.Can find out a lot of historic relic concerning bird lines in the new stone age.Particularly on the colourful pottery.Because period sooner or later, the dissimilarity of living environment, intertribal difference, social structure etc. factor, the style characteristics of bird line is also different.Total of to say, the bird line that is on neolithic yellow river river valley colourful pottery kind mostly passes by from realistic to comfortable, from have elephant to turn into toward the abstract development.
手动的,满意了吧?
手动的,满意了吧?
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Archaeological Finds from the existing analysis of Paleolithic people in the natural (including day, month and animals) has produced fear, often linked to the Creation, deified things, with the worship of all things. Bird has been deified, become the object of worship. In the Neolithic period, many can be found on the remains of Niaowen. Especially on the painted pottery. Because sooner or later period, the living environment, tribal differences, social structure and other factors different from the style Niaowen characteristics are also different. Overall, the New Stone Age on the Yellow River valley painted pottery patterns of birds mostly from realism to the freehand brushwork, from an abstract as to the evolution. 我是美国人
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From the existing archaeological finds analysis, in the paleolithic period people to the nature (including date, month and animal) had already had the awe, often relates the world myriad things, deified myriad things, therefore had to the myriad things the worship. The bird is also deified by the human, becomes the worship the object. In the Neolithic Age, might find many about the bird grain vestige. Especially on painted pottery. As a result of the time, factor and so on living conditions, clan and tribe difference, social structure differences, the bird grain's style characteristic also will be sooner or later different. Generally speaking, on the Neolithic Age Huanghe River valley painted pottery's bird dermatoglyphic pattern mostly process is by approaches practical enjoyably, to develops the evolution abstractly by the embodiment.
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