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GraphicDesignInthebroadestsense,graphicdesigndescribestheconsciousorganizationoftexta...
Graphic Design
In the broadest sense, graphic design describes the conscious organization of text and/or images to communicate a specific message. The term refers to both the process (a verb: to design) by which the communication is generated, as well as the product of this process (a noun: a design). It is used to inform, advertise, or decorate, and typically embodies a combination of these functions. The more aesthetic and sensory latitude involved or allowed, the closer graphic design veers toward art (poetics); the less, the closer toward science (functionality). Today the term encompasses a notoriously wide range of activities, from the design of traditional print media (books and posters) to location-specific media (signs and signage systems), and electronic media (CD/DVD-ROMs and web sites).
Graphic design emerged as an autonomous discipline in the first half of the twentieth century, encompassing both long-standing and emerging activities such as typography, book design, and advertising. After a few decades marked by avant-garde experimentation in the first half of the twentieth century, the discipline acquired a degree of professional acumen during the decades immediately before and after the Second World War. Toward the end of the millennium this status was destabilized through the so-called democratization of publishing (“desktop publishing”). During the shift from the mechanical to digital, the tools of graphic design production—page makeup and imaging software, typefaces, and so on—became freely available and relatively cheap. This demystified the notion of graphic design and, by extension, questioned both the professional standing and relevance of the graphic designer. Like many media roles, graphic design is now characterized by this uncertain identity.
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In the broadest sense, graphic design describes the conscious organization of text and/or images to communicate a specific message. The term refers to both the process (a verb: to design) by which the communication is generated, as well as the product of this process (a noun: a design). It is used to inform, advertise, or decorate, and typically embodies a combination of these functions. The more aesthetic and sensory latitude involved or allowed, the closer graphic design veers toward art (poetics); the less, the closer toward science (functionality). Today the term encompasses a notoriously wide range of activities, from the design of traditional print media (books and posters) to location-specific media (signs and signage systems), and electronic media (CD/DVD-ROMs and web sites).
Graphic design emerged as an autonomous discipline in the first half of the twentieth century, encompassing both long-standing and emerging activities such as typography, book design, and advertising. After a few decades marked by avant-garde experimentation in the first half of the twentieth century, the discipline acquired a degree of professional acumen during the decades immediately before and after the Second World War. Toward the end of the millennium this status was destabilized through the so-called democratization of publishing (“desktop publishing”). During the shift from the mechanical to digital, the tools of graphic design production—page makeup and imaging software, typefaces, and so on—became freely available and relatively cheap. This demystified the notion of graphic design and, by extension, questioned both the professional standing and relevance of the graphic designer. Like many media roles, graphic design is now characterized by this uncertain identity.
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平面设计
在最广泛的意义，介绍了平面设计的文字和/或图像意识的组织传达特定的信息。这个词是指两个进程（动词：设计），其中产生的沟通，以及这一过程的产物（名词：设计）。它是用来告知，宣传，或装饰，通常体现了对这些功能组合。在更多的审美和感官纬度涉及或允许的，越接近走向艺术（诗）平面设计不见得让它;的少，对科学的（功能）密切。今天，这个词包括臭名昭著的活动范围广泛，从传统的印刷媒体（书籍和海报）到特定位置的媒体（标志和标志系统）和电子媒体（CD / DVD - ROM和网站）的设计。
平面设计成为一个在20世纪上半自治自律，既包括长期和印刷术等新兴活动，书籍设计，和广告。经过几十年特点先锋在20世纪上半前卫实验，纪律的几十年期间取得的专业才干的程度之前和之后的第二次世界大战。向着这一地位是通过出版所谓的民主化不稳定千年结束（“桌面出版”）。在从机械转向数字，图形设计的生产工具页的化妆和图像处理软件，字体等，成了免费的，而且相对便宜。这demystified的图形设计概念和延伸，同时质疑的专业地位和平面设计师的相关性。像很多媒体的作用，平面设计的最大特点，这种不确定的身份。
在最广泛的意义，介绍了平面设计的文字和/或图像意识的组织传达特定的信息。这个词是指两个进程（动词：设计），其中产生的沟通，以及这一过程的产物（名词：设计）。它是用来告知，宣传，或装饰，通常体现了对这些功能组合。在更多的审美和感官纬度涉及或允许的，越接近走向艺术（诗）平面设计不见得让它;的少，对科学的（功能）密切。今天，这个词包括臭名昭著的活动范围广泛，从传统的印刷媒体（书籍和海报）到特定位置的媒体（标志和标志系统）和电子媒体（CD / DVD - ROM和网站）的设计。
平面设计成为一个在20世纪上半自治自律，既包括长期和印刷术等新兴活动，书籍设计，和广告。经过几十年特点先锋在20世纪上半前卫实验，纪律的几十年期间取得的专业才干的程度之前和之后的第二次世界大战。向着这一地位是通过出版所谓的民主化不稳定千年结束（“桌面出版”）。在从机械转向数字，图形设计的生产工具页的化妆和图像处理软件，字体等，成了免费的，而且相对便宜。这demystified的图形设计概念和延伸，同时质疑的专业地位和平面设计师的相关性。像很多媒体的作用，平面设计的最大特点，这种不确定的身份。
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在最宽广感觉,平面造型设计中平面造型设计描绘文本和/或形象的有意识组织传达一特有信息.术语把过程交给两个处理一动词:设计通讯存在产生的以及这过程的产品在附近一名词:一设计.它被用来提供资料,登公告,或者装饰和典型体现一这些功能的结合.涉及或者允许更美学的更和感觉的纬度,朝着艺术((诗学)更密切平面造型设计变更 ;更不那么,朝着科学closer((官能性).今天术语特定的媒体((记号和标记系统)和电子媒体(CD//DVD-只读存储器和网站包围一大批臭名昭著地从到位置-传统印刷媒体((书和海报)的设计活动广泛.平面造型设计在前一半中第二十世纪的自治纪律作为一出现成功地导致由来已久的和新兴的例如凸版印刷,书设计和广告业活动两者.在几被先锋派的实验在朝派前一半标记几十年的第二十世纪以后,在十年纪律在以前和在第二次世界大战War以后直接获得一程度的职业敏锐.朝着千年末这状况被通过所谓民主化的出版((“desktoppublishing”)使不稳定.在期间从机械手指,工具的平面造型设计转移可用的production—page构成和造像软件,字面和那样 on—became自由和相对说来便宜.这个使平面造型设计的想法非神秘化和自然地怀疑在两方面同样地平面设计师设计者的职业地位和有关.像很多媒体作用,现在平面造型设计的特点是这不确定身份.
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