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WhyisLondoncoolerthanusual?Becauseit’sFrieze-ing.But,giventhatGermansseemedtobethedom...
Why is London cooler than usual? Because it’s Frieze-ing. But, given that Germans seemed to be the dominant nationality on the opening day of the Frieze Art Fair, it made sense that it was Claudia Schiffer’s open-to-buy budget that was giving gallerists chills. Plus, she was appropriately emblematic of the fashion/art nexus that gives Frieze its special flavor. Case in point: The first person I saw as I sailed through security was Raf Simons; the last, as I headed for the exit five hours later, was Hussein Chalayan. And the day began with a press brunch given by COS, Europe’s favorite “masstige” chain, followed by a curators’ tour of Frame, the new art wing of Frieze, which COS is supporting.Each invitation to the brunch was accompanied by a hand-penned missal from artists Michael Crowe and Lenka Clayton as part of a project called Mysterious Letters, through which they intend to communicate with every single person in the world. (Just two kids with a dream!) Still, the optimistic monumentalism of their scheme felt typical of Frieze 2010, especially after the flatness of last year’s fair. There was lots and lots of really big stuff, taking a cue from the scale of Frieze itself, with more than 170 of the world’s best galleries on display. Sadie Coles was showing a 13-foot-high fireplace cast in bronze by the Swiss artist Ugo Rondinone; Emmanuel Perrotin had Xavier Veilhan’s high-octane futurist-style sculpture of a carriage drawn by four horses. It was almost life-size. And purple, to make it even more inescapable. (That’s it, pictured above, at a previous installation in Versailles.)If 2009 featured a strong handicraft subtext, 2010 resurrected that old standby, photo-based work. Chalayan’s favorite was Marlo Pascual on Casey Kaplan’s stand. The Tennessee native’s dramatically repurposed images also captured the imagination of Francesca Amfitheatrof and Carlo Brandelli—and enough museums and collectors that Pascual was a first-day sellout. That’s the kind of new-name success story that offers an uplifting alternative to all the grandstanding that takes place at the blue-chip booths. Not to say that that isn’t enthralling, too. In fact, I’ve got to get me back there tomorrow for some more.—Tim Blanks
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为什么伦敦冷却器不同寻常?因为它的弗里兹ing。但是,鉴于德国似乎是占据主导地位的国籍的开幕的Frieze艺术博览会,这样做是有意义的,这是克劳迪娅希弗的开放的购买预算,给画商发冷。另外,她是适当的象征时尚/艺术中心,给弗雷兹特殊风味。例子:我第一个看到我顺利地通过了安全是Raf Simons;最后,我直奔出口五个小时后,卡拉扬就。这一天的开始通过媒体早午餐给COS,欧洲的最喜欢的“masstige”链,后跟一个策展人访问帧,新的艺术博览会,COS翼的支持。每个邀请早午餐是伴随着一个手执笔艺术家迈克尔·克劳和祈祷书从Lenka克莱顿作为项目的一部分称为神秘信件,在那里它们定向
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